Peke ki te ihirangi
Joey van Beek

HōranaToi

Ngā Uiuinga me Joey van Beek

Pānuitia ngā uiuinga me Joey van Beek: māramatia tā rātou whakaaro nui, tukanga auaha me ngā mahi whiwhi tohu.

Kōtaha Kaihoahoa

He maha ngā uiuinga ā mātou me Joey van Beek.

Ka whakaputaina i te reo Ingarihi anake, ā, kei raro nei e whakaahua ana i tō rātou reo taketake.

Whakatūwhera i te whārangi Ingarihi

Uiuinga Kaihoahoa o te Rā

18 pātai

It may sound a bit strange, but the only experience as an artis that I have is: my office, canteen and now “Steel-U”.

Could you please tell us about your experience as a designer, artist, architect or creator?

It may sound a bit strange, but the only experience as an artis that I have is: my office, canteen and now “Steel-U”. Because I grew up in the company of my father, my entire life has been around the bulk handling industry. So my education was Mechanical Design and Engineering because that was then the most logical thing to do. This means; that the world around art and design is completely new to me. A’ Design Award is for me the starting point for this amazing journey. What does help me personally; is that despite everything is new, it feels natural to do and like if I have been doing this for a longtime.

How did you become a designer?

At the company that my father and I have, we wanted a new office. So we went for the industrial look and found out that we also needed a new desk. Between the scrap metal there was a 45mm thick steel plate of 3x1.5m what just made sense to be used as the top of our new desk. After finishing the new office I got a lot of positive feedback from people about the desk, so I thought: why not start a business. After done that, I wanted to have at least be able to show people more than just a single desk, so I came up with the idea to change the canteen into a mini showroom so people could also experience the designs I had in my mind and not just hear about them. I noticed when I was making the main table for the canteen I got more and more energy every time I was thinking and working on it. I knew I was hooked to designing at that moment and wanted more. Because I did not knew where to start I was looking on the internet how the “design world “ works and came across A’ Design Award. I thought to myself; if I could get an award that would be the ultimate way to start my new journey, so I applied and now I am more happy than ever that I did.

What are your priorities, technique and style when designing?

The priority for me when making a design, beside trying to push the boundaries and the way it make people think, is the experience the client has during and after the process of making a table for them. The way I work; is that, if possible, the client first comes by at the company to get an idea of what is possible and how I work. We then get to know each other so that I can get an idea of what is unique about this client. During that conversation I have two check-lists. One, for functional information like dimensions, location, etc. And then another check-list for abstract information. For example; what is your favorite shape: round, square or a star? Or: what is your favorite element; water, fire, earth or wind? I then use all this information as inspiration to come up with a design that resembles a part of the clients personality. I then draw that design on paper in front of the client and after approval I will start production. There I use 3D software, plasma-cutting, CNC-milling but also forging, casting and sheet metal work to get the required design.

Which emotions do you feel when designing?

When I have a new idea I am super exited to the idea and to get started. Then during the production-process I feel very relaxed and I am really enjoying the process of an vision becoming reality. And when the production process is fished, I feel proud and fulfillment.

What particular aspects of your background shaped you as a designer?

In the company of my father and I we provide solutions to that industry. Because of that I am always required to visualize solutions in my mind before they are made an reality. Also I am required to be able to think outside the box. I think because I am doing this for many years, I can apply this also in making my new designs. I also noticed, that if you are able as a designer to explain to some-one else your design in such a way that are able to also visualize the design, it really makes the process a lot easier for both parties.

What is your growth path? What are your future plans? What is your dream design project?

I hope first that people will know who I am and what I am capable of. And from there I hope all kinds off new opportunities will arise. I hope one day that my designs will be wanted all over the world because that will bring along a lot of beautiful journeys. One thing I do know for sure, is that I will stay true to myself as far as what I like to do. But for me the dream at this point in my life, is that if I could do what I love with then also being able to provide an income with that for my family.

What are your advices to designers who are at the beginning of their career?

That everybody should never forget that success without fulfillment is failure.

Know what you are good at, but also what your weaknesses are. This way you can prevent choosing the wrong path on an early stage. Everybody has an opinion but if you think that a certain decision is the right one, stick with your gut feeling. The only wrong decision, is not making any at all.

You are truly successful as a designer, what do you suggest to fellow designers, artists and architects?

Always make sure when designing for a client to always listen to them, but also be honest if you cannot live up to their expectations. Sometimes, for example, certain designs are just not possible and the client should deserve to be told that. As a designer you are the expert in what you are doing, the client is just very excited, but will need some guidance from time to time. And if you are designing something that should tell a story, make sure that audience also understands it and not only you, or only after a complicated explanation.

What is your day to day look like?

Currently I am also still running a company with my father. This currently means waking up between 4 and 5 am and then working at the company until 4 pm. Then working out until 5 pm. Diner until 7 pm, designing until 9 pm and going to bed at 10 pm.

My goal within a few years is to get up as early as I can. Preferable between 4 and 5am. I still feel like if I am ahead of everybody else and that makes me relaxed. I then take time to take a nice breakfast, read a book and then go to the office. My mind is then still clear to take in information what I will try to implement that day. This way I can try to improve everyday just little bit. I check my emails first and then go to the workshop. Then at lunchtime, if possible, I would do some exercise first and then enjoy lunch where I can think about new designs and project. Then I check my emails and go back to the workshop. I try to stop at 4pm so I can have diner ready for my family in time so we can enjoy as much as we can together in the evening.

How do you keep up with latest design trends? To what extent do design trends matter?

To be honest; I don’t. The reason for this is, that I want to see what my mind does and create with minimum amounts of input regarding trends. If I would come up with a design that matches a certain trend at that moment it would be great, but I don’t make a design in such a way that it would fit a trend on that moment. This way the chance of creating a new trend is bigger than if you were just following the rest. I rather walk alone in what for me feels like the right direction, then following the herd in the wrong direction.

How do you know if a product or project is well designed? How do you define good design?

If a design is made in such a way that I want to keep looking at it and if it pushes the boundary’s that is something that is important for me personally. A lot of time those designs are not liked by everybody because they are bold is someway, which I like a lot. I think as an designer that staying true to yourself is very important because this will also create the most authentic designs.

How do you decide if your design is ready?

In the beginning a design goes in a lot of directions in my mind. For that reason I always take my time to come up with a specific design. And if the design stays the same in my mind it is ready to be made. And after it is made and I don’t see anything that I want differently it is ready to go to the client.

What is your biggest design work?

Steel-U is my biggest design so far. This not just because of the dimensions, but also because of the impact is has on my life. It started with an idea to work with physical emotion and when completed it would be a big mile stone. It almost felt like an achievement that would mark an end of a small journey. The thing is, now Steel-U had become a reality, I see that it is not an ending, but just a key part in the beginning of something much bigger. Everything this design has been giving me so far, is beyond expectations.

Who is your favourite designer?

I personally really like the work of Banksy. I believe the works makes not just me, but a lot of people think. And being able do that is really amazing in my opinion. Also it is totally different from my field. This makes it even more special because it makes me look at it without technical specific knowledge.

Would you tell us a bit about your lifestyle and culture?

I think for the majority of my life I have been living a lifestyle that fits pretty well within the image of the industry where I live in. That lifestyle means work hard and don’t show off to much. Acting normal is already crazy enough, is what typical is for where I work. But the last few years I am starting to find out that if I am true to who I feel inside, that I am much more happier. This means, being very different to the community where I now live and work in, but expressing this feeling did help me find new likeminded people to talk with. This off course helps, and I now know that I am happier than ever before. I just needed some time to ready the surface. The Netherland in general is very openminded, but it does depend in what industry you’re in. As not feeling limited anymore, I also noticed that my designs got much more creative and bold. And maybe one day, people find my approach off life and design inspirational and that it would also bring positivity to their journeys.

Would you tell us more about your work culture and business philosophy?

I prefer to work alone as far is it comes down to coming up with a design and producing one. Because I work on a personal level with the client, it keeps pushing me to come up with a unique design that resembles the clients personality. Maybe in the future there will be some sort of collaboration on a project, I don’t know. But for me it is important that a client does not just enjoys the end result but also the process in getting there.

What are your philanthropic contributions to society as a designer, artist and architect?

I hope that my designs make people think. For example, that in the future we don’t just look at what is being made, but also on how and why. Maybe one day I will have an exhibition where people can connect and serve as a foundation for creating opportunities, but that is for now just a very far minded idea. I won’t say never, because I also did not think that I would ever be able do an interview off this level.

What positive experiences you had when you attend the A' Design Award?

For me A’ design Award is not just the ultimate point to start a journey from, but it is also a way that I am able to reach such a big audience that I would never have been able to do on my own. I know that when you compete with the best it also gives the possibility to meet, great and learn for the best. And not just from the field I am in, but also from other fields. I now understand why A’ design award is truly special, and being the Designer of the Day makes me feel very honored, proud and humble.

Uiuinga Hoahoa

Steel U Te Teepu Pae · 20 pātai

I wanted a design that was based on the passed, created in the present but with the intension to inspire the future.

What is the main principle, idea and inspiration behind your design?

I wanted a design that was based on the passed, created in the present but with the intension to inspire the future. When I was thinking about this kind on an design, one of things that came up to me, was the word emotion. And to be able to create in real life, you need to become physically involved. By combining these two words, I came up with the idea to create the demolition legs by using the clients physical emotion. This way the design truly becomes a part of the client.

What has been your main focus in designing this work? Especially what did you want to achieve?

I wanted the concrete legs to look as if there were taken out from a demolition, but at the same time, when the client looks at the design, it reminds the client of the emotion that was used to create it.

What are your future plans for this award winning design?

People have ask me if I would sell it. But that is an easy answer, no. Not just because the design marks the start of an lifechanging journey, but also because I am now able to show the concept in real life to my clients.

How long did it take you to design this particular concept?

The total duration from start to finish took almost two years. The time from idea to starting production was around two months.

Why did you design this particular concept? Was this design commissioned or did you decide to pursuit an inspiration?

After I had seen the gala video of A’ Design Award, I still had this particular idea in my mind for my office and something inside me just told me to make Steel-U and participate in the competition. It wasn’t a design made specifically for just one client, but a concept to show eventually to the world.

Is your design being produced or used by another company, or do you plan to sell or lease the production rights or do you intent to produce your work yourself?

Steel-U is a design and concept that I am only producing myself. The reason for this is not just the personal connection that it generates with the client, but also that if someone would see this style, that they automatically know it is made by Joey van Beek.

What made you design this particular type of work?

I wanted to create a design that would work around the demolition expression to the eye, but also to the mental expression of the client.

Where there any other designs and/or designers that helped the influence the design of your work?

Maybe a bit of a short answer, but no. I did check if I could find something similar on the internet, but I did not. Maybe the fact that I could not find any design that did look like it, it did help to continue the realization of the idea.

Who is the target customer for his design?

The target customer is everyone who want something bold and truly unique. This because they finish the design themselves.

What sets this design apart from other similar or resembling concepts?

The fact that it cannot be replicated makes it truly unique. Even if you would find two tabletops who look similar, they are different. Also the client cannot put the same emotion in the demolition. This because the experience from the first leg will also be used in the next one. It truly is one-off.

How did you come up with the name for this design? What does it mean?

Steel-U refers to three things. One is that Steel stands for the main material. Secondly is U that stands for You as a person who makes it. And thirdly, is that Steel-U almost is pronounced as Still You. And that is what it partly is, still a part of you.

Which design tools did you use when you were working on this project?

For getting an impression of how the design would look like, I just used pencil and paper. Then for production I use AutoCad.

What is the most unique aspect of your design?

The uniqueness of the concept is not just the design itself as far as the looks, but mainly the fact that it cannot be replicated.

Who did you collaborate with for this design? Did you work with people with technical / specialized skills?

Regarding the idea around the design and concept there was no collaboration. But for making the concrete legs I got the help from my best friend, who is my father, because he had built his own house. During making the first leg he thought and showed me what I needed to know so I could make the second leg myself with him as my mentor by my side checking. This made the process of realizing Steel-U even more amazing.

What is the role of technology in this particular design?

For me with this design it is perfectly to combine old and new technology, and not excluding one or another. For example, the legs were drawn with 3D simulation software to come up with specific dimensions but for the realization there was usage of a big hand grinder and forging. So using the right technology was key for this specific end result.

Is your design influenced by data or analytical research in any way? What kind of research did you conduct for making this design?

The research that I did was if I could find some similar design on the internet. This way I knew if my design could be made and be truly unique. Which material I needed to use was purely based on the experience that I have gained within the company that my father and I have.

What are some of the challenges you faced during the design/realization of your concept?

Because the tabletop is made from scrap metal, it mend that I not only needed to work with a fixed dimension, but mostly with the fact that the steel plate was all the way around cut with the oxygen-cutting process. Because of this, the top layer is slightly hardened and drilling holes in the sides to mount the legs was not possible. I then decided to make new flat bars with holes and threat in them and weld them to the main steel plate. This way I was now able to assemble Steel-U.

How did you decide to submit your design to an international design competition?

Because the world of art and design is new to me, I was looking on the internet if I could find information on how the world of design worked. I came across A’ Design Award and noticed there gala-video and tough to myself; wouldn’t it be great to one day also be there? Something inside me told me that I should give it a try and submit. I know now even more than ever that I am very glad I did not ignore it.

What did you learn or how did you improve yourself during the designing of this work?

I learned that if you have a vision, despite what others may say or think, you should just go for it. And I do know also that there is still a lot to learn within the world of art and design.

Any other things you would like to cover that have not been covered in these questions?

Actually, no. For me it was a nice interview to do, and I hope that others will enjoy reading it.

Uiuinga Tohunga Hoahoa

50 pātai

The thing is, I have no background regarding design. My education has always been around working within and around the bulk-conveying sector.

Could you please tell us a bit about your design background and education?

The thing is, I have no background regarding design. My education has always been around working within and around the bulk-conveying sector.

What motivates you to design in general, why did you become a designer?

I realized that after designing and making my first table I felt so happy that I wanted to keep that feeling. So after that I started to make more and eventually decided that I wanted to do this for a living.

Did you choose to become a designer, or you were forced to become one?

It is my own free choice. My wife and parents have been supporting me my entire life with my ideas so having them around in this journey makes me a very happy person.

What do you design, what type of designs do you wish to design more of?

My current focus is on abstract industrial tables, but I hope to eventually be able to design also other object that I feel inspired by and make me think. Also it is hopefully what other people consider art, because that is for me the ultimate compliment.

What should young designers do to become a design legend like you?

That they should only design things that give them a sense of fulfillment before, during and after. But a trick on how to get where I am, is to start with the end in mind and then work backwards. This way you know when you start what probably is or isn’t the right choice to make when going down the path that you have envisioned.

What distinguishes between a good designer and a great designer?

A good designer makes designs people like on average. A great designer makes designes that pushes the boundary’s on what has been done up till know.

What makes a good design a really good design, how do you evaluate good design?

If you want to keep looking at it, and want to keep discovering new details, that is what I consider really good design.

What is the value of good design? Why should everyone invest in good design?

Because if you find a design that suits you and your personality, it will give you positive energy every time when you look at it.

What would you design and who would you design for if you had the time?

I still have the vision to created a 3D metal hollow face of myself. This is based on a mental story of me, but when it is finished, I hope to inspire everybody who sees it.

What is the dream project you haven't yet had time to realize?

My own 3D metal hollow face.

What is your secret recipe of success in design, what is your secret ingredient?

It need to make me happy, move and proud.

Who are some other design masters and legends you get inspired from?

Banksy, Joseph Klibandsky and Jeff Koons

What are your favorite designs by other designers, why do you like them?

I have no favorite design. There are so many different designes out there that give so much different thoughts and emotions that there is always a specific design of a specific moment.

What is your greatest design, which aspects of that design makes you think it is great?

Steel U, because it makes it possible for the client to literally create a physical personal design.

A lot of times in designing I see that the person where the design is for, is only mentally involved. This way the person is not able to also enjoy the physical part of the journey, what I find very important.

How could people improve themselves to be better designers, what did you do?

Always stay open minded. Listen to others what they have to say, but still remain true to yourself in making the choice what seems right or wrong.

If you hadn't become a designer, what would you have done?

Being an entrepreneur in the bulk-conveying sector. I grew up in that industry so it feels quite naturally to me to be operating that field.

How do you define design, what is design for you?

Design is for me the realization of a vision regarding a certain form or function.

Who helped you to reach these heights, who was your biggest supporter?

My wife and parents have been supporting me from the beginning and having them to be also very openminded, makes the journey even better.

What helped you to become a great designer?

Thinking outside the box. And sometime even going against the grain.

What were the obstacles you faced before becoming a design master?

Because I did not grew up in a world of design I did not know where to start, so what I did was just talk about it with everybody who was willing to listen. This way I met new people who could help me and bring me one step further every time. Because there are so many great designers out there, the confidence that I was good enough as a designer was not very big. But despite that, I just kept going one step at a time, what eventually led me to this point.

How do you think designers should present their work?

In the way they want, not what the masses want.

What's your next design project, what should we expect from you in future?

I have an idea for a tree made from forged metal and concrete what will serve as a dining table. After that, to be honest, I don’t know but hopefully more objects that make people think.

What's your ultimate goal as a designer?

That people know my work and what I am capable of so that more amazing project will follow in the future.

What people expect from an esteemed designer such as yourself?

That the designs are bold and push the boundary’s for what has been done so far. But also that if a client works with me in a project, that they feel they are truly part of the journey.

How does design help create a better society?

Design has the possibility to make people think about the impact of there choices in the short and longterm.

What are you currently working on that you are especially excited about?

My current focus is just on the A’ Design Award competition. This idea started 2 years ago to join and now I am here competing. I want to enjoy this as much as I can, because for me, this is truly special.

Which design projects gave you the most satisfaction, why?

Steel U, because it was only an idea at first, but now it may become the start of a new chapter in my life. This project has been giving me so much positive energy and satisfaction in every aspect. I made me realize what true fulfillment is.

What would you like to see changed in design industry in the coming years?

Less computer designing and more physical works, people should work with there hands more.

This way I think the designs will become even better because you don’t just see change but you can literally feel it.

Where do you think the design field is headed next?

I think that the future of design will be more representing why and how, not just what.

How long does it take you to finalize a design project?

If I make a design without reused materials, this will be on average 3 months. The design takes about 2 to 3 weeks to make and then depending of course on the size, 2 to 2,5 month to build. If I use reused material for example that needs to get the colour from just the rain, in can take even up to 2 years. This was also the case with Steel-U.

When you have a new design project, where do you start?

I always start with getting to know to client on a personal level. This way I can make the design true resemble the clients personality. Then after that, I will make a design that after approval will go into production. This way I can ensure that every design is truly one-off.

What is your life motto as a designer?

A goal without a plan is a wish.

Do you think design sets the trends or trends set the designs?

Design sets the trends.

What is the role of technology when you design?

A lot of time I see that people only use the latest technology as if it is a limitation on what they can use. But for example I use forging from the medieval period in some designes in combination with the latest plasma-cutting technology. This way you can apply the technology what is required to give the right emotion to a design. It is about balance not about exclusion.

What kind of design software and equipment do you use in your work?

I use pencils and paper for the design itself but AutoCad Inventor for production drawings. Then for production I use everything in my work-shop that is required to give the right end-result.

What is the role of the color, materials and ambient in design?

By using the right colours, materials and ambient you can give emotion to an object.

I personale don’t work with paint for coloring because I want the material to shine and not be covered. This does give challenges during designing, but in the end are always worth it.

What do you wish people to ask about your design?

If would be possible if I could also make a design for them.

When you see a new great design or product what comes into your mind?

I forget about the rest in that moment and only see the design.

Who is your ideal design partner? Do you believe in co-design?

To be honest I don’t know, but I prefer to work on my own.

Which people you interacted had the most influence on your design?

My wife and parents. They are always the only ones I check with what they think of the design because they look at it with a different perspective. This way it keeps me sharp, but in the end I always make the design as how I feels it needs to be.

Which books you read had the most effect on your design?

To be honest; I haven’t read any books regarding design.

How did you develop your skills as a master designer?

By just keep trying to learn new skills.

Irrelative of time and space, who you would want to meet, talk and discuss with?

Simon Sinek, Ross Edgley and Jeff Koons.

How do you feel about all the awards and recognition you had, is it hard to be famous?

I still have the feeling that is a bit unreal. Because when I looked at the footage of A’ Design Awards of a few years ago, I thought; one day I will be there also and it has become reality. It literally is a dream coming true.

What is your favorite color, place, food, season, thing and brand?

Dark purple, somewhere in nature, ramen noodles, spring, watch and Rolls Royce.

Please tell us a little memoir, a funny thing you had experienced as a designer?

Something I forget how big and heavy a design is when finished. This realization became very clear when the desk was made for the office. It was so big and heavy that there were only two options. One, taking out the entire outside wall of the build. Or two, lifting it up with five people in parts to get in the office. To then finishing it on the spot. The thing was, it weight was 500kg..

What makes your day great as a designer, how do you motivate yourself?

When I'm designing it makes me so happy that it keeps motivating me to continue. It is such a great feeling to have that every day.

When you were a little child, was it obvious that you would become a great designer?

No, everybody thought I would become a chef.

What do you think about future; what do you see will happen in thousand years from now?

That I hope that we realize that we need to work together with the planet and not against it.

Please tell us anything you wish your fans to know about you, your design and anything else?

That if someone like me can achieve his goals, you can do it also.

Uiuinga Kaihoahoa

38 pātai

I have no background regarding art and design and also nobody in the family. I never had the intention to become a designer until I designed the new office at the company of my father and myself.

Could you please tell us more about your art and design background? What made you become an artist/designer? Have you always wanted to be a designer?

I have no background regarding art and design and also nobody in the family.

I never had the intention to become a designer until I designed the new office at the company of my father and myself. I got a lot of positive feedback and then I just started to make designes that just came up to me. It gives me fulfillment and positive energy.

Can you tell us more about your company / design studio?

Industrial Office is a company that makes one-off tabels inspired by the clients mindset.

I run the company on my own because I want a personal connection with the client from the beginning to the end. And that it is not just about the end result, but also the experience before, during and after.

What is "design" for you?

Design is for me the realization of a vision regarding a certain form and function.

What kinds of works do you like designing most?

I like to design things that make me think about what it represent and just give me that “wow” feeling if the idea comes up and when I see it after it is finished.

What is your most favorite design, could you please tell more about it?

I have no favorite design.

What was the first thing you designed for a company?

The first thing I designed for a company was a outdoor-table that lighted up a map of the world in the evening.

What is your favorite material / platform / technology?

I prefer to work with metals to most in as much different ways as possible.

When do you feel the most creative?

Under the shower

Which aspects of a design do you focus more during designing?

The way that it shows what is was inspired by.

What kind of emotions do you feel when you design?

Full of positive energy and that I don’t want to stop.

What kind of emotions do you feel when your designs are realized?

Fulfillment and pride.

What makes a design successful?

If it gives people a sense of fulfillment.

When judging a design as good or bad, which aspects do you consider first?

If the design makes me want to keep looking at it.

From your point of view, what are the responsibilities of a designer for society and environment?

That we challenge people to question to present so that they are aware of the fact that their current thoughts can change the outcome in the future.

How do you think the "design field" is evolving? What is the future of design?

I see the future of design representing why and how, not just what.

When was your last exhibition and where was it? And when do you want to hold your next exhibition?

I never had an exhibition, this is all new to me.

Where does the design inspiration for your works come from? How do you feed your creativity? What are your sources of inspirations?

When I design for a client, I get inspiration from the conversations that I have with them. If I design for me own, it is mainly inspired by philosophizing and nature.

How would you describe your design style? What made you explore more this style and what are the main characteristics of your style? What's your approach to design?

I consider my style to be bold. And I like this style because it lets me work unfiltered. Also it makes me forget about time and be truly in the moment.

Where do you live? Do you feel the cultural heritage of your country affects your designs? What are the pros and cons during designing as a result of living in your country?

I live in the Netherlands and that makes it possible to think very open. I don’t feel limitation only opportunities.

How do you work with companies?

One on one with a personal approach.

What are your suggestions to companies for working with a designer? How can companies select a good designer?

Be open about what you want and don’t want.

Can you talk a little about your design process?

First we slow down to take time to get to know each other. Then based on that conversation, if we have a connection, I make a design for the client so that after approval I can start production.

What are 5 of your favorite design items at home?

Skeleton watch, tree in the living room, edible plant setup in the kitchen, vase with dried flower of our wedding and self made lamp from a meat grinder with my wife.

Can you describe a day in your life?

Waking up between 4 and 5 am, working with me father at our company until 4 pm. Then working out until 5 pm. Diner until 7 pm, designing until 9 pm, going to bed at 10 pm.

Could you please share some pearls of wisdom for young designers? What are your suggestions to young, up and coming designers?

A goal without a plan is a wish. And succes without fulfillment is failure.

From your perspective, what would you say are some positives and negatives of being a designer?

Being able to design what you like does not always meen that everybody else likes it.

What is your "golden rule" in design?

That the process from beginning to end makes me happy.

What skills are most important for a designer?

Being able to think outside the box.

Which tools do you use during design? What is inside your toolbox? Such as software, application, hardware, books, sources of inspiration etc.?

Coffee-machine during the conversations with the client, then pencils and paper for making the design. After that I use AutoCad for production drawings and then everything that is required to make the design reality within my machineshop. That can be from forging to cnc-milling and from sheet metal working to oxygen-cutting.

Designing can sometimes be a really time consuming task, how do you manage your time?

By giving the right priority to each task, the planning forms automatically around it.

How long does it take to design an object from beginning to end?

On average 3 months.

What is the most frequently asked question to you, as a designer?

How did I come up with the idea for a design.

What was your most important job experience?

Working together with my father in our other company.

Who are some of your clients?

I can’t say because privacy is very important.

What type of design work do you enjoy the most and why?

Designing everything that make people stop, think and inspire.

What are your future plans? What is next for you?

I have a design in mind what resembles my past and future.

Do you work as a team, or do you develop your designs yourself?

I develop everything myself.

How can people contact you?

By giving me a call or sending an email.

Uiuinga Nui

Steel U Te Teepu Pae · 10 pātai

By start thinking with the end in mind during the process, the direction was clear. By making the journey towards the end goal personal, every step was enjoyed.

Your innovative approach to combining demolition and emotion in the Steel U Bar Table challenges traditional furniture design - could you elaborate on how this concept evolved from initial inspiration to final realization?

By start thinking with the end in mind during the process, the direction was clear. By making the journey towards the end goal personal, every step was enjoyed. The concept of creating by destruction could be felt in the process, which made it a joy to execute.

The Steel U Bar Table's unique feature of incorporating the owner's physical emotions through concrete destruction is fascinating - what inspired you to create this deeply personal connection between user and furniture?

I personally experience a growing lack of personality in the things around me. This can be from how people perform but also that the content is no longer relevant, as long as it shiny and gives people the impression that it is impressive at first glance it is okay. I don’t like that at all. I want meaning full connections with people and my designs.

The integration of industrial heritage through the reused 70mm S355 steel tabletop in the Steel U Bar Table speaks to sustainable design - how did you balance preserving the material's weathered character while ensuring structural integrity?

The materials I selected will not lose structural strength during their process of gaining natural colors. Also the dimensions a so large that they can withstand the test of time.

Your choice to forge reinforcement steel rods into architectural elements for the Steel U Bar Table creates a striking visual narrative - could you share the technical challenges and creative decisions behind this aspect of the design?

Because of the big weight you must make a steel foundation within the concrete otherwise it will break out eventually. I therefore have hidden in the concrete a steel skeleton that provides the strength, and the concrete is there to create the emotional experience. To created the skeleton I combines old forging with 3D-engineering and plasma cutting.

The Steel U Bar Table weighs an impressive 988kg, yet maintains an elegant aesthetic - how did you address the engineering challenges of creating a piece that is both monumentally substantial and visually refined?

Steel and concrete have a high density what creates high weight design by default. When this is not possible you need to turn towards other materials like aluminum or hollow designs.

In developing the Steel U Bar Table, you collaborated closely with your father on the concrete leg construction - how did this mentorship influence your approach to combining technical expertise with emotional expression?

Doing something with someone you care about makes the development of a design more fun to do. Also, you respect each other and therefore can go deeper into questions and explanations.

The Steel U Bar Table's design process spanned from July 2020 to February 2022 - could you describe how the extended timeline, particularly waiting for the tabletop to achieve its desired appearance, influenced the final outcome?

When you take time to make a design you will get a better end result because all pros and cons can be checked, and no decision has to be rushed. Sometimes you just have to wait to pick the fruit at the right moment, and when you do, it tastes exactly as you hoped.

Your research into demolition aesthetics for the Steel U Bar Table led to an innovative sculptural approach - how do you envision this methodology influencing future furniture design?

I hope that we will keep on challenging the way we design. And that it is not just about what, but also about why and how. Sometimes we should stop talking about if it would work and instead, just start doing it and let the end result speak.

The Steel U Bar Table, recognized with an A' Design Award, represents a unique intersection of industrial heritage and personal expression - what insights has this project given you about the future of bespoke furniture design?

That when emotion is combined with knowledge, a material such as steel can be described as warm and welcoming. And the insight I have had, was that for me it is also about the journey and not just about the end result.

As the creator of the Steel U Bar Table, how do you see this design philosophy of combining emotion, sustainability, and industrial materials evolving in your upcoming projects?

I have several design ideas that are fully based on personal stories but also about making people stop, think and reflect. The industrial materials I will always like because they can give beautiful colors without using paint. But I will always choice the right material for representing the emotion.

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Puna Raraunga

Ko ngā raraunga uiuinga hoahoa kei tā mātou whārangi uiuinga hoahoa mō te kaihoahoa ko Joey van Beek e pā ana ki te hoahoa ko Steel U Te Teepu Pae ka tukuna mai i te Design Interviews, kei reira ngā kaihoahoa, kaiwhakahoahoa me ngā waitohu rangatira e uiuitia ana mō ā rātou hoahoa tohu-whiwhi, hua me ngā kaupapa.