Ngā Uiuinga me Michel Ghostine

I graduated from the Holy Spirit University of Kaslik (USEK) with a master degree in architecture. With 10 years of experience in the industry, I've had the opportunity to work with several prominent companies and clients, honing my skills and cultivating a passion for design. Along the way, I've collaborated with various architectural firms, gaining valuable insights and expertise in the field. However, my most significant achievement has been founding my own company, NG Studio, in Sao Paulo. Through NG Studio, I've had the privilege of working on diverse projects and serving a wide array of clients, contributing to the vibrant architectural landscape of the region.

My father, an architect and landscaper, inspired my journey into design. Accompanying him to work ignited my interest. Additionally, my lifelong passion for music, playing multiple instruments, instilled in me a deep appreciation for artistic expression. These influences drove me to pursue a career in design, blending creativity with functionality to shape meaningful experiences.

In my design process, I prioritize research, the conceptual phase, and execution. Each project is approached as a unique challenge, with careful consideration given to understanding the context and client needs. We begin by sketching ideas on pen and paper, then leverage technology and AI-powered rendering for further development. While digital tools are essential, I value the initial hands-on approach for its tactile and intuitive qualities. This blend of traditional and modern methods allows for a comprehensive exploration of ideas, leading to innovative and impactful design solutions.

When designing, I initially feel a sense of stress, as I approach each project as entirely new, with its own set of challenges and opportunities. However, the conceptual phase is where I experience the most excitement, delving into research and exploring human experiences to inform the design process. Witnessing my concepts come to life during this phase is particularly gratifying. Ultimately, the culmination of the project, when we have a final product or finished project, brings a deep sense of fulfillment. Seeing the tangible result of my creative vision realized in the physical world is immensely rewarding and fuels my passion for design.

As a designer, I've found adaptability, communication, and problem-solving skills crucial to my success. Beyond design, my influences stem from various art forms like literature, cinema, and music, not solely architecture. This diverse background enriches my creative perspective and enables me to craft designs that resonate deeply with clients and users, elevating the human experience in the built environment.

My growth path involves expanding beyond architecture, landscape, and interior design to launch my own collection of furniture design. Additionally, I aspire to venture into various art projects, potentially exploring music as a creative avenue. Looking ahead, I aim to be remembered as a versatile designer who not only shapes physical spaces but also creates meaningful experiences through innovative and impactful designs. My future plans revolve around pushing the boundaries of creativity, pursuing new design opportunities, and leaving a lasting legacy in the world of design.

Indeed, drawing inspiration from all forms of art and human experience is invaluable advice for young designers. Embracing this mindset allows for a rich and multifaceted approach to design, where insights from various disciplines converge to create truly innovative and impactful solutions. By immersing themselves in diverse sources of inspiration, young designers can cultivate a deeper understanding of the human condition and unlock boundless creative potential in their work.

be bold, brave and passionate. If you are following trends, you are already late. "Perfection is achieved, not when there is nothing more to add, but when there is nothing left to take away." - Antoine de Saint-Exupéry

My day typically starts with a boxing session to energize and focus my mind. In the morning, I tackle challenging meetings and site visits, addressing any pressing issues and ensuring that projects are on track. The afternoon and evening are dedicated to design work, where I immerse myself in creative exploration, conceptualization, and design development

"Architecture should speak of its time and place, but yearn for timelessness." - Frank Gehry. While design trends may fade with time, there are some interesting trends to explore. However, I always aim to focus on the human experience and create designs that stand the test of time, rather than simply chasing what's trendy.

Deciding if a design is ready involves reaching a point where it feels balanced, cohesive, and aligned with the project's objectives. While a design can always be improved, there comes a moment when further iterations risk diminishing returns or overcomplicating the concept. I keep Saint-Exupéry's quote in mind, aiming for simplicity and clarity in my designs. When every element serves a purpose and there is nothing left to remove without sacrificing functionality or aesthetics, I know the design is complete. However, I remain open to feedback and opportunities for refinement, recognizing that success is measured by the design's ability to resonate with its audience and fulfill its intended purpose.

The Saint Charbel Chapel in Sao Paulo, Brazil, is my favorite design project. It's a serene sanctuary symbolizing the journey from materiality to enlightenment. Wooden arches guide towards a stone altar, with a concrete floor grounding the space. Water features evoke renewal. Each element is meticulously chosen for its symbolism, inviting contemplation. Working on this project was deeply meaningful, blending design with spirituality to create a sanctuary of peace and inspiration.

Peter Zumthor is definitely a standout designer for me. His approach to architecture is both thoughtful and poetic, emphasizing the sensory experience of space and materiality. If given the chance to converse with a deceased designer, I would choose Ludwig Mies van der Rohe. His minimalist approach and emphasis on "less is more" have had a profound impact on modern architecture and design. As for the most iconic designer of all time, it's difficult to pinpoint just one, but figures like Le Corbusier, Frank Lloyd Wright, and Charles and Ray Eames have left an indelible mark on the field. Overall, I admire designers who push boundaries, challenge conventions, and create work that resonates on both a functional and emotional level.

My lifestyle and culture are deeply intertwined with my creative process. Beirut holds a special place in my heart as a favorite and inspiring city, with its rich history and multicultural influences. Music is a fundamental part of my creative journey, as I am a musician myself, drawing inspiration from its rhythms and melodies. Growing up in Beirut, a city shaped by multiple civilizations, has profoundly influenced my design aesthetic and perspective. Although I currently reside in Sao Paulo, my roots in Beirut continue to inform my work, imbuing it with a sense of cultural richness and diversity. I believe that good design is essential for the advancement of society, as it has the power to shape environments, improve lives, and foster connections. Personally, design has inspired small but positively incremental changes in my life, from incorporating sustainable practices into my daily routine to creating more functional and aesthetically pleasing living spaces.

At our office, teamwork is paramount, with a team of 20 architects collaborating closely on projects. Shared values and a constant pursuit of perfection are foundational to our business philosophy. When selecting business partners or hiring team members, we prioritize individuals who demonstrate a strong work ethic, adaptability, and a commitment to translating theoretical concepts into practical solutions. Our corporate culture emphasizes open communication, creativity, and a collaborative spirit. However, the core challenges of our profession include balancing creativity with practicality, meeting client expectations, and navigating complex project requirements. As architects, we are responsible for conceptualizing and executing design projects, with a keen focus on observing, analyzing, and translating ideas into built environments. Ultimately, a good designer, artist, or architect should possess traits such as creativity, attention to detail, problem-solving skills, and the ability to effectively communicate and collaborate with others.

As a designer, artist, and architect, I am deeply committed to giving back to the community through philanthropic contributions. One notable project is the WARKA water project, where we designed a structure to gather rainwater and convert it into potable water, addressing critical water scarcity issues in remote areas. Additionally, our design of Saint Charbel's Chapel in Sao Paulo serves as both a contribution to society and a symbol of solidarity with the Lebanese Christian community in Brazil. Personally, I have volunteered with the Missionaries of Charity in Ethiopia, leveraging my skills and expertise to support humanitarian efforts

Attending the A’ Design Award was a rewarding experience. It allowed us to showcase our work internationally, gain inspiration from fellow designers, and potentially be recognized for our efforts. Participating in design awards offers exposure, feedback, and networking opportunities, contributing to professional growth and recognition. Design competitions are important for promoting creativity and excellence in the industry, serving as a platform to celebrate and elevate outstanding design achievements. Being named Designer of the Day would be a great honor, highlighting our commitment to innovation and design excellence.

The main principle behind my design philosophy is to create spaces and structures that deeply resonate with human experience and emotion. Drawing inspiration from various art forms, including music, literature, and cinema, my designs aim to tell compelling stories and evoke powerful emotions. Whether it's a residential dwelling or a cultural landmark, each project is driven by a desire to enrich the lives of those who interact with it, fostering a sense of connection, belonging, and beauty in the built environment.

The main focus in designing this work is to transform a symbol of war and destruction into a beacon of hope and peace. The goal is to create a space that not only honors the memory of those affected by the Cold War but also inspires contemplation, understanding, and dialogue about peace. Through architectural interventions and symbolic gestures, the aim is to turn the bunker into a peace center that promotes reconciliation, education, and collective action towards a more peaceful world.

Implementing the award-winning design in Berlin is the primary future plan. The goal is to turn the conceptual vision into a tangible reality, creating a space that serves as a symbol of hope, remembrance, and peace for generations to come.

The design of this concept stemmed from a deep sense of curiosity and intrigue upon learning about the bunker. Motivated by this, I reached out to the project lead in Berlin, visited the site, and embarked on a personal design journey to explore the potential of transforming the space into something meaningful and impactful.

I intend to produce the work myself.

My fascination with the bunker and war relics sparked the vision to repurpose it into a cultural space, inviting the reimagining of the future for such sites.

The world in general, the German government and the people in charge of the Honecker Bunker project.

The unique aspect of this design lies in its innovative approach to the facade, which reflects the bunker and symbolically shatters it into a million pieces, a concept I have yet to encounter elsewhere.

"The Afterlife" suggests a transition from the past to the future, from conflict to harmony. It conveys the idea of rebirth and transformation, reflecting the project's aspiration to turn a once-militarized space into a symbol of renewal and hope

Photoshop, Autocad, sketchup

The most unique aspect of the design is its facade, which serves as a transformative element. It reflects the bunker's imposing structure while simultaneously shattering it into a myriad of pieces. This dynamic facade symbolizes the transition from a symbol of war to a beacon of peace and cultural revitalization.

Collaborating with Mr. Hannes Hensel, the project lead at Honecker Bunker, was instrumental in bringing this design to fruition. His expertise and insights into the historical significance of the site enriched the project, ensuring that it honored the past while embracing a vision for the future.

We used technology to have enhanced visualization of the project to better depict the concept

Our design was heavily influenced by extensive research into the historical significance of the bunker and its impact on the surrounding area.

One of the main challenges we faced during the design and realization of our concept was transforming a symbol of war into a space that promotes peace and reflection. Additionally, ensuring structural integrity while implementing architectural interventions posed technical challenges.

I received an invitation from A' Design about this project I had entered in another Competition. After researching A' Design I saw the value of submitting this project there.

During the design process of this work, I learned the importance of perseverance, courage, and innovation. It taught me to overcome adversity and to approach design challenges with resilience and creativity.

No, all good.

I pursued my education in architecture at the Holy Spirit University of Kaslik in Lebanon, earning a Master's degree in Architecture. Inspired by my father's work as an architect and landscaper, I developed a passion for design from a young age. Throughout my academic journey, I've continuously sought to expand my knowledge and skills, drawing inspiration from various art forms and cultural experiences to inform my design practice.

Growing up in a family deeply rooted in architecture and design, I was exposed to the transformative power of creativity from an early age. Alongside this influence, my immersion in music, playing several instruments, has shaped my perspective on design.

Becoming a designer was a choice I made willingly, driven by my inherent passion for creativity and innovation. Growing up in an environment where design was celebrated, I was inspired to pursue a career in the field. Rather than feeling forced, I embraced design as a natural extension of my interests and talents, motivated by the opportunity to make a positive impact through thoughtful and purposeful design.

I design various architectural projects, including residential, commercial, and cultural spaces. However, I'm particularly drawn to the idea of venturing into furniture design and developing my own collection. Creating tangible pieces that blend functionality with aesthetic appeal is an exciting prospect for me. With my background in architecture and design, I believe I can bring a fresh perspective to furniture design, infusing each piece with my unique vision and creativity.

To become a design legend, remember this: following trends means you're already late. Instead, be bold, passionate, and, most importantly, human-centric in your approach. Aim for timeless design, focusing on creating works that transcend fleeting trends and resonate deeply with people's emotions and experiences.

The difference between a good designer and a great one? Great designers constantly challenge their limits. Great designers are never satisfied

"Perfection is achieved, not when there is nothing more to add, but when there is nothing left to take away." - Antoine de Saint-Exupéry. That's the essence of evaluating good design—stripping away the unnecessary until only the essential remains.

The value of good design lies in its timelessness. By investing in good design, individuals and organizations ensure that their creations withstand the test of time, remaining relevant and impactful for generations to come. Good design transcends fleeting trends, providing enduring value and enriching the lives of those who experience it.

If time were no constraint, I would design a state-of-the-art recording studio for Pink Floyd, my favorite band. Their music, with its layers of sonic landscapes and architectural compositions, serves as a profound source of inspiration. I envision a space that not only captures the essence of their music but also reflects the architectural complexity and depth of their sonic journeys. Every aspect of the studio would be meticulously crafted to mirror the immersive experience of their music, creating a harmonious fusion of sound and space unlike any other. It would be a dream project, blending my passion for design with my admiration for their unparalleled musical legacy.

Every project is a dream in its own right.

The secret ingredient to my success in design? It's all about storytelling. Every design should have a compelling narrative behind it, shaping the lives and experiences of those who interact with it. Design is akin to writing a script, where every element plays a role in crafting a meaningful and immersive journey for people. By infusing each project with a rich narrative, I create designs that resonate on a deeper level and leave a lasting impact.

Peter Zumthor and Dorte Mandrup are two design masters whose work I deeply admire and draw inspiration from. Zumthor's minimalist approach and focus on sensory experience resonate with me, while Mandrup's innovative and sustainable designs push the boundaries of architecture. Both exemplify excellence in their respective fields, and studying their work fuels my own creativity and passion for design.

Three designs that deeply inspire me are Peter Zumthor's Thermal Baths, Dorte Mandrup's Whale Museum, and Exile Museum. Zumthor's Thermal Baths exude serenity and contemplation, showcasing his mastery of materiality and atmosphere. In contrast, Mandrup's Whale Museum and Exile Museum captivate with their innovative designs and seamless integration with the surrounding landscape. Each design tells a unique story, inviting visitors to engage with history, culture, and the natural world in immersive and unforgettable ways.

The Saint Charbel Chapel in Sao Paulo, Brazil, is my favorite design project. It's a serene sanctuary symbolizing the journey from materiality to enlightenment. Wooden arches guide towards a stone altar, with a concrete floor grounding the space. Water features evoke renewal. Each element is meticulously chosen for its symbolism, inviting contemplation. Working on this project was deeply meaningful, blending design with spirituality to create a sanctuary of peace and inspiration.

To become a better designer, immerse yourself in all forms of art for inspiration. Human experience should be at the core of your designs, driving meaningful connections and resonating with emotions. Avoid the temptation to follow trends; instead, focus on authenticity and innovation. By staying true to your vision and drawing inspiration from diverse sources, you can cultivate a unique design perspective that sets you apart and elevates your work to new heights.

Design, to me, is the essence of creativity and functionality intertwined. It serves as the blueprint for how we interact with our environment, shaping our experiences and influencing our lives. Much like writing a script, design dictates the narrative of our daily existence, from the spaces we inhabit to the products we use. It's not just about aesthetics; it's about crafting meaningful experiences and finding beauty in functionality.

My father and my family have been my biggest supporters, guiding and encouraging me every step of the way on my journey to success. Their unwavering belief in my abilities and their constant support have provided me with the strength and inspiration to pursue my passion for design and overcome challenges along the way. I am deeply grateful for their love, guidance, and encouragement, which have played a pivotal role in helping me reach the heights I have achieved in my career.

My curiosity

Before reaching my current level in design, I encountered numerous obstacles along the way. One significant challenge was overcoming self-doubt and learning to trust my instincts. There were moments of uncertainty and setbacks, but I persevered by staying true to my vision and continuously honing my skills. Additionally, navigating the competitive landscape of the design industry posed its own challenges, requiring determination, resilience, and a willingness to learn from both successes and failures. Through perseverance, dedication, and a commitment to growth, I was able to overcome these obstacles and emerge as a design master.

Designers should present their work through storytelling accompanied by visually striking visuals. This combination effectively communicates the inspiration, concept, and emotional resonance of their designs to the audience.

Our next project? Launching our own furniture collection, adding another layer to our existing architecture, landscape, and interior design offerings. Stay tuned for more!

To create timeless projects that evoke societal change.

Expectations for an esteemed designer like myself? Perhaps, making their dream home a reality.

Design, enriched with a message, not only shapes daily lives but also communicates values, aspirations, and societal change. By weaving narratives into the fabric of our environments, design has the power to inspire, provoke thought, and foster connections, ultimately contributing to a more vibrant and meaningful society.

I'm currently involved in an intriguing project in Lebanon that involves restoring a 200-year-old house, which was unfortunately demolished during the war. The unique challenge of this project lies in preserving the historical integrity of the original structure while designing a new house within its old walls. It's a fascinating blend of restoration and innovation, where we're tasked with honoring the heritage of the past while creating a modern and functional living space for the present. I'm excited to see how this project unfolds and how we can breathe new life into this historic site.

Every project is a unique narrative, offering distinct experiences and forms of satisfaction. Each brings its own sense of fulfillment and accomplishment.

In the coming years, I'd like to see more young designers exploring innovative approaches and pushing the boundaries of traditional design practices.

The design field is continually evolving, with advancements in technology, sustainability, and user-centric approaches shaping its trajectory. As we move forward, I anticipate a greater emphasis on interdisciplinary collaboration, holistic design solutions, and a renewed focus on addressing global challenges through design innovation.

Finalizing a design project varies, but the conceptual phase, crucial for me, typically takes around 1 month. Execution timelines vary depending on the project's complexity and scope.

When starting a new design project, extensive research and thorough questioning are my go-to methods for gaining a deep understanding of the client's goals and preferences.

Antoine de Saint-Exupéry - "Perfection is achieved, not when there is nothing more to add, but when there is nothing left to take away

Either way, i don't like the word trend, because it conflicts with my belief that design should be timeless

Technology plays a crucial role in expediting the design process, making it more efficient and precise.

AutoCad, ArchicCad, SketchUp, Lumion, Revit, Photoshop and more.

Color, materials, and ambient elements play pivotal roles in design, contributing to the overall aesthetic, functionality, and mood of a space. They have the power to evoke emotions, convey messages, and create immersive experiences for users.

I wish people would ask more about the "why" behind my designs. Every architectural gesture or space should have a purpose and meaning behind it.

It makes me very happy. As much as appreciate good design, I despise commercial bad design

My ideal design partner is someone who shares my values and brings complementary skills to the table. I strongly believe in co-design, and in my firm, I work alongside two partners, each with their specialty. Our shared values and collaborative approach enable us to create exceptional projects together.

The most influential individuals on my design journey have been my father, whose lifelong immersion in architecture inspired me, and notable architects like Alphonse Kai and Dr. Victor Takchi, with whom I've had memorable encounters.

Yes is More - Bjarke Ingels

Hot to Cold- Bjarke Ingels

My journey to becoming a master designer was shaped by a multitude of influences, including my multicultural background growing up in Beirut. Drawing inspiration from diverse art forms such as cinema, music, paintings, and literature, I honed my skills and developed a unique design approach.

If I could transcend time and space, I would relish the opportunity to meet and converse with two iconic figures: Mies van der Rohe, the legendary architect whose minimalist designs have left an indelible mark on architectural history, and Jimi Hendrix, the groundbreaking musician whose innovative approach to guitar playing revolutionized rock music.

Oh, you know, fame is just another burden I graciously bear along with my genius. It's tough being adored by the masses, but someone has to do it, right? Just kidding I don't really care about that part, I am more into the craft.

Black, Beirut, Japanese food, Fall, my guitar and chess board, Rolex

During a design presentation to a client, I accidentally projected the wrong file, revealing my rough sketches and doodles instead of the polished design concepts. It turned out to be a surprisingly effective icebreaker, as we all shared a good laugh before diving into the actual presentation.

Absolutely, witnessing the tangible manifestation of my designs as they progress through various project stages is incredibly fulfilling. It serves as a powerful reminder of the impact creativity can have on the world, and it motivates me to continue pushing boundaries and striving for excellence in my work.

Certainly, growing up in an environment surrounded by architecture and design certainly influenced my interests from a young age. While it wasn't necessarily obvious that I would become a great designer, my early exposure to creativity and artistic expression set the foundation for my journey in the field.

A great flood, our projects will all go down the drain

If you ever have any question about design, please do not hesitate to ask someone else first. All joking aside, we do our work very passionately, we are always striving to be better and to make a big societal change.

Growing up in the world of design due to my father's profession as an architect, I naturally gravitated towards art and creativity. My architectural studies at the Holy Spirit University of Kaslik, Lebanon, further nurtured this passion. However, my interest in various art forms, particularly music, has been a lifelong pursuit. Playing multiple instruments has provided me with a unique perspective on design and a deep appreciation for artistic expression.

NG Studio, which I co-founded with two partners, specializes in architecture, landscape, and interior design. With a focus on international clientele, we offer comprehensive services from conception to material selection. Our approach emphasizes collaboration, ensuring tailored solutions that exceed expectations

Design, to me, is the essence of creativity and functionality intertwined. It serves as the blueprint for how we interact with our environment, shaping our experiences and influencing our lives. Much like writing a script, design dictates the narrative of our daily existence, from the spaces we inhabit to the products we use. It's not just about aesthetics; it's about crafting meaningful experiences and finding beauty in functionality.

I find fulfillment in designing a wide array of projects, ranging from residential spaces to hotels and restaurants. However, if I were to pinpoint my favorite, it would undoubtedly be religious and spiritual architecture. These projects transcend the ordinary realms of design, allowing me to create spaces that evoke profound emotions and connections. Designing places of worship offers a unique opportunity to blend aesthetic beauty with spiritual significance, shaping environments that inspire and uplift the human spirit.

The Saint Charbel Chapel in Sao Paulo, Brazil, is my favorite design project. It's a serene sanctuary symbolizing the journey from materiality to enlightenment. Wooden arches guide towards a stone altar, with a concrete floor grounding the space. Water features evoke renewal. Each element is meticulously chosen for its symbolism, inviting contemplation. Working on this project was deeply meaningful, blending design with spirituality to create a sanctuary of peace and inspiration.

The first project I designed for a company was a residential house nestled in the mountains of Lebanon. Inspired by its natural surroundings, we integrated the home seamlessly into the landscape using a combination of stone walls and concrete slabs. This design approach not only enhanced the aesthetic appeal of the house but also ensured harmony with the environment. It was a gratifying experience to see how thoughtful design could create a space that felt both rooted in its surroundings and tailored to the needs of its inhabitants.

My favorite material would undoubtedly be corten steel. Its rustic charm and weather-resistant properties make it incredibly versatile for architectural applications.

In terms of platforms, SketchUp 3D holds a special place for me. Its intuitive interface and robust tools allow for seamless visualization and design exploration.

As for technology, AI for rendering has revolutionized the design process for me. The ability to generate realistic renderings quickly and efficiently using AI algorithms has significantly enhanced the presentation and communication of design concepts.

Night time. I like the silence

I focus primarily on the conceptual phase of design, as it lays the groundwork for the entire project. This stage involves generating and refining key ideas, understanding client needs, and exploring creative solutions. By prioritizing this phase, I ensure that the design is both innovative and meaningful, guiding decisions throughout the process.

When I design, I initially feel a bit stressed. I approach each project as a unique challenge, striving to create something innovative and meaningful. This initial stress, however, quickly gives way to excitement and anticipation as I immerse myself in the creative process. The thrill of exploring new ideas and pushing the boundaries of design fuels my passion and drives me forward.

The satisfaction of overcoming challenges and bringing a vision to life fills me with a profound sense of fulfillment and joy.

What makes a design successful, in my view, is the ability to distill complexity into simplicity. I resonate deeply with Antoine de Saint-Exupery's sentiment that "Perfection is achieved, not when there is nothing more to add, but when there is nothing left to take away." A successful design is one that embodies this principle—where every element serves a purpose and contributes meaningfully to the whole. It's about striking the perfect balance between functionality, aesthetics, and clarity of purpose, while eliminating anything extraneous. In essence, it's the art of refining and distilling until only the essential remains, resulting in a design that is both timeless and transcendent.

When evaluating a design, particularly in the context of an architectural project, the first aspect I consider is the designer's attitude towards the site. This initial approach sets the tone and direction for the entire project. How well does the design respond to the site's unique characteristics, such as topography, climate, and surrounding context? Is there a thoughtful integration of the built environment with the natural landscape? Additionally, I examine whether the design fosters a sense of harmony and coherence with its surroundings, enhancing the overall experience for users and visitors. Ultimately, the site attitude serves as a critical lens through which I assess the success of a design.

Designers have a responsibility to prioritize sustainability, accessibility, and inclusivity in their creations. They must consider the broader social and environmental impact of their designs, uphold ethical standards, and engage with communities to ensure their needs are met.

The design field is evolving with advancements in technology, a focus on human-centered design, sustainability, and inclusivity. The future of design will likely see greater integration of technology, increased emphasis on sustainability, and a commitment to designing for diverse and inclusive communities.

My last exhibition took place a few years ago at the Holy Spirit University of Kaslik. Currently, we're in the process of planning an exhibition in Sao Paulo, hopefully within the next month.

My design inspiration comes primarily from human experience. While I appreciate the creativity of others, I draw inspiration from diverse sources such as cinema, music, literature, and everyday life. I believe true creativity arises from understanding the human condition and connecting with the world around us.

My design style is versatile, adapting to each project's unique story. I believe in keeping the human experience at the center of design, prioritizing understanding people's needs and shaping spaces to enrich their lives.

Living in Sao Paulo, with roots in Beirut, I'm deeply influenced by the rich cultural heritage of both cities. Beirut's multi-layered history, shaped by the passage of many civilizations, has instilled in me a deep appreciation for diverse cultural influences.

The cultural heritage of my country profoundly affects my designs, enriching them with a blend of historical influences and contemporary perspectives. I draw inspiration from the vibrant streets of Beirut and the dynamic energy of Sao Paulo, infusing my designs with a sense of cultural richness and diversity.

However, there are challenges as well. Political instability and socioeconomic factors in Lebanon can pose constraints on the design process, such as limited access to resources or uncertainty about project timelines. Despite these challenges, I view them as opportunities for innovation and resilience, pushing me to find creative solutions and adaptability in my designs.

I approach collaborations with companies very selectively, prioritizing those that align with my values and design ethos. I value open communication and mutual respect, seeking partnerships with companies that foster a collaborative environment and appreciate creative input.

When working with companies, I emphasize the importance of shared values and goals. I believe that successful collaborations are built on trust, transparency, and a shared commitment to excellence.

Companies should prioritize designers who share their values and demonstrate adaptability. Look for designers with portfolios showcasing creativity and experience, and emphasize effective communication and collaboration throughout the project.

My design process involves thorough research and understanding of project requirements, followed by conceptualization and design development. Collaboration and feedback are integral throughout, leading to implementation and execution. Evaluation and iteration ensure continuous improvement in future projects.

1. Dining table designed by Lina Bo Bardi

2. Side tables by Nagi Ghostine, my father

3. Sculpture by Lebanese sculptor Naim Doumit

4. Paintings, my own creations

5. Lighting elements by Gader Almeida

My day typically starts with a boxing session to energize and focus my mind. In the morning, I tackle challenging meetings and site visits, addressing any pressing issues and ensuring that projects are on track. The afternoon and evening are dedicated to design work, where I immerse myself in creative exploration, conceptualization, and design development

If you follow trends you are already late

Being a designer offers the unique advantage of experiencing life through a creative lens, finding inspiration in the smallest of details and appreciating the thought behind every object's design. However, this immersion in creativity comes with its challenges. Designers often find themselves consumed by their work, thinking about projects around the clock, which can lead to burnout if not managed carefully. Moreover, the line between professional and personal life becomes blurred as designers live and breathe their craft, underscoring the importance of maintaining a healthy work-life balance.

My "golden rule" in design is finding the point of equilibrium where no addition or subtraction can enhance the design further. This state signifies a timeless design, where every element serves a purpose and contributes harmoniously to the whole. This principle, inspired by Antoine de Saint-Exupery's quote, guides my pursuit of simplicity, elegance, and enduring beauty in all my creations.

The most crucial skill for a designer lies in their ability to effectively apply conceptual design. This encompasses a spectrum of proficiencies, from creativity and critical thinking to technical prowess and problem-solving.

My design toolbox includes essential tools such as my iPad, which I favor for sketching due to its versatility and portability. In terms of reference materials, I draw inspiration from books like "Yes is More" and "Hot to Cold," which offer valuable insights into architectural design. For software, I rely on SketchUp for its intuitive 3D modeling capabilities, allowing me to bring my concepts to life with ease and precision. Additionally, I draw inspiration from a variety of sources, including nature, art, and cultural influences, which inform and enrich my design process.

I'm not really good at that. Design consumes my entire life but I try do balance my life with cultural activities and boxing

The duration of designing an object varies based on its complexity and scope. Typically, we allocate about one month for the conceptual phase, during which ideas are generated and refined. Following this, the project moves into the execution phase, where the timeline may vary depending on factors such as project size, client requirements, and collaboration with other stakeholders. While each project is unique, this timeline provides a general framework for the design process from beginning to end.

Where do you draw your inspiration from

My most important job experience was at an architecture office in Lebanon, where I honed my skills in project management and learned to trust my instincts. Handling multiple projects simultaneously taught me valuable lessons in time management, prioritization, and decision-making. Additionally, learning to trust my instincts enabled me to navigate complex design challenges with confidence and creativity, ultimately shaping my approach to design and leadership in profound ways.

We work with a diverse range of clients across sectors including restaurants, religious institutions, and residential properties. Due to confidentiality agreements, we can't disclose specific names, but we've had the privilege of collaborating with many clients who've entrusted us with their visions, allowing us to create impactful and innovative designs tailored to their unique needs.

I find joy in all types of design, but I'm particularly drawn to projects that focus on human experience and carry a meaningful message. Whether it's designing spaces for religious institutions, residential properties, or restaurants, I'm intrigued by the opportunity to create designs that resonate deeply with people and enhance their lives. These projects allow me to blend creativity with purpose, shaping environments that evoke emotions, inspire connections, and leave a lasting impact on those who experience them.

My future plans include venturing into furniture design and launching my own collection. Building upon my expertise in architecture, interior, and landscape design, I aim to explore new creative avenues and bring innovative furniture designs to life. This expansion will allow me to further express my design philosophy and passion for creating meaningful and impactful experiences in the built environment.

While architects often have individualistic tendencies, I prioritize teamwork in my approach to design. While I contribute to the development of designs myself, I recognize the value of collaboration and actively involve my team in the creative process. I believe that diverse perspectives enrich the design process and lead to more innovative and holistic solutions. Therefore, I am always open to hearing my team's ideas and encourage a collaborative environment where everyone's contributions are valued and respected.

I'm currently involved in an intriguing project in Lebanon that involves restoring a 200-year-old house, which was unfortunately demolished during the war. The unique challenge of this project lies in preserving the historical integrity of the original structure while designing a new house within its old walls. It's a fascinating blend of restoration and innovation, where we're tasked with honoring the heritage of the past while creating a modern and functional living space for the present. I'm excited to see how this project unfolds and how we can breathe new life into this historic site.

Instagram: ngstudio.arch

my email: michel@ngstudio.com.br

My phone number: +5511973337777

I think I've said enough for a lifetime.

The transformation of the Cold War bunker into The Afterlife Cultural Space was a deeply emotional and inspiring journey. The very nature of the structure, built to endure and to serve a very different, more divisive purpose, made it impossible to simply erase. Its permanence, however, offered an intriguing opportunity—one that spoke to the power of reinvention and reconciliation.After the fall of the wall, this bunker became a symbol of curiosity and possibility. Its intimidating, conflict-laden history couldn’t be undone, but it could be reimagined. The idea of repurposing it into a cultural space that celebrates creativity, connection, and peace felt both exciting and deeply meaningful. This project allowed us to breathe new life into a place that once symbolized separation, turning it into something that stands for unity and the enduring human spirit. It’s a testament to how, even in the face of history’s darkest moments, we can create something beautiful and transformative.

Our approach to integrating translucent materials, strategic lighting, and mirrored facades into The Afterlife Cultural Space was deeply symbolic and deliberate. We sought to create an environment that stood as the antithesis of the original structure—transforming its heavy, impenetrable nature into something light, open, and reflective.The mirrored facade was particularly pivotal in this transformation. It was designed to ‘dematerialize’ the structure visually, blending it into its surroundings and symbolically breaking it apart into thousands of reflections. This effect softened the imposing nature of the bunker, allowing it to almost vanish into the landscape, representing a departure from its historical weight.Combined with translucent materials and thoughtful lighting, this interplay of light, reflection, and shadow preserved the bunker’s historical authenticity while crafting a contemporary narrative. It turned a symbol of division into a space of connection, embodying the journey from conflict to reconciliation.

The kinetic facade of The Afterlife Cultural Space is a powerful embodiment of our vision of peace and transformation. Composed of pixelated mirrors that respond to the wind, the facade is in constant motion, creating a mesmerizing choreography of light and reflection. This dynamic quality transforms the structure from something static and immovable into a living, breathing entity.The continuous movement of the mirrors, driven by the natural force of the wind, became a symbol of ‘the wind of change.’ It reflects the ever-evolving nature of society and the possibility of renewal, even for something as seemingly unchangeable as a Cold War bunker. This kinetic element not only adds a sense of vitality and lightness but also invites viewers to see the structure—and by extension, history—through a lens of possibility and hope. It is a celebration of transformation, a visual narrative of progress, and a poetic reminder that change is both inevitable and beautiful.

The decision to incorporate the Ginkgo Biloba tree atop The Afterlife Cultural Space’s glass pavilion was a profoundly symbolic and emotional choice, representing the final chapter in the project’s transformation. Known as the only species to survive the Hiroshima atomic bomb, the Ginkgo embodies resilience and hope, making it the perfect emblem for a structure once defined by conflict. Its placement atop the translucent pavilion bridges the past and future, symbolizing the journey from destruction to renewal. As a living witness to history, the Ginkgo inspires reflection on humanity’s capacity to heal and grow, softening the architectural design while uniting nature and built environments. This choice not only completes the narrative of transformation but also offers a powerful reminder that even the most somber spaces can give rise to beauty and endurance.

The visitor journey through The Afterlife Cultural Space was carefully designed to lead guests through an emotional progression, symbolizing the transformation from darkness to light. It begins in the Memory Void, where the heavy history of the Berlin Wall is palpable, immersing visitors in the pain and division of the past. They then move to the Memory of the Fallen Ones, a solemn tribute to those impacted, fostering reflection and respect. Next, they encounter the Peace Center, a transitional space symbolizing dialogue, reconciliation, and the possibility of unity. Finally, visitors arrive at the Luminous Lantern, a radiant, light-filled space that represents renewal and hope. Crowned by the Ginkgo Biloba tree, it signifies resilience and the promise of a brighter future, completing a journey of profound transformation.

The transformation of Bunker 17/5001 into The Afterlife Cultural Space was a deeply collaborative effort, shaped by the invaluable contributions of historians, architects, and local stakeholders. Working closely with Hans Hansel, the lead responsible for the bunker, I gained profound insight into its history and emotional resonance. His firsthand accounts of the Cold War era and the bunker’s symbolic weight were pivotal in shaping my vision, inspiring me to transform it into a space that stands for the opposite of its original purpose.Historians provided crucial context, helping to preserve the authenticity of the site while enabling its reimagination as a place of reflection and hope. Architects contributed innovative ideas, such as the kinetic facade and the integration of light and open spaces, to embody transformation and renewal. Local stakeholders brought a community perspective, ensuring the design resonated with those most connected to the site’s legacy. This collective effort allowed us to honor history while crafting a powerful symbol of reconciliation and renewal.

The dimensional constraints of the original bunker shaped the design of The Afterlife Cultural Space by turning challenges into opportunities. The monumental scale and oppressive weight of the structure were preserved to evoke feelings of smallness and confinement, immersing visitors in the historical reality of the bunker. In response, my intervention was deliberately the opposite—light, open, and fluid. This contrast is most evident in the Peace Center, where translucent materials and strategic lighting create a sense of expansion and hope. The constraints inspired innovative solutions, transforming the bunker into a powerful journey from heaviness to lightness, conflict to reconciliation.

The Bronze A’ Design Award recognition for The Afterlife Cultural Space highlights its potential to serve as a blueprint for reimagining historical military structures. These remnants of conflict, especially from WWI and WWII, present a unique challenge: they are immovable, steeped in history, and often carry emotional weight. The question becomes, do we bury them, transform them—or leave them untouched? We certainly can’t destroy them.Architecture has always been about adaptation and repurposing, and this project demonstrates the value of transformation. By turning a symbol of division into a space for reflection, dialogue, and renewal, The Afterlife Cultural Space showcases how these structures can transcend their origins, contribute meaningfully to cultural heritage, and inspire future approaches to adaptive reuse.

The Afterlife Cultural Space fosters meaningful interactions and conversations about peace through its carefully designed elements. Fluid spaces and abundant natural light create an open, welcoming atmosphere, encouraging reflection and connection. Exhibition areas showcase narratives of resilience and hope, while conference rooms provide a platform for dialogue and discussion. Dedicated spaces for artists allow creative expression to inspire new perspectives, and the surrounding gardens offer a serene environment for contemplation and informal conversations. Together, these elements transform the space into a vibrant symbol of reconciliation and cultural exchange.

The research process behind The Afterlife Cultural Space integrated historical, architectural, and sociocultural dimensions, each informing and shaping the project’s design. These factors are deeply intertwined—architecture cannot exist in isolation from its context. Every decision, from preserving the raw, monumental essence of the bunker to introducing light-filled, open spaces, was a response to this multifaceted research. By honoring the structure’s history while addressing its sociocultural impact, each intervention became a product of these interconnected influences, balancing preservation with transformation to create a meaningful, reflective space.