Ngā Uiuinga me Mehragin Rahmati

The inspiration behind this ring comes from Monet’s Water Lilies and his life story. As a painter, Monet is one of my favorite artists. This Impressionist master struggled with visual impairment, which made him perceive purple instead of blue and paint white in shimmering tones. Yet his condition never hindered his art—instead, it became a gateway to extraordinary creativity.

That’s why I designed this ring: purple tanzanite echoes Monet’s unique palette, while the sculpted leaves pay homage to his lilies. The diamonds are a nod to the glittering whites in his paintings, and the name “Queen of Lake” is my tribute to his Water Lilies series—with its sharp white highlights and dreamy interplay of blues and purples.

I designed this handcrafted ring to be versatile. It has a mechanism that lets you easily transform it into a pendant or a brooch. Each side is delicately designed, and even the back is handmade, adorned with a tanzanite stone. Despite its size, the ring is comfortable to wear. Inspired by Monet’s Water Lilies, this piece reflects my artistic vision.

From the initial sketch to the finished piece, this handcrafted ring took a month and a half. Each leaf was shaped entirely by hand. I wanted the ring to transform effortlessly into a pendant, with a beautiful yet functional back pin. Even the underside had to be as gorgeous as the exterior—selecting the stones required careful thought. Setting them beneath the petals took time, and finding the pearl was a challenge due to its rare size and color.

Queen of the Lake was inspired by my love for Impressionist art and Monet’s Water Lilies. At its center is a rare pearl, its color chosen to match the dreamy beauty of his paintings.

I wanted to show that imperfections don’t hold us back—they move us forward. This wasn’t a commissioned piece; every detail came from my passion, so the ring wouldn’t just be beautiful—it would have soul.

This design is entirely my own, and I produce it myself. I have no plans to sell or lease the production rights to any other party. I insist on personally overseeing every stage of its creation—from the precision of craftsmanship to the hand-selection of each gemstone. Only through this level of control can I ensure the exacting standards and artistic integrity I envision for Queen of Lake.

I wanted to design jewelry based on a beautiful thought. Being a painter myself, I was inspired by the life story of another painter to express a psychological idea. I designed jewelry to convey an important message to others. It was important to me not only to focus on the aesthetic, but also to make it meaningful. To honor my environmental perspective, I designed this ring to be multifunctional and useful for different occasions.

I was inspired by Monet and his artwork to create this ring.

My ideal customer is someone who sees jewelry as more than adornment. Someone who cherishes the whispers of artistry and meaning woven into each piece. They value rarity not just in gemstones, but in the soul of a design; someone who would pause to trace the brushstrokes of Monet in a tanzanite’s violet depths, or find strength in the reminder that imperfections can bloom into brilliance. This isn’t jewelry for passing trends, but for those who wear art as a second skin.

Queen of Lake is designed based on a very distinct and different idea. It is a multifunctional ring with a unique design and setting that makes it stand out from other similar designs. The aesthetic aspect of the design is carefully considered—I’ve even worked closely on the back part of the ring, adorning it with a purple gemstone. I wanted this ring to look gorgeous from every angle. It is fully handmade; each petal is formed with extra care to enhance its poetic look.

Queen of Lake draws its name from Monet's Water Lilies—just as these flowers transform still waters into a living masterpiece, this ring turns precious metals and gems into an art piece. Like Monet's blooms, it is both delicate and enduring.

I created my sketch with two methods: first using the classic method, by hand with colored pencils and gouache. I also created the design using Procreate software.

Queen of Lake is a masterpiece of transformation—one ring that unfolds into three distinct jewelry pieces, each with its own captivating beauty. Though grand in scale, it wears with surprising comfort, a testament to precise craftsmanship.

The gemstones’ harmonious palette creates a visual symphony, while the rare, luminous pearl at its heart elevates its allure. Every angle reveals hand-chased details, proof of its artisanal birth. And like Monet’s reverence for nature, this piece is crafted with eco-conscious care—because true luxury honors both art and earth.

To maintain comfort and a smooth transformation mechanism into three different jewelry pieces, research has been conducted on construction methods. The back pin design of the ring has been refined multiple times to achieve the desired elegance and security simultaneously. In terms of choosing gemstones, extensive research was conducted on Monet's life and his Water Lilies series to find a perfect match that complements the color of the water in his work; this led to the choice of tanzanite. Diamonds were added to the petals to make them more radiant. Pink pearls were intentionally selected to symbolize hope in the design.

The most challenging aspect of the design was developing a convenient method for changing the pendant into a ring. It was essential to maintain the safety and delicacy of the pin behind the brooch at the same time. Due to the limited free space, setting various forms of tanzanite stones under the petals was quite challenging. The backside of the jewelry had to be designed precisely because a pin and safety lock are located on the backside when the shank is detached, and it has to look elegant.

I knew the A' Design Award was one of the world's largest and most prestigious competitions, and I wanted my design to be seen on the global stage. When a meaningful psychological and social idea turns into an art piece, it becomes more attractive and needs a wider stage to be introduced. Design is a powerful medium to convey ideas and thoughts, and I wanted to take this as an opportunity to express my message.

To achieve the most aesthetically pleasing design, I made many adjustments along the way. Working on this multifunctional ring's setting taught me a lot. I wanted my ring to turn into a pendant and a brooch, so I had to be innovative in creating a transformation mechanism. The entire design and manufacturing process became an incredibly valuable experience.

When choosing jewelry, seek pieces that carry meaning as richly as they carry gemstones. The true value lies not in materials alone, but in designs that grow more beautiful with time. My creations are born from this belief: every form and each stone should whisper a story.

Finally, I would like to thank the A' Design Award and the jury for awarding me the Platinum and Silver Prizes. I am deeply grateful and hope to contribute more. Being selected as a winner for two of my designs is profoundly meaningful to me.

To design this multifunctional necklace, I was inspired by love, spring, and dance. The main idea was to evoke the essence of these three concepts. This necklace was born from a story I wrote about a ballerina—a story that became a short video and, eventually, this jewelry piece. Hidden within the design is a psychological idea: art has the power to elevate the human spirit and make the world more beautiful. In my story, the art of dancing helps the ballerina begin anew, embrace a fresh spring, reignite the warmth of love, and heal her broken heart. Every color in this design symbolizes spring, the re-blooming of hope, and desire. The flowers are crafted in vibrant hues to capture spring’s freshness and vitality.

I focused on several key aspects while designing this necklace. Aesthetics were paramount, but I also wanted to ensure practical usability. This wasn’t meant to be a complex piece—I aimed to create visually unique jewelry that remains comfortable to wear. Additionally, I prioritized multifunctionality, allowing it to transform into various jewelries, reflecting the eco-friendly perspectives.

Through this design, I wanted to embody three themes: spring, love, and ballet. The mechanical movement was especially important—when the ballerina spins, the flower blooms, symbolizing how hope blossoms through dance, and how spring awakens when art comes to life.

I might consider it as a collection and design other jewelry pieces for it.

From the initial idea to final manufacture, the process took more than two months. The multifunctional mechanics, and intricate design and enameling of the vast surface made it particularly complex.

This was not a commissioned piece—it began as a beautiful idea and a meaningful concept. I was deeply inspired by spring and love, and I wanted to create a distinctive piece of jewelry that delights through beauty while carrying spiritual depth.

This design is entirely my own, and I produce it myself. I have no plans to sell or lease the production rights to any other party.

The story and idea of this design came to me long ago. I wanted to create jewelry that was both beautiful and functional, with a psychological concept woven in. I dreamed of a design that would symbolize love and hope—so distinctive it would boost confidence, while telling a profound story.

My ideal customer is someone who values not just the material worth of jewelry, but its spiritual and artistic significance. They appreciate the story and craftsmanship behind an artistic piece and understand how to wear it meaningfully. This is a person who distinguishes between mass-produced jewelry and wearable art, choosing pieces for joy and uniqueness, not just investment.

This design is truly unique. The enameling technique is entirely innovative , and its mechanical features are expertly designed—it can be worn in six different ways. Aesthetically, it carries an elegance and narrative depth that sets it apart, reflecting the beauty of the story behind its creation.

Spring Dance tells the story of a heartbroken ballerina who hung up her shoes after being abandoned by her beloved. But when she decides to dance again, the memory of her beloved can no longer chain her to despair—art’s spirit lifted her into a new spring of love. Blossoms of hope flowered in her heart again as she discovered the spiritual love hidden in dance, surviving and thriving. She dances on, merging with spring’s cheerfulness, novelty, and freshness. For her, a new life begins—bursting with desire and aspiration, just like spring itself.

I created my sketch with two methods: first using the classic method, by hand with colored pencils and gouache. I also created the design using Procreate software.

Beyond its striking form, the magic lies in its multifunctionality. It transforms into six distinct jewelry pieces: a tiara, two pendants, two necklace , and a ring. The necklace dismantles and reassembles into these new shapes effortlessly. The enameling was extraordinarily complex due to the curves and the vast surface, and the delicate colors and versatility make it perfect for any occasion.

Various research were done to craft this necklace. Several initial samples were created to achieve the suitable curve for the desired final shape of the ribbon. It had to be flexible enough to easily transform into a tiara. The intricate connections and fastenings were adjusted numerous times to create a convenient and transformable piece. Various color combinations were studied to achieve the final enameling result. The internal mechanism of the mechanically blooming flower was tested repeatedly to achieve the desired functionality.

Designing and crafting each section of this multifunctional necklace required precision to achieve accurate dimensions for a perfect fit. Locks had to be matched to several parts, with dimensional sensitivity of less than a micrometer. For enameling, it was divided into eighty pieces, facing difficulties due to the curves and large size. To maintain the ballerina's spinning mechanism, the ribbon size needed precise calculation. The mechanically blooming flower was crafted in silver several times to achieve a smooth mechanism.

I knew the A' Design Award was one of the world`s largest and prestigious competitions, and I wanted my design to be seen on the global stage.

This necklace taught me resilience. I faced many mechanical challenges to achieve a smooth, precise structure that could transform into six different pieces. The enameling alone was a masterclass in precision. But every obstacle gifted me invaluable experiences, and for that, I’m deeply grateful.

Although the project was difficult, succeeding made it all worth it. New projects bring unexpected challenges. I learned that we might want to give up, but we must hold onto faith and hope. While creating Spring Dance, I felt this too. But I believed in myself, and in the end, that faith birthed a singular work of art.

Finally, I would like to thank the A' Design Award and the jury for awarding me the Platinum and Silver Prizes. I am deeply grateful and hope to contribute more. Being selected as a winner for two of my designs is profoundly meaningful to me.

Since childhood, painting has been my true passion. My happiness and sorrow found expression through my art, no matter the time or place. I even painted gifts for my friends. My mother was my greatest supporter—as a child, I covered every surface in the house with my paintings, yet she never discouraged me. Instead, she saw the talent in me.

This passion led me to explore painting through various mediums, from colored pencils to oil paints. Later, I pursued graphic design in university, then continued my education in clinical psychology, and later studied jewelry design. While I’ve enjoyed every artistic field, painting and drawing have always remained my deepest love. When I draw, I lose all sense of time. And through it all, my family has been my unwavering support.

I became a designer because art, painting, drawing, and design have always been inseparable from my life. My family supported me on this path, and everyone respected my choice. I’ve carried a deep love for what I do, and my family encouraged me to stay true to who I am.

Art has been my true calling since childhood. My family always stood by me in pursuing my passions, and no one ever pressured me to become a designer. Looking back, I realize nothing else could have fulfilled me like painting, drawing, and design. This goes beyond profession—art is woven into my very being.

I find art in everything: in what I see, what I read, even in moments spent in nature where new designs take shape in my mind. This has been my constant companion throughout life.

I design based on social and psychological concepts. I value aesthetics while prioritizing meaningful ideas. The timelessness of my work has always been my true commitment. In the future, I plan to stay innovative and avoid repetition. My priority is to convey new messages and experiment with materials to create novel pieces.

Young designers should learn the basics of design first. I believe in classic education in the design process to gain proper knowledge of color palettes, composition, and other fundamental rules. After understanding these foundations, they can begin to choose their own style.

Some designers try to innovate without paying attention to basic design principles. This will set them back in the future. Young designers must fight the fear of failure and keep updating their skills with modern technology. They also need to study artwork by established artists carefully to learn from them.

However, avoiding imitation is equally crucial - this is the only path to developing an original style. They should believe in themselves and cultivate their own creative voice rather than copying others' work. True design comes from understanding the rules, then making them your own.

A good designer is someone who spends much time and works hard, but a great designer is one who has endured much and walked a long path. A great designer studies deeply what they wish to create and never turns away from the fear of failure.

For creating great design, there are no shortcuts. The road is hard and long - but worthy and glorious.

When I see good design, I first appreciate the idea behind it. Aesthetics matter deeply to me. Some designers chase complexity, but true artistry blossoms when beauty is honored. Innovation alone isn't enough - what's new must also be beautiful.

Great design comes from originality that rejects imitation, creating work that's both innovative and visually sublime.

The true value of a design cannot be measured materially. Each creation carries part of the designer's soul - their heart and feelings poured into form. Behind every unique design lies a world of experience; designers endure much to bring their visions to life.

When you encounter an extraordinary, distinct design, know this: its creator has struggled for years through learning, failures, and hard-won experience to reach this point. A remarkable design is never just an object - it is the culmination of a devoted artist's lifelong journey.

When we invest in a unique design, its true worth transcends material calculation - it carries spiritual significance. Such designs never fade with passing trends; unlike ordinary objects, they grow more precious with time, as we witness in the enduring works of master artists. Time doesn't diminish these creations - it consecrates them.

My greatest desire is to blend the art of painting with jewelry design. As I’ve shared, painting is my deepest passion—and through my work, I strive to build a bridge between these two beautiful disciplines.

Perhaps the secret to my success lies in my background in the principles of painting. As someone who has painted for years, I’ve developed an intimate understanding of color palettes, forms, and composition—harmony lives deep in my heart. Jewelry design wasn’t my first path; I studied graphic design and have painted my entire life. But I’ve always stayed curious, relentlessly learning everything related to my craft. When I design, I prioritize artistry over business—the creative vision always comes first.

My love for literature also fuels my creativity; I’m a true bookworm, and stories inspire fresh ideas. Another layer comes from psychology—my academic training in the subject helps me weave deeper meaning into my work, connecting art to the human experience.

I’m drawn to designs that are truly unique—where artistry breathes life into every piece. The best designers, to me, aren’t those who chase trends or overcomplicate to impress. Instead, they honor aesthetics and the quiet soul hidden within their work. They create with purity, rejecting imitation, because their vision carries its own signature. For them, it’s never just about marketing; it’s about art.

My Spring Dance, which won the Platinum Award, is one of my proudest creations. I have many other designs that I am fond of, but I faced a lot of challenges in making this necklace. I wanted it to be beautiful, distinctive, and practical at the same time. I had to pay attention to various aspects of design. The concept of designing Spring Dance was based on a psychological idea and a story that was narrated by myself. In the process of crafting this necklace, although I faced many challenges, I learned a lot, too. I got tired on my path, but I didn’t give up until I got to the final result. I learned how perseverance could pay off. Spring Dance is not merely a beautiful jewelry design. To me, it holds countless sweet and bitter memories, with valuable lessons I learned.

Spring Dance is versatile jewelry. I wanted more than a glamorous piece for rare occasions; I wanted to create something both unique and wearable, something practical for every occasion. That’s why I designed it to transform into six distinct styles, breaking the boundaries of traditional jewelry.

My new collection, Once Upon a Time, is a highly distinctive line crafted from unconventional materials that pushed my skills to new limits. Inspired by old tales, I created a delicate yet glorious set of jewelry, each piece conveying deep and meaningful messages.

If people want to improve to be better designers, they should remain updated and curious. They should keep learning in their own field. Studying the work of successful artists who have been working in the field of design for years would help them learn a lot. Instead of imitating such artworks, they should look at them as a lesson to upgrade. To reach success, an artist should stay fearless and not be afraid of obstacles. Success comes from countless failures. Failures hide valuable lessons that help us recognize our weaknesses and flaws. Knowing such defects helps an artist move forward. Keeping away from frustration is the key to reaching our ultimate goal.

If I hadn’t become a designer, I would probably be a professional painter. If not that, I would’ve been a psychologist

Design matters because designers make the world a more beautiful and convenient place to live in. A jewelry designer doesn’t merely craft precious metals and gemstones; they create symbols of confidence and elegance, infusing each piece with meaning. An industrial designer solves problems, turning friction into ease. Architects and interior designers transform empty spaces into places pulsing with life and purpose.

At its core, design is a gift—a fusion of artistry and empathy. With every creation, a designer pours a fragment of their soul into their work, offering it to the world not just as a product, but as a gesture of care. It’s the quiet magic of making life not just functional, but beautiful.

Art has always cherished by my family, and their support has shaped my creative journey. From my earliest days clutching a paintbrush to my first steps in jewelry design, my parents stood firmly behind me—seeking out the finest teachers, believing in my potential even before I could see it myself. And when I began this path, my sister became my brightest champion, whispering words that still echo in my work: 'You will be among the greatest.' Her faith, like my parents', taught me to trust my vision even when doubt crept in. This is more than encouragement—it's the foundation that lets me create fearlessly.

My success as a designer is based on four factors: passion for design, which keeps me moving forward through challenges; perseverance, which turns failures into growth; constant support from my family; and a permanent eagerness for learning new skills.

My parents gave me the gift of an exceptional education in painting, nurturing my artistic roots with care. But my path in jewelry design was one I had to walk alone—no family legacy to guide me, no inherited workshop to step into. While many in this field grow up surrounded by generations of knowledge, I faced the silence of uncharted territory. Every technique, every secret of the craft, I uncovered through trial and error. Yet that solitude became my strength. With each stumble, I rose more determined; with every uncertainty, I learned to trust my vision. The road was longer this way, but the rewards are sweeter—because every skill I possess, every piece I create, bears the mark of my own unwavering spirit. What I’ve achieved wasn’t handed to me; it was forged through the quiet, steady steps of a dreamer who refused to turn back.

Presentation is the final step of creation—when your design meets the world. Whether at exhibitions or on social media, how you showcase your work decides if it stands out or gets overlooked. I’ve seen amazing designs fade into the background simply because their presentation didn’t succeed. That’s why a designer must control this process. No one else understands your vision like you do. The right place and right timing to present, a good angle, lighting, color, and composition —these small details turn your work into a masterpiece

I want to create a series of designs inspired by Persian heritage – but with my own fresh style. Many designers use our culture’s history and monuments, but I want to show it in a new way that’s truly mine.

I also plan to make another series based on psychological ideas. Both will have my unique artistic vision – connecting culture and emotions through jewelry design.

As a jewelry designer, I might be seen as someone who creates luxurious items. But I have a purpose in what I do. Through designing jewelry, I want to take an effective step to deliver meaningful ideas to others and expose important issues to people who don’t pay enough attention to them. Having a message behind my jewelry is my priority. I use the mesmerizing appearance of my pieces to capture public attention, and then it becomes easier to convey my hidden meaning. That is a tool in the hands of a designer—using aesthetics to communicate with society and make them hear her voice.

They certainly expect me to create original and unique designs. My work needs to be distinctive, delivering a meaningful concept. When I present a new design, it has to hold some innovation, showing progress and growth. This improvement could be observed in the idea, technique, or aesthetics.

Nothing is as pure and strong as art for communicating with people. The source of art is from the artist’s soul, and that is the secret key that helps the artist to deliver their message. Art can express the issues of society. Writers with their words, painters with their paints, and designers with their creations—they all can deliver issues that exist in society, but no one pays attention to them. That is the duty of every artist to express such thoughts and help others find a solution. For instance, to deliver my messages I work on designs and collections to raise awareness about environmental pollution, wildlife protection, social issues, historical aspects about my heritage, psychological ideas, and so on.

The Circle of Love collection is one of my favorite works. A combination of simplicity and precise details, it easily conveys the romantic message I wanted to deliver.

Spring Dance, being a challenging design, is one of my proudest creations, with its mesmerizing form and accurate mechanics.

And Mayura, with its rare blue pearl matched with a unique structure, delivers the message of feminine self-confidence and strength.

AI will likely dominate jewelry design in the future—we already see it creating many designs today. While it can be a helpful tool, it worries me when designers rely completely on AI. That creates work without a human soul or true meaning. AI should assist, not replace. I hope that classic design principles never get forgotten. Technology would never be a replacement for conventional artistic methods of design; it can only be an assisting tool to facilitate the process.

Each design has its own timeline. For complex pieces like Spring Dance, solving the challenges of versatility and structure takes 3-4 months. Simpler designs come together faster. The process always adapts to what the creation demands.

Inspiration strikes anywhere - a beautiful stone, a powerful story, a psychological concept, an ancient monument, a painting’s colors, or a moment in nature. These all can spark a jewelry design. The instant the idea comes, I see the complete piece in my mind: the setting, shapes, and gemstones perfectly assembled. From that first flash of inspiration, every detail is already alive in my imagination.

My design philosophy is simple: Trust your own mind. True creativity means never imitating others. Our world overflows with untouched inspiration - why copy when you can create? A real designer is an endless well of originality. That’s where true art lives - in courage, not copies.

Technology can assist designers, but it’s no substitute for an artist’s hand—especially in jewelry design. If a designer can’t create the core lines of their work by hand, technology won’t bridge that gap. Sometimes I use tools like Procreate just to accelerate my working process, but my designs are always done with hand drawing.

The same applies to crafting: while technology offers precision, you can always feel the difference between machine-made and handcrafted pieces.

Color speaks to me. A single gemstone’s glow, the way light moves through an ancient monument, nature’s endless palette - these are where my designs begin. To create true art, a designer must understand color’s language - how hues converse, how they dance together. This harmony lives in everything I design.

When people first see my jewelry, they're naturally drawn to its beauty and precious materials. But as an artist who designs with intention, I want more - I want their curiosity to grow. To wonder about the stories woven into each piece. To notice the precise details, inside and out, because I craft every angle with equal care. Most of all, I want wearers to feel the message alive in my work long after they put it on. My jewelry isn't just meant to adorn - it's meant to speak.

When I see an extraordinary design, I see more than beauty—I see the journey. I feel deep respect for the creator’s dedication, because I know what it truly takes: years of wisdom, relentless effort, and pure passion. That moment of recognizing true mastery fills me with joy.

My designs are shaped by many ideas and thoughts: psychological studies, art theory texts, biographies of master painters - even great novels or old tales leave their mark. Each page I read becomes potential inspiration, transforming theory and human stories into tangible beauty.

As an award-winning designer, I never stop learning. True skill means always being a student. Success brings greater challenges: your reputation depends on constant growth. Staying relevant means being a level higher than your previous version in every step you take.

Of course, seeing my hard work recognized feels rewarding - but this isn't the finish line. I refuse to settle at any achievement. Each milestone actually deepens my responsibility: to push further, to create richer, more meaningful work. These honors aren't endpoints - they're fuel.

My favorite places are my homeland, with its ancient history, rich culture, and inspiring landscapes, and Dubai, my current home, where modernity and opportunity bloom beneath desert skies. It is a peaceful and safe country with all its beauty and friendly people.

Italy is another place I like, with its warm people, magnificent monuments, and rich cultural spirit. Some of my fondest memories were made in Italy.

Among seasons, I like spring for being the season for rebirth, and winter, because I really like the serenity of snowfall. My favorite color is various shades of blue.

At the table, I prefer fresh vegetables and salads, and I’m very fond of seafood.

My parents expected me to become an artist since my childhood. Every wallpaper in our house was covered with my paintings, and everyone visiting our home could have a tour of my childish artwork. I remember painting on every surface I found, even on napkins. Drawing and painting was always my true passion. I always gave my paintings to my friends as a gift.

In a thousand years, the meaning of art will be different from what we perceive in art today. When we look at prehistoric artwork these days, we deeply feel the difference between those artworks and what we call art today. The same thing will happen with the artwork created a thousand years from now. The progress of technology in the field of art will be immense.

I would like to take this opportunity to thank A' Design for organizing this competition. I appreciate the effort put into creating such a valuable experience for all participants.It’s clear that a lot of thought and hard work went into making this competition successful.

Since childhood, painting has been my true passion. My happiness and sorrow found expression through my art, no matter the time or place. I even painted gifts for my friends. My family was my greatest supporter—as a child, I covered every surface in the house with my paintings, yet they never discouraged me. Instead, they saw the talent in me.

This passion led me to explore painting through various techniques, from colored pencils to oil paints. For years, I trained under the guidance of a renowned teacher. Later, I pursued graphic design in university, then continued my education in clinical psychology, and later studied jewelry design. While I’ve enjoyed every artistic field, painting has always remained my deepest love. When I paint, draw or design, I lose all sense of time. And through it all, my family has been my unwavering support.

My brand, Mergin, was founded in Dubai in 2020 and features bespoke jewelry born from unique designs that blend rare, high-quality gemstones with a poetic palette of ethereal colors. Since its inception, my designs have won sixteen international awards. Each piece tells a story, reflecting my belief that jewelry should be timeless, captivating, and a true embodiment of art. Mergin strives to pioneer a new wave of originality in jewelry design, conveying not only aesthetic beauty but also meaningful messages rooted in social, environmental, or psychological themes.

Design is a gift—it mixes art and care. When designers create, they put part of themselves into their work. It’s not just a product—it’s a way of making life more beautiful, and make the world a better place to live in.

Considering that I am a jewelry designer, I like to design unique and innovative pieces, holding a meaningful concept inside. While being distinctive creations, I like my design to hold aesthetic and visual beauty. A fine design is timeless and becomes more valuable in the passage of time.

My favorite design is Spring Dance, which won the Platinum Prize. While I love all my work, this piece is deeply personal. The idea came from a psychological concept and a story I invented, and every detail had to be perfect. I faced setbacks and technical obstacles—but these struggles taught me resilience. I kept pushing until my vision came to life. Spring Dance taught me that perseverance pays off.

What makes Spring Dance special isn’t just its beauty—it’s how versatile it is. I didn’t want it to be a masterpiece hidden away for special events. Instead, I aimed for something unique, wearable, and practical for everyday life. That’s why I designed it to transform into six different styles, defying traditional jewelry norms

I am deeply drawn to white gold. Among gemstones, my favorites are pearl, Paraiba tourmaline, and opal. I also adore diamonds, and heart-shaped diamonds are my favorite. I am also fascinated by blue titanium. Hand sketching inspires me far more than digital tools—anything involving painting with colors, pencils, and brushes energizes my creativity. As a painter, working with pencils and brushes truly cheers me up. I prefer handmade manufacturing and am skilled in the artistic technique of wax for creating jewelry. Enameling is another favorite of mine, though I approach it unconventionally. I reinvent it in a modern, fresh style, which I find utterly delightful.

Whether I'm reading a new story, discovering a psychological idea, spending time in nature, or admiring a unique gemstone - each experience fuels my creativity.

When designing, I consider many aspects—aesthetics, color harmony, hidden stories, and fine details. I pay attention to every angle of my jewelry because I want it to look perfect from every perspective. I design with timelessness in mind, ensuring my jewelry becomes only more valuable with time.

When I design, pure joy fills me. From the very first moment, I can see the finished piece in my mind. Design always brings me happiness - playing with colors and shapes is my deepest passion. But when a meaningful message or captivating story can shine through my creation, that's when the process becomes truly special.

When my designs are realized, I feel truly happy. It’s not just about creating something beautiful—it’s also about sharing the story behind it. Explaining the inspiration and process that shaped each piece adds deeper meaning to my work.

A great design starts with a fresh idea and strong execution. For it to work well, it needs careful planning and research related to the production techniques and methods, as well as material quality. Designer must consider the process of production while working on the design, so the design does not face practical problems during the manufacturing.

The most important thing to me is the uniqueness of the design. I don’t approve of any kind of imitation. A design should be based on an idea or concept—that’s essential. Aesthetics matter just as much, though that doesn’t necessarily mean the design has to look complex. I also care deeply about color harmony and high quality of the material. And above all, I want the final piece to be comfortable to wear.

A designer can reflect social issues through their work, which makes them responsible to society. They might even help solve these issues through their creative expression. For instance, in one of my collections, I aimed to raise awareness about environmental conservation.

AI will undoubtedly transform design and completely change the game. I hope designers use AI solely as a tool to enhance their workflow, not as a replacement for creativity. Art’s beautiful soul risks being eroded by technology and artificial intelligence if we fail to preserve our mindful approach. AI cannot pour genuine meaning into design; ideas born from the human soul carry a depth and resonance that AI-generated work simply cannot replicate.

My last exhibition was held in Paris, France, at the Precious Room. Most likely, the upcoming exhibition will be at the A’ Design Gala Night in Milan.

A single gemstone’s glow, the way light moves through an ancient monument, nature’s endless palette—these are where my designs begin. To create true art, a designer must understand color’s language—how hues and forms converse and how they dance together.

I create jewelry that’s both practical and meaningful. Having a concept is essential for me, while designing a multifunctional structure is my signature to achieve practical features of the design. Every piece is made to be looked at from every angle, so I carefully check every detail.

I use unique gemstones—rare and full of personality—to make each design stand out.

My aim is to apply traces of modern design to my classically designed pieces.

I am from Iran, a country that is very rich in cultural heritage with breath-taking monuments and natural landscapes. Its artistic background and rich literature provides me with a wide range of ideas to create new designs. If looked closely, the footprint of my homeland culture is obvious, and in the future it will be seen too.

I currently live in Dubai, a cosmopolitan which is one of the most progressed places in the world with its unique beauty and charm . That allows me to have the opportunity of meeting and knowing different cultures and that would influence my design too.

They may review their work experience, background, and portfolio to evaluate their design capabilities. It’s not just about the design itself—the final outcome must also be examined to assess the manufacturing process.

Inspiration strikes anywhere - a beautiful stone, a powerful story, a psychological concept, an ancient monument, a painting’s colors, or a moment in nature. These all can spark a jewelry design. The instant the idea comes, I see the complete piece in my mind: the setting, shapes, and gemstones perfectly assembled. From that first flash of inspiration, every detail is already alive in my imagination.

The design is mainly done using classic hand-drawn methods, and sometimes, it is done with Procreate software. Then, depending on the design, I decide whether it should be hand-made or a 3D version. Finally, it moves into the manufacturing stages

They must start by mastering classic design fundamentals. To stay relevant and updated, they should immerse themselves in workshops and the continuous learning of new skills. Studying and analyzing grandmasters’ masterpieces becomes essential. This should be done while staying aware that they need to avoid imitating ideas and designs. Above all, they must embrace that relentless effort drives success—moments of despair are always temporary.

My golden rule is this: study, learn, practice, and never give up in the face of difficulty.

To master classic design fundamentals—especially in jewelry design—learning composition, perspective, color harmony, and mastering the color palette is vital.

My toolbox consists of colored pencils, gouache, oil paints, a black pencil for drawing, and my iPad. I am deeply passionate about working with a brush and pencils, and nothing can improve my spirit more than combining the colors and creating forms with my hands.

Design is a time-consuming process, but I enjoy every second of it, and I don’t feel the passing of time while I’m busy designing. I wake up very early in the morning, and my day is fully planned the day before so I can follow my schedule in the best possible way. I set priorities to ensure I have enough time for the most important tasks. If any extra time is left, I use it to fulfill other tasks during the day.

It all depends on the design itself. Designing a single ring is very different from designing a complete set of jewelry. It also depends on the design tool; classic design is very different from using software. So, there is no exact answer to this question in the field of jewelry design.

I am mainly asked about the inspiring idea or the design background. I am also asked for information about the gemstones I use in my jewelry, because I usually adorn my pieces with unique, distinct gemstones.

As a jewelry designer, being involved in the manufacturing process helps me improve my design workflow. Design is not only about creating the initial version but also about being actively involved in the production stage, which is vital. One of my most wonderful design experiences emerged during my work on Spring Dance, a piece awarded the Platinum Prize. It is distinct in both design and manufacturing, and the process provided me with invaluable experience.

Those designs that emerge fully from my own thoughts, carry a profound idea or story. Sometimes, a design begins with a unique stone that captivates me with its extraordinary beauty, and the work is based entirely on the gemstone itself. I am always filled with joy to see the result of my passion as a jewelry designer.

I want to create a series of designs inspired by my Persian heritage – but with my own fresh style. Many designers use our culture’s history and monuments, but I want to show it in a new way that’s truly mine.

I also plan to make another series based on psychological ideas. Both will have my unique artistic vision – connecting culture and emotions through jewelry design.

They can reach me via email or WhatsApp, which are available on my Instagram page (mergin_co).

When choosing jewelry, seek pieces that carry meaning as richly as they carry gemstones. The true value lies not in materials alone, but in designs that grow more beautiful with time. My creations are born from this belief: every form and each stone should whisper a story.

Finally, I would like to thank the A' Design Award and the jury for awarding me the Platinum and Silver Prizes. I am deeply grateful and hope to contribute more. Being selected as a winner for two of my designs is profoundly meaningful to me.

I tried to design this necklace to serve as a multifunctional and cost-effective piece of jewelry. The purpose was to make it useful for different occasions, both in casual and formal ways. I faced many mechanical challenges to achieve a smooth, precise structure that could transform into six different pieces. Locks had to be matched to several parts, with dimensional sensitivity of less than a micrometer, and the final piece had to be comfortable and easy to wear. For the mechanically blooming flower with the curves on the backside, a number of silver samples were crafted to reach the favorable mechanism. Enameling of the various parts was repeated up to eighty times, because the surface of the work was large and all the curvy edges made it even more challenging. To get to a satisfying outcome, I had to repeat the process many times.

To design this multifunctional necklace, I was inspired by love, spring, and dance. The main idea was to evoke the essence of these three concepts. This necklace was born from a story I wrote about a ballerina—a story that became a short video and, eventually, this jewelry piece. Hidden within the design is a psychological idea: art has the power to elevate the human spirit and make the world more beautiful. In my story, the art of dancing helps the ballerina begin anew, embrace a fresh spring, reignite the warmth of love, and heal her broken heart. Every color in this design symbolizes spring, the re-blooming of hope, and desire. The flowers are crafted in vibrant hues to capture spring’s freshness and vitality. A symbol of my initial concept lies within each of the six pieces of this multifunctional jewelry; whether it's a flower in the ring, a ribbon in the necklace, or a ballerina in the pendant, you may find a touch of my story in every single piece it transforms into.

The enameling process had to be repeated many times due to its vast surface and curved form. I wanted to evoke the essence of spring and freshness, so the pink color seemed like the best choice, as I find it a sincere shade for evoking ballet dances and the spring season. The final pink shade was created by mixing pink and purple precisely, achieving Mother of Pearl tender pink shade that helped preserve the delicate expression of the ribbon.

To design a high-quality and luxurious jewelry piece that provokes a sense of motion, I tried to invent a dynamic mechanism while maintaining its delicate and glamorous appearance. I wanted the flower to bloom when the ballerina spins—a process that had to be done very precisely so that the function would not affect the aesthetics. To maintain the ballerina's spinning mechanism, the ribbon size needed precise calculation.

These locks had to be crafted many times to reach the desirable design. Although they had to be tiny and delicate, they also had to be functional and high-quality so they would not get loose while being used over and over again.

Being multifunctional makes Spring Dance an eco-friendly design. Although it is only one piece of jewelry, but it can be worn on different occasions. Some parts of it are handmade using natural gemstones. I addressed ecological concerns during the manufacturing process while preserving its elegant and glamorous look.

This necklace is designed based on a story I wrote myself; thus, I tried to convey the romantic essence of my story through it. I wanted to preserve the expression of my narration captured in the video made from my story under my supervision. The ballet dance with the ribbon, the spring blossoms, the ballerina spinning inside the ribbon—they all narrate my tale. My initial idea grew into a splendid piece of fine jewelry. I really wanted to retain the artistic features of my design while creating high jewelry.

One of the most challenging parts of the design was to resemble the tenderness of a ribbon using a material such as gold. I had to be very delicate to achieve that goal. The necklace was tested on a model several times to achieve the finalized smooth curves that felt natural on the skin and matched the body shape. The other ribbon, couldn’t be too big, but it had to be large enough for the ballerina to spin easily. That was a serious challenge, because the feeling of dance and the wrapping shape of the ribbon around the ballerina had to be maintained. To achieve the desirable final outcome, this necklace had to be crafted several times.

I have always been eager to combine classical and modern design characteristics. Even in my paintings or interior design projects I did as a hobby, I fuse these two, enjoying a synthesis of classical design’s originality with the convenience and excitement of modern style. I like to see these aspects as a unified whole. Spring Dance is a classical jewelry piece with contemporary mechanical features, using modern techniques to give a fresh interpretation to traditional design. Designers could benefit from adding a touch of contemporary flair to classical pieces to create a new signature style.

Being awarded this prize was an encouragement to me and left me with powerful inspiration to pursue my special ideas. I might have been hesitant about giving life to many of my imaginative designs, but now I feel I have the strength and self-confidence to develop a new series of rebellious and meaningful concepts. Jewelry should not be considered merely a material investment but as an artwork which can carry a meaningful message inside. Artistic jewelry can attract more attention than those created with no concept and only hold value as precious metal and gemstones. I am deeply interested in art, especially painting, so when my jewelry design is recognized as an art piece, it fills me with pure joy.

The most challenging aspect of the design was developing a convenient method to transform the pendant into a ring. It was essential to maintain both the safety and delicacy of the pin behind the brooch. Due to the limited space, setting various tanzanite stones beneath the petals proved difficult, requiring multiple recuts of the gems. The back of the jewelry also demanded precise design, as it had to accommodate the pin and safety lock when the shank was detached—all while maintaining an elegant appearance.

As a painter, I am deeply passionate about art, and Monet’s work has been a tremendous inspiration to me. His genius color palette captivated me, influencing my gemstone selection for Queen of Lake. I aimed to mirror the hues of his Water Lilies painting while conveying a psychological message through my design: that our weaknesses can become tools for creating something novel and extraordinary. Much like Monet, whose visual impairment never hindered his artistry—he saw blue as purple, and white as a glittering shade—I embraced limitations as a creative force. To represent the purple tones of water, I chose tanzanite, a rare and luxurious gemstone, while diamonds emphasized the shimmering white.

The final shape of the petals was crucial to me. Since the ring is entirely handmade, each bend was carefully executed to achieve delicate, precise curves. These petals needed to cradle the central pearl perfectly, so I repeated the shaping process multiple times until the desired form was achieved.

Paying close attention to both the back and front of the jewelry is an obsession of mine. To achieve this, I designed delicate pins on the reverse side, ensuring Queen of Lake—a multifunctional piece that transforms into a brooch and pendant—remained glamorous from every angle. My logo, along with a fine tanzanite stone, was neatly incorporated into the back, balancing functionality with artistry. Fully handmade, this ring embodies elegance as its defining characteristic.

I didn’t want the ring to be too heavy. Every part had to be delicate and elegant—even the backside pin was designed with extreme attention. That said, though the ring is large in size, it’s still very comfortable to wear.

Color harmony has always been a main concern for me. A unique and very large pearl with purplish-pink hue was carefully chosen to complement the purple tanzanite, while diamonds enhance their beauty and complete the charm. Together, they form a harmonious collection. To me, selecting the right colors is crucial—whenever I gather gemstones for a design, I focus intently on the palette’s balance. I avoid using too many colors in my work. While a vibrant mix might catch the eye at first, it often becomes tiresome over time.

The Queen of the Lake is a multifunctional ring, so safety was a top priority in its design. When transformed into a ring, it’s secured with a safety tab. Every lock is crafted for convenience and security. Though the backside pin is tiny and delicate, it remains strong and reliable.

As I remember myself, I was mesmerized by Impressionist art when I was a teenage painter. The extraordinary color palettes of artists like Monet deeply inspired me, and I enjoyed taking ideas from their color combinations while painting. When I transitioned into jewelry design, it felt natural to draw from that same Impressionist brilliance in this new artistic realm. As a painter-turned-jewelry designer, I took immense pride in creating a piece that honored my passion for a pioneer like Monet. As I mentioned earlier, I wove the psychological message of Monet’s life story into my design process. Just as he—unable to see colors as they truly were—persisted and created his own luminous palette, we too can transform our limitations into something beautiful.

Fusing the originality of classical style with the innovation of contemporary design is my signature approach. I use these two as complements to each other, creating fresh and unique jewelry pieces that embody the characteristics of both styles. This allows me to craft something with a traditional, classy appearance while benefiting from the convenience and functionality of contemporary design.

My aim is to enhance feminine self-confidence through my jewelry. The message hidden in my jewelry is that feminine beauty is complete only when combined with self-esteem, and that`s where the true strength comes from. I believe that when a piece carries a meaningful and spiritual message beyond its material value and external beauty, that idea acts as a reminder to the woman who wears it. That is precious to me—that my creations not only enhance a woman's attractiveness but also allow her to feel my deepest spiritual thoughts whenever she wears my jewelry.