Past at Last Busano Bakalanjinan dek Tihana Miksa adolah pamenang nan sangaik tahormat dari A' Design Award Perak 2021 nan sangaik prestigius dalam Kategori Kompetisi Fesyen.
PerakFesyen· 2021
Past at Last Busano Bakalanjinan
dek Tihana Miksa
Klien: Tihana Mikša
Pamenang A' Design Award Perak dalam Kategori Fesyen
Pamenang Pangharogaan Taverifikasi
Verifikasi Status Pangharogaan untuak #113802Desain
Tantang Past at Last Busano Bakalanjinan
Panakanan dalam komposisi busano ko talatiak pado tekstur nan kayo jo bagurau sarato panawaran warna nan indak marato. Sabagai akibatnyo, busano tu sendirinyo basifat simetris, sadohan, jo tatutuik tanpa ado intervesi nan mamusuahkan strukturnyo. Objek-objek ko manguji aspek visual, raso rabo, materialitas, garakan hiduik, sarato arsitektonik tekstil. Warna-warnonyo randah intensitasnyo sarato akromatik, kacuali warna mirah nan badanyuik dalam spektrum nan pucat ko.
Pangakuan
Tantang A' Design Award Perak
Past at Last Busano Bakalanjinan adolah pamenang A' Design Award Perak, sabuah pangakuan nan luar biaso bapresti nan dibarikan ka rancangan tingkaik tatinggi, elok jo mangesankan. Pamenang Perak adolah karya nan sangaik cemerlang jo sangaik kreatif nan mamparlihatkan kapakaran, bakaik jo katajaman pikiran parancangnyo. Past at Last Busano Bakalanjinan dipaokan manjadi karya nan mangaguikan, contoh tauladan, sangaik profesional jo inovatif sacaro dalam. Rancangan nan manang Perak iko adolah panemuan nan nampak jo dikagumi nan mambari sumbangan untuak maluaskan batas seni, ilimu, rancangan jo teknologi. Past at Last Busano Bakalanjinan adolah ciptaan nan dicamburui banyak urang, nan mambangkikkan karinduan, mambaok parasaan positif jo malahiakan karagumon jo kakaguman.
Di Baliak Desain
Kit Pers
Kredit, anggota tim jo rincian teknis nan disadioan dek perancang.
- Sifat Unik
- The emphasis in the clothing compositions is on rich, playful textures and uneven coloration. As a consequence, the garments themselves are symmetrical, simple and closed forms without any demanding interventions to the structure. These objects examine the visual aspect, tactility, materiality, living motion and the architectonics of textiles.
The colours are low in intensity and achromatic, except reds that pulsate within this pale spectrum. - Tag
- basketry,wool,mould,seamless,textile,handpainted,handmade, handpleating, sashiko, nuno felting,aperture, finishes
- Teknologi Produksi
- The textile is structured through various pleating techniques, improper and proper stitching, hand tinting to achieve noble tones, treatment with acids, wax, burning, patching, sandpapering, drilling, basket-making and finishes.
- Tantangan Desain
- Perhaps this no longer matters, but we still care about values, about something that goes beyond our mere existence in the here and now, even when it comes to dressing. What we use to shroud our body, how we seem and appear in front of others, and what we communicate and convey in this manner, this will continue to matter about as long as we share this world with others.
Tihana Mikša Perković is aware of this, and in her quest for clothing worthy of man she intervenes in history as well as in modernity, in the continuity of life finding the only real source of inspiration. Her inspiration are folk costumes from Croatian regions which she interprets in a contemporary key, by applying contemporary textile processing techniques. - Inspirasi
- The man of tradition is closely linked to the rural way of life, as can be seen from the regional diversity that result from geographical location and the set of natural givens.
It was my intention to follow in the footsteps of our ancestors and to commit myself in a contemplative and repetitive, as well as time-consuming manner to the overall creation of each costume. In actual fact, my intention was to slow down, to be part of the process, and not just a consumer of finished impersonal and alienated clothing. - Durasi Proyek
- 10.03.-26.03.2016., Zagreb, Ulupuh Gallery
- Kredit Gambar
- Photo Vanja Šolin
Hairdress and make up Dalibor Šakić
Model Hana F.M.
Disponsori
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