Ameh Interior · 2022
National Gallery Athens Musium
by Parmenidis Longuepee Mari Team
- A' Design Award Ameh 2022 in Interior
- CLIENT: National Gallery of Greece
- Estimated Number of Design Views: 28,287
- Verification code 51A5797A16 · Verify this award
Colors
About National Gallery Athens Musium
Di bangunan modean National Gallery di Athens dari taun '60an, ruang-ruang pameran dirancang bak promenade di ruang tabuak. Interiornya dirancang sabagai rangkaian wilayah transisi nan dilapisi kayu untuak informasi, jo ruang-ruang pameran putiah jo plafon gantung nan dirancang khusus untuak tiok fungsi pameran. Jo mangatur arah pandangan, kadalam tampak di ruangan jo ka arah kota, cahayo umum nan sasuai jo cahayo lua, sarato manurunan bahan jo detail teknis untuak maampilkan karya seni, ruang ko mambarikan raso pilihan nan bebas.
About the A' Design Award Ameh
National Gallery Athens Musium adolah pamenang A' Design Award Ameh, sabuah pangakuan nan sangaik bapresti nan dibarikan ka rancangan kelas partamo, mangaguikan jo cumelang. Pamenang Ameh adolah ciptaan nan sangaik inovatif, bapandangan jauah jo baka-kilauan mamikaik nan mancaminkan bakaik, kabijaksanaan jo kahebatan parancangnyo. National Gallery Athens Musium dipaokan manjadi panemuan nan sangaik dipuji, panetap kacenderungan jo monumental nan mambari nilai nan alun pernah ado. Rancangan nan manang Ameh iko adolah proyek nan mangaguikan jo dihargai nan maluaskan batas seni, ilimu, rancangan jo teknologi. National Gallery Athens Musium malahiakan karinduan nan kuek, mambangkikkan gairah, mandorong kreativitas jo mamikaik kito.
Press Kit
- Unique Properties
- Interior design, museography of the accessible spaces of the visitors:
Permanent exhibition areas, with large exhibition panels and suspended ceilings function as lighting mechanisms. Areas for alternating exhibitions, with suspended ceilings to support panels, lighting, projectors. Entrance area and circulation junctions covered with wooden panels for orientation and division of space.
Excerpts from the city are visible in a two-way relationship between the work of art and the city. - Dimensions & Packaging
- Total area accessible of the visitors 8.500 sm, distributed over 6 floors.
- Tags
- museography, interior space, gaze, minimalism
- Production Technology
- The materials in the exhibition and entrance areas are mainly metallic frames covered with panels of gypsum or wood, for the walls, or with Stretched Ceiling translucent diffusor films. The materials are subdued to highlight the works of art: wood without strong veins, matte marble on the floor, grey coloured exhibition walls.
- Design Challenge
- The hardest part was the coordination of the large number of the constructors and engineers of the building and the museography, of the supervisors of the Ministry of Culture (as we are talking about the National Gallery), of the curators and conservators of the Gallery, of the consultants of the sponsors.
- Research
- Our team has a long experience of over 50 similar studies and constructions, on art exhibitions. In the specific project, we combined the given structure of the building with the museology study of the National Gallery and with the free flow of the visitor of the exhibition, checking the results through the navigation in detailed 3d maquettes.
- Inspiration
- The design of a permanent and alternating exhibition of the Greek art of 19-20th c., with material and geometric spatial indexes for the gaze that give the sense of free choice to the movement of the visitors (panels facing the incoming visitor permitting the maximum depth of the field of view), in a continuous open-air feeling due to the general indirect lighting that follows the incoming view of the excerpts of the city. Minimalism and materials that are subdued to highlight the works of art.
- Project Duration
- The study of the project started in 2017 and finished in 2020 in Athens. The construction started in 2020 and finished in 2021.
- Operation Flow
- The visitor can have information general or specific for the art works in each exhibition room, or for the projects of the museum, or for the orientation in the building by 60 interactive screens placed in the entrance and the circulation knots.
- Image Credits
- All photos own to the team.
