Gangsa Interior · 2022
Fujifilm Clay Studio2 Desain Interior Kantua
by Koji Aoki, Lin Su and Atsushi Fujita
- A' Design Award Gangsa 2022 in Interior
- CLIENT: Fujifilm Corporation
- Estimated Number of Design Views: 10,402
- Verification code A29002A4FB · Verify this award
Colors
About Fujifilm Clay Studio2 Desain Interior Kantua
Clay Studio 2 marupokan interior kantua nan dirancang untuak karajo desain produk sarato desain visual di Tokyo. Ruangan nan lueh 300 meter persegi ko direncanakan sabagai suasano nan tanang untuak fokus, babeda jo kantua-kantua nan lebih mementingkan komunikasi. Beton, cat, jo papan semen kayu dibiakan indak diolah, sahinggo ruangan ko tampak hanyo tabuek dari balok jo tiang. Penataan tamin sarato pamandangan alam manjadi latar balakang nan mambaok parubahan musim ka dalam ruangan. Meja-meja manghadok ka lua, dan mejo panjang tujuah meter mambaok kesempatan untuak patamuan singkek samantaro tatap manjago jarak antaro urang.
About the A' Design Award Gangsa
Fujifilm Clay Studio2 Desain Interior Kantua adolah pamenang A' Design Award Gangsa, sabuah pangakuan nan sangaik bapresti nan dibarikan ka rancangan nan cemerlang nan dicirikan dek kreativitas, kacerdikan jo kabijaksanaan. Pamenang Gangsa adolah karya nan cukuik mahir jo kreatif sacaro mangesankan nan mamastikan pangalaman nan luas, imajinasi jo kacerdikan parancangnyo. Fujifilm Clay Studio2 Desain Interior Kantua dipaokan manjadi bando nan sangaik dihormati, dikagumi jo disayangi, nan profesional jo inovatif sacaro nampak. Rancangan nan manang Gangsa iko mamuek praktik tabaik dalam seni, ilimu, rancangan jo teknologi jo cemerlang dalam parhatian ka rincian. Fujifilm Clay Studio2 Desain Interior Kantua mamanuhi kaparluan jo elok, manyantuah karinduan, mamikaik parasaan jo manarik raso ingin tahu.
Press Kit
- Unique Properties
- It goes against the "dynamic" offices that exist today, where communication is the main focus. However, on the contrary, a place where people can gather and immerse themselves in friendly competition is the antithesis of the current office. Natural scenery used as the background for the landscaping of a garden adds seasonal changes to the space and enriches the experience of working while immersed.
- Dimensions & Packaging
- The space is made of only unprocessed materials and has the appearance of being made up of only beams and pillars. While creating an environment where everyone can face outward to design, the ability to turn around and have a quick meeting at a big table adds flexibility and adaptability to the "immersion. This layout is not face-to-face, and also allows for social distance, so even without acrylic panels, droplet infection can be controlled.
- Tags
- a place for immersion, dynamic, feel of material unprocessed material, natural scenery used as the background for the landscaping of a garden, 7m big table, To have nothing is to have plenty, Work while cultivating the sensitivity to see the fragility and preciousness of the natural world as beautiful, Length 7m large table
- Production Technology
- concrete, painting, wood cement board
- Design Challenge
- It was difficult to unite concentration and communication.
It was planned with the hope that people would immerse themselves in the designs they create. This is contrary to the many "dynamic" offices that exist today. This is contrary to the many "dynamic" offices that exist today, where the main focus is on communication. On the contrary, however, believe that it is the antithesis of the current office, where people can gather together and immerse themselves in friendly competition. - Research
- This is the office for Fujifilm's product and visual design. As a place to practice design management, have created a new base, "Clay Studio 2" in addition to the current office. If the current office is a "dynamic" space, the new office is planned with immersion as a "static" space in mind.
Leased area: 300㎡, use: office, building location: Tokyo, Move-in department: Fujifilm Design Center, Number of residents: 26 - Inspiration
- The office was designed with the hope that people would work while cultivating the sensitivity to see the fragility and preciousness of the natural world as beautiful and to immerse themselves in the designs they create. The office was designed with this in mind. Space itself is used as a "guide" for immersion.
Used the original landscape of the building to promote immersion in a calm state of mind, as if visiting a temple or shrine. - Project Duration
- Start of design in November 2020, completion in April 2021
Nishi-Azabu, Minato-ku, Tokyo - Operation Flow
- While creating an environment where employees can look outward to design, the ability to turn around and have a quick meeting at a BIG table adds flexibility and adaptability to the "immersion. This layout is not face-to-face, and also allows for social distance, so even without the acrylic panels, droplet infection can be controlled.
