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Redesign of Kurojyoka Alat Minum by Yuki Ijichi
Redesign of Kurojyoka Alat Minum by Yuki Ijichi
Redesign of Kurojyoka Alat Minum by Yuki Ijichi
Redesign of Kurojyoka Alat Minum by Yuki Ijichi
Redesign of Kurojyoka Alat Minum by Yuki Ijichi

Ameh Paralatan Dapua · 2025

Redesign of Kurojyoka Alat Minum

by Yuki Ijichi

  • A' Design Award Ameh 2025 in Paralatan Dapua
  • CLIENT: MATHERuBA
  • Estimated Number of Design Views: 61,399
  • Verification code 4E3BD01382 · Verify this award
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About Redesign of Kurojyoka Alat Minum

Iko adolah rancang ulang kurojyoka, teko keramik tradisional Kagoshima untuak shochu, agar sasuai jo gaya iduik kini. Kurojyoka tradisional tu dibuek badasarkan sistem panghangek perapian Jepang, dan bantuaknyo tatap samo meskipun gaya iduik alah barubaah. Proyak iko marupoan kalanjuikan budayo shochu Kagoshima dan karajinan tradisional jo mambuek modifikasi pado aspek iko dan mamperbaharui kurojyoka agar sasuai jo gaya iduik kini.

About the A' Design Award Ameh

Redesign of Kurojyoka Alat Minum adolah pamenang A' Design Award Ameh, sabuah pangakuan nan sangaik bapresti nan dibarikan ka rancangan kelas partamo, mangaguikan jo cumelang. Pamenang Ameh adolah ciptaan nan sangaik inovatif, bapandangan jauah jo baka-kilauan mamikaik nan mancaminkan bakaik, kabijaksanaan jo kahebatan parancangnyo. Redesign of Kurojyoka Alat Minum dipaokan manjadi panemuan nan sangaik dipuji, panetap kacenderungan jo monumental nan mambari nilai nan alun pernah ado. Rancangan nan manang Ameh iko adolah proyek nan mangaguikan jo dihargai nan maluaskan batas seni, ilimu, rancangan jo teknologi. Redesign of Kurojyoka Alat Minum malahiakan karinduan nan kuek, mambangkikkan gairah, mandorong kreativitas jo mamikaik kito.

Press Kit

Unique Properties
This is a redesign of the Kurojyoka, a traditional Kagoshima ceramic earthenware teapot for shochu, to fit modern lifestyles. The traditional Kurojyoka was shaped based on heating in a Japanese hearth, and the Satsuma ware craftsmen did not revise the Kurojyoka to fit their changing lifestyles, but this project is characterized by its sublimation into a modern Kurojyoka by revising this aspect of the project. The fact that the shape has been modified for the modern age.
Dimensions & Packaging
Kurojyoka, Width 120mm x Depth 146mm x Height 160mm
Cup, Width 75mm x Depth 75mm x Height 45mm
Warmer, Width 114mm x Depth 102mm x Height 63mm
Pitcher for Maewari, Width 80mm x Depth 84mm x Height 205mm
Tags
Product Design, Redesign, Tableware, Sakeware, Kurojoka, Kurojoka6442, Satsuma ware, Earthenware shochu teapot
Production Technology
The redesigned Kurojyoka has a mass produced design so that it can be used as a modern earthenware teapot for shochu and as an everyday household item for enjoying shochu. It is made using casting molding, a technique for mass producing ceramics, in which muddy ceramic clay is poured into a plaster mold.
The material is porcelain, which is durable and can be used for commercial purposes.
The glaze uses shirasu from the Shirasu Plateau, a characteristic of Kagoshima's soil, with the aim of it becoming an everyday household item made from local materials.
Design Challenge
In redesigning the Kurojyoka, we tried to make it a mass production type for easy general use, but there was a difficulty in that Kagoshima does not have mass production technology. Therefore, we asked a Nagasaki potter with mass production technology to manufacture the product, but used Kagoshima materials for the glaze, thereby creating a Kurojyoka with elements of the production area.
Inspiration
The project began with a request from MATHERuBA, which operates a cafe and store in Kagoshima, to redesign the Kurojyoka, a traditional Kagoshima porcelain earthenware teapot for shochu, to suit modern lifestyles and create an original product.
We therefore researched the origin of the shape of Kurojyoka for shochu traditionally used in Kagoshima, and found design inspiration in the abacus shape described in literature, which we redesigned into a shape that fits today's lifestyle.
Project Duration
The project began in Kagoshima in February 2018 and ended in November 2019 and has been sold.
Image Credits
Image #1 : Photographer Masahiko Kukiyama
Image #2 : Photographer Masahiko Kukiyama
Image #3 : Photographer Masahiko Kukiyama
Image #4 : Photographer Masahiko Kukiyama
Image #5 : Photographer Masahiko Kukiyama

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