Oruha Fungsi Utamo: Kurisi dek Yuya Nakazawa

Oruha Fungsi Utamo: Kurisi dek Yuya Nakazawa adolah pamenang nan sangaik tahormat dari A' Design Award Ameh 2026 nan sangaik prestigius dalam Kategori Kompetisi Desain Parabot.

AmehParabot· 2026

Oruha Fungsi Utamo: Kurisi

dek Yuya Nakazawa

Klien: Yedit

Pamenang A' Design Award Ameh dalam Kategori Parabot

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Pamenang Pangharogaan Taverifikasi

Verifikasi Status Pangharogaan untuak #178435

Kunjungi Situs Caliak di A' Design Award Siaran Pers Lencana Penghargaan

Warno

Desain

Tantang Oruha Fungsi Utamo: Kurisi

Teks Buku: Desain ko manampilkan tampek duduak nan dirancang sabagai pangkalan rahasio umum, manyadiokan tampek balinduang pribadi di dalam lingkungan basamo. Strukturnyo manyaimbangkan kahadiran nan basipaik patuang jo kanyamanan fungsional, manyokong pamakaian nan lamo jo interaksi sosial. Pamukoan nan malangkuang jo elemen nan disusun jo proporsi nan tapek manciptokan raso talindueng samantaro tatap manjago katabukoan. Sentuhan akhia nan alami mampatinggi katahanan, kamudahan parawatan, jo panuaan nan anggun, mambuek karyo ko bisa manyatu jo ruang iduik sahari-hari samantaro tatap manjago kahangatan nan tarasa.

Pangakuan

Tantang A' Design Award Ameh

Oruha Fungsi Utamo: Kurisi adolah pamenang A' Design Award Ameh, sabuah pangakuan nan sangaik bapresti nan dibarikan ka rancangan kelas partamo, mangaguikan jo cumelang. Pamenang Ameh adolah ciptaan nan sangaik inovatif, bapandangan jauah jo baka-kilauan mamikaik nan mancaminkan bakaik, kabijaksanaan jo kahebatan parancangnyo. Oruha Fungsi Utamo: Kurisi dipaokan manjadi panemuan nan sangaik dipuji, panetap kacenderungan jo monumental nan mambari nilai nan alun pernah ado. Rancangan nan manang Ameh iko adolah proyek nan mangaguikan jo dihargai nan maluaskan batas seni, ilimu, rancangan jo teknologi. Oruha Fungsi Utamo: Kurisi malahiakan karinduan nan kuek, mambangkikkan gairah, mandorong kreativitas jo mamikaik kito.

Di Baliak Desain

Kit Pers

Kredit, anggota tim jo rincian teknis nan disadioan dek perancang.

Sifat Unik: Oruha Chair proposes the idea of a private sanctuary within a public space.
While functioning as a sculptural object that shapes the surrounding environment, the chair transforms into an intimate personal zone when occupied.

The form could not have been achieved through linear or parametric design logic. Instead, it emerged through an iterative process of continuous adjustment between visual intensity and physical comfort. The armrests, which receive the most direct contact, maintain sharp visual edges while offering a gentle and secure tactile experience.

This balance allows the chair to exist simultaneously as spatial sculpture and functional furniture.
Dimensi & Kemasan: Width 740mm Depth 550mm Height 760mm Seated height 430mm
Tag: Chair, Furniture, Sculptural Design, Wood, Handmade, Emotional Design, Armchair, Spatial Object
Teknologi Produksi: Due to its complex organic geometry, Oruha Chair is extremely difficult to reproduce through industrial manufacturing or automated processes.
The chair was realized almost entirely by hand, using traditional Japanese planes and hand tools.

Rather than imposing a fixed form onto the material, the final shape emerged through direct dialogue with the wood, prioritizing tactile quality, structural integrity, and sculptural coherence. This process positions craftsmanship not as decoration, but as a design methodology.
Tantangan Desain: After extensive sketching and the creation of five clay models, translating the form into wood presented a fundamental challenge. There was no established woodworking methodology capable of directly realizing the intended geometry.

Through repeated trial and error, two full-scale prototypes were abandoned before completing this third iteration.
Because of the organic form, conventional symmetry, reference points, and measurement systems proved ineffective. Ultimately, the process required trusting sensory judgment and material feedback over numerical precision. This approach became inseparable from the final outcome.
Penelitian: The designer’s background in video editing strongly influenced the conceptual framework of this project. Video editing is a practice of shaping emotional perception by controlling sequence, rhythm, and context.

Oruha Chair applies this editorial thinking to three-dimensional form.
Personal emotions and experiences were deconstructed and reassembled, not as narrative, but as physical tension, curvature, and spatial presence. The result is a chair that communicates emotionally through form rather than explanation.
Inspirasi: Oruha Chair was inspired by the concept of waves, representing continuous transitions between tension and release.
Rather than designing a chair solely from ergonomic data or predefined typologies, this project approaches seating as an emotional and spatial experience shaped by contrast.

The form was developed as a response to the designer’s belief that emotions, like waves, can be edited, reorganized, and translated into physical presence. These transitions were carved directly into solid wood as flowing yet controlled organic curves.

Although the chair presents an edgy, sculptural appearance, sitting in it reveals a smooth, enveloping comfort. This intentional reversal between visual tension and bodily softness defines the core experience of Oruha Chair.
Durasi Proyek: The project began in Kanagawa in January 2025 and ended in October 2025.
Alua Operasi: Despite its expressive form, Oruha Chair provides stable and comfortable seating suitable for extended use.
Structural stability and load distribution were carefully examined through repeated physical testing, ensuring that the sculptural design does not compromise safety or usability.

Unlike many sculptural chairs that discourage everyday use, Oruha Chair is intended to be touched, sat on, and lived with.
Kredit Gambar: Photography: Photographer Mitsuaki Takahashi, 2025
Video credit: Video editor Yuya Nakazawa, 2025
Sound: Soundtrack Composer Heitaro Ashibe, 2025