Era Kurisi Indak Basandaran by Arsalan Ghadimi and Saiedeh Jaafari is a highly esteemed winner of the very prestigious 2021 A' Design Award Basi in Desain Parabot Competition Category.
BasiParabot· 2021
Era Kurisi Indak Basandaran
by Arsalan Ghadimi and Saiedeh Jaafari
Client: Boof Ceram
A' Design Award Basi Winner in Parabot Category
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- Verified Award Winner
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The Design
About Era Kurisi Indak Basandaran
Era adolah kurisi indak basandaran nan dirancang sabagai unsur duduak nan basifaik patuang untuak interior. Alas kurisi ko dibantuak dek batang-batang logam nan dipasang antaro tiang ateh jo tiang bawah, tiap-tiap tiang dipacik dek cinciang logam nan balubang jo sudut nan lah diukua sacaro taliti. Batang-batang tu baputa mangaliliangi paluruih tangah, sainggo pantulan cahayo di antaro garis-garis tu manimbuakan kesan garak. Sadonyo alat pangikaik disambunyian, sainggo strukturnyo tampak sabagai bantuak nan jaleh. Tampek duduaknyo dilapisi jo busa jo kulik, sarato ado papan plywood di dalamnyo untuak mancegah busa tu barubah bantuak. Era ko badiri jo ukuran tinggi 500 milimeter, lebar 450 milimeter, jo dalam 450 milimeter.
The Recognition
About the A' Design Award Basi
Era Kurisi Indak Basandaran adolah pamenang A' Design Award Basi, sabuah pangakuan nan bapresti nan dibarikan ka rancangan nan elok nan mamanuhi kaparluan profesional jo industri nan dipaokan dari ciptaan nan dirancang jo elok. Pamenang Basi mamparlihatkan kamahiran nan gadang, spesialisasi nan tinggi, pamahaman pakar jo kapasitas kreatif panciptanyo. Era Kurisi Indak Basandaran dipaokan manjadi ciptaan nan sangaik dihormati, dikagumi jo disayangi, nan praktis jo inovatif. Rancangan nan manang Basi iko mamasukkan praktik tabaik industri jo punyo ciri teknis nan cakap nan bapautan jo ilimu jo bakaik. Era Kurisi Indak Basandaran dihormati karano katalitiannyo jo dirancang untuak maningkekkan kualitas hiduik jo mambantu manjadikan dunia tampek nan labiah elok.
Behind the Design
Press Kit
Credits, team members and technical details provided by the designer.
- Unique Properties
- The goal of this project was to make a unique stool that in itself can be a convincing and prominent element for the user and the room.
The reflection of light and its effect between the lines of its metal bases creates a sense of movement and continuity for the audience. - Dimensions & Packaging
- 500 High 450 Wide 450 Depth
- Tags
- furniture, stool, brass, arsalan ghadimi, ghafdesign, leather, iran
- Production Technology
- The rods are fixed at the top and bottom poles, each by a metal ring, each of which has a calculated angle hole. The stool is covered with a foam and a leather cover, and a plywood plate is embedded in the seat to prevent the foam from deforming.
- Design Challenge
- The clearness of the design was one of the main intentions during the whole development period. That meant that no visible fastening elements were allowed. These objectives together required the invention of an ingenious, yet simple solution to completely hide the fastening elements for the poles. Probably this was the hardest part of the development.
- Research
- Until the final form of Era was realized, diverse prototypes has been constructed to get the best possible look. All the angles, number and diameter of poles, the final colors, the exact shape of the ring was researched in many ways. We have also made numerous experiments with the SLS technology, to reach the desired quality and perfect assembly tolerances for the manufacturing of the product.
- Inspiration
- The main idea of the quadruped is derived from nature. The circular rotation around a axis makes it look like a tornado. Regular repetition of lines at the base of stool has made it a modern sculpture
- Project Duration
- This project started in April of 2018 in Tehran, Iran.
- Operation Flow
- It is part of a new living style that, due to its special shape, can create a unique landscape as a unit or even in combination with other components of the interior.
- Team Members
- Saiedeh Jaafari
- Image Credits
- Render by Arsalan Ghadimi
Edit by Saiedeh Jaafari
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