Wonderland Primary Function: Desain Interior Pusat Pameran dek Chengzhe Zhang

Wonderland Primary Function: Desain Interior Pusat Pameran dek Chengzhe Zhang adolah pamenang nan sangaik tahormat dari A' Design Award Perak 2020 nan sangaik prestigius dalam Kategori Kompetisi Interior.

PerakInterior· 2020

Wonderland Primary Function: Desain Interior Pusat Pameran

dek Chengzhe Zhang

Klien: Shanghai Hongshida Real Estate Development Co., LTD

Pamenang A' Design Award Perak dalam Kategori Interior

25,685

Pamenang Pangharogaan Taverifikasi

Verifikasi Status Pangharogaan untuak #92667

Caliak di A' Design Award Siaran Pers Lencana Penghargaan

Warno

Desain

Tantang Wonderland Primary Function: Desain Interior Pusat Pameran

Wonderland adolah interior pusat pameran di Shanghai, China. Desainnyo diilhami dek Taoyuan Wonderland, sabuah lukisan pemandangan karya palukih dinasti Ming Qiu Ying, sarato manerapkan warna ijau, merah jambu, jo putiah pado ruang nan tanang. Sabuah dindiang batu tulih kalabu mulo-mulo manyambunyikan pandangan, sudah tu balai utamo nan tinggi sapuluah meter tapampang sapanjang jalan. Lorong tengah mangantaan ka kawasan konferensi, kawasan pameran, jo kamar teh. Rak buku nan badiri di lantai jo layar baronggo geometri mambagi kawasan-kawasan tu. Sabuah instalasi kaco nan tagantuang barisi labiah dari 5.000 kelopak buah persik dipasang jo tangan.

Pangakuan

Tantang A' Design Award Perak

Wonderland Primary Function: Desain Interior Pusat Pameran adolah pamenang A' Design Award Perak, sabuah pangakuan nan luar biaso bapresti nan dibarikan ka rancangan tingkaik tatinggi, elok jo mangesankan. Pamenang Perak adolah karya nan sangaik cemerlang jo sangaik kreatif nan mamparlihatkan kapakaran, bakaik jo katajaman pikiran parancangnyo. Wonderland Primary Function: Desain Interior Pusat Pameran dipaokan manjadi karya nan mangaguikan, contoh tauladan, sangaik profesional jo inovatif sacaro dalam. Rancangan nan manang Perak iko adolah panemuan nan nampak jo dikagumi nan mambari sumbangan untuak maluaskan batas seni, ilimu, rancangan jo teknologi. Wonderland Primary Function: Desain Interior Pusat Pameran adolah ciptaan nan dicamburui banyak urang, nan mambangkikkan karinduan, mambaok parasaan positif jo malahiakan karagumon jo kakaguman.

Di Baliak Desain

Kit Pers

Kredit, anggota tim jo rincian teknis nan disadioan dek perancang.

Sifat Unik: Since the year 907 AD, the Chinese people's ambiguity
about the Taoyuan space has gone through a series of
evolutions from earthly legends to images of physical
space, finally being transformed from the abstract into
something which can be incorporated into everyday
life, where the Tao Yuanming space was replaced by the
living room. The narrative of Wonderland is the most profound.
In the modern urban environment, the industrialized
environment has been separated from the natural
environment.
Dimensi & Kemasan: Time in the usual sense can be roughly divided into two types. One is the time in nature when flowers are blooming and the seasons are changing, the other is the time in space, which is caused by the rotation of the earth. How people view the space and what they get out of it will depend on their different experiences.
Tag: Exhibition Center, Oriental aesthetics, Localization, Taoyuan Wonderland, Natural
Teknologi Produksi: From the open landscape to the inside, the designer Mr. Alessio Chengzhe Zhang first considers the space experience of the visitors, the gray slate wall obscures the line of sight and as they pass along the path, the main 10 meter high space is revealed, filling the visitors with awe. As they continue along the central passage, the layout of the functional areas such as the conference area, the exhibition area and the tea room unfold before their eyes.
Tantangan Desain: The large glass art installation suspended in the air is a response to these two concepts of time. It consists of pink-white peach petals each of different size, brightness and width, simulating the temporal dynamics of natural movement. More than 5,000 glass petals were all manually installed on site to achieve the final result, which also serves as a visual guide in the actual use of space.
From the opening and closing of the space, the abstraction of color to the artistic interpretation of time, the classic literary image has completed a series of retellings at the hands of the designers.
Penelitian: In traditional Chinese painting, landscapes usually incorporated the triple concept of far, with the painter mainly trying to emphasize the subtle characteristics in the space. In order to avoid the panoramic effect in the large space, the canvas mainly focuses on the near and far, which becomes the boundary between the different functional areas. Here the surrounding floor-standing bookshelves and geometric hollow screens can create subtle light and shadow changes in space, while changing both inside and outside. These ideas all stem from the interpretation of landscape painting, representing the height of artificial nature.
Inspirasi: The Ming dynasty painter Qiu Ying has a painting called Taoyuan
Wonderland. The painter meticulously depicts the life hidden in the mountains: green mountains and clear water. Several white people who are detached from the world are sitting down by the creek and enjoying nature.
IADC chief designer Mr. Alessio Chengzhe Zhang was inspired by the masterpieces of Chinese landscape painters, applying the green, pink and white symbols of the pastoral forests to this quaint space.
Durasi Proyek: The Project started in January 2018 in Shanghai China
Alua Operasi: From the opening and closing of the space, the abstraction of color to the artistic interpretation of time, the classic literary image has completed a series of retellings at the hands of the designers. It signals both inheritance of tradition and the beginning of a new life in the future.
Anggota Tim: Mingxin Lu
Yunhui Tang
Kredit Gambar: Main Image: Photographer Hai Zhu, 2018