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Tea Culture Цайны Соёлын Туршлагын Танхим by Shenzhen Horizon Space Design Co.,Ltd

Tea Culture Цайны Соёлын Туршлагын Танхим by Shenzhen Horizon Space Design Co.,Ltd is a highly esteemed winner of the very prestigious 2021 A' Design Award Мөнгөн шагнал in Дотоод орон зай ба үзэсгэлэнгийн дизайн Competition Category.


МөнгөнИнтерьер· 2021

Tea Culture Цайны Соёлын Туршлагын Танхим

by Shenzhen Horizon Space Design Co.,Ltd

Client: Shenzhen Horizon Space Design Co.,Ltd

A' Design Award Мөнгөн шагнал Winner in Интерьер Category

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Verified Award Winner

Verify Award Status for #116924

Colors

The Design

About Tea Culture Цайны Соёлын Туршлагын Танхим

Цайны Соёл нь цай амтлах тайван орчин болгон зохион бүтээгдсэн жижиг цайны соёлын туршлагын танхим юм. Хэвтээ болон босоо хэд хэдэн орон зайг нэгтгэн, зочид чөлөөтэй алхаж, бие биетэйгээ уулзаж, эсвэл зогсоод эргэн харах боломжтой тасралтгүй нэгэн талбар бүрдүүлжээ. Байршуулалтын хийц нь эвхмэл цаасаас санаа авсан бөгөөд үүнээс үүдэн гарах өнцгийн шилжилтүүд нь дотоод орон зайд сонгодог нам гүм байдал болон орчин үеийн эрч хүчийг хоёуланг нь өгдөг. Нарийхан торон хийцүүд цаасны гадаргуугийн бүтцийг орлож байна. Орон зай бүр энгийн үүрэг зориулалтад буурсан тул зочид цай хүрэлцэхээс өмнө тайвшрах боломжтой.

The Recognition

About the A' Design Award Мөнгөн шагнал

Tea Culture Цайны Соёлын Туршлагын Танхим нь A' Design Award Мөнгөн шагналын ялагч бөгөөд дээд зэргийн, гайхамшигтай, сэтгэл хөдөлгөм загварт олгодог онцгой нэр хүндтэй хүлээн зөвшөөрөлт юм. Мөнгөн ялагчид бол маш гялалзсан, маш бүтээлч ажил бөгөөд зохион бүтээгчдийн гарамгай мэдлэг, авьяас, нарийн мэдрэмжийг харуулдаг. Tea Culture Цайны Соёлын Туршлагын Танхим нь гайхалтай, үлгэр жишээ, маш мэргэжлийн, гүнзгий шинэлэг бүтээл болно гэж хүлээгддэг. Мөнгөн шагнал хүртсэн энэ загвар бол урлаг, шинжлэх ухаан, загвар, технологийн хил хязгаарыг тэлэхэд хувь нэмэр оруулдаг анхаарал татахуйц, биширсэн шинэ бүтээл юм. Tea Culture Цайны Соёлын Туршлагын Танхим бол олон хүний атаархал татдаг бүтээл бөгөөд хүслийг сэргээж, эерэг мэдрэмж авчирч, гайхшрал, биширлийг төрүүлдэг.

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties
The Project took only more than one month from design to opening. How to complete design and high-quality implementation in such short time? And I thought of the ancient literati and painters, who had often dealt with friends, but only a few strokes and words would reveal their broad mind, much better than a masterwork. So, I simplified what was complicated. The process looked quite like the original intention of the tea ceremony—to eliminate fidgetiness before tasting fragrance.
Dimensions & Packaging
What came last was visual presentation. For the interspace distortion caused by the connecting paper, it was a contingent visual effect we wanted to achieve, giving the entire room not only classical calmness, but also modern vitality. Finally, the surface texture of paper was replaced with slender grids to express an elusory and visible Oriental mood.
Tags
Tea Culture Exploration Hall
Production Technology
Smelling Osmanthus Fragrance is a well-known story about Zen. Huang Tingjian, a great calligrapher and litterateur in the Northern Song Dynasty, practiced the dharma to reach understanding of Zen and seek enlightenment, but being short-tempered, he thought that the master didn’t teach him how to get enlightened although they had stayed together for many years. One day, they traveled leisurely between the earth and sky. The master asked, Have you smelled the fragrance of osmanthus flowers? Huang Tingjian answered, I have. Everywhere! The master laughed and said, As you know, I didn’t hide anything from you! Huang Tingjian perceived Zen through meditation: Like the beauty of living and the fragrance of osmanthus flowers, the way of life can be found everywhere and will never disappear, but everybody must smell and comprehend it himself. The same is true for the philosophical connotation of the tea ceremony, isn’t it? It is just that tea is used as the carrier to seek enlightenment. That’s called the tea ceremony at the cultural level.

At the substantial phase of design, the biggest obstacle encountered was that the spaces were too small. There would be no extra space provided that the room was given all functions, but the design would be uninteresting supposing that nothing more was added. As I was at my wits’ end, it struck me that some idea might be obtained from the paper folding game I played in my childhood, so I folded, unfolded and ripped A4 paper again and gain, finally joining a number of horizontal and vertical spaces together and making them into a holonomic one where people could walk freely, interact with one another or stop to look back, looking like a 3D hanging courtyard. Through functional ablation of each space, people could easily enter a calm state of relaxation and meditation. That should presumably be the most ideal state for tea affairs.
Inspiration
When I was young, I despised the Japanese sado culture as a red tape, but I have now realized that I was so shallow because the tea ceremony is a process where one cultivates himself and seeks enlightenment. Years later, I heard the story of Smelling Osmanthus Fragrance in the Suzhou Garden and suddenly had my chaotic thoughts straightened out. It happened that my friend commissioned me to design a small-sized tea culture experience hall, so I named it Osmanthus Fragrance Cottage.
Team Members
Song Han
Hairong Wu
Wenxiang Zhou
Jianyong Zhu
Lingmin Wang
Yulan Liao
Qian Liu

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