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Paloma Sanchez - Origins Энгэрийн Зүүлт

Paloma Sanchez бүтээсэн Origins Энгэрийн Зүүлт бол Үнэт эдлэлийн дизайн уралдааны ангиллын 2023 A' Design Award Мөнгөн шагнал шагналын өндөр үнэлгээтэй ялагч юм.


МөнгөнҮнэт эдлэл· 2023

Origins Энгэрийн Зүүлт

зохиогч: Paloma Sanchez

Захиалагч: Paloma Sanchez The Art of Jewelry

Үнэт эдлэл ангиллын A' Design Award Мөнгөн шагнал шагналтан

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Өнгөнүүд

Дизайн

Origins Энгэрийн Зүүлт тухай

Лав цутгах техник ашиглан 18 каратын алтаар урласан энэхүү хүзүүний зүүлт нь Их нууруудын бүсээс олдсон МЭ 1000 оны Анишинаабе ятганы толгойтой бөгөөд Японы Акоягийн сувд, алмаазаар төгс зохицсон байдаг. Анх ятганы үзүүр болгон ашиглаж байсан энэхүү гайхамшигтай зэс хэсэг нь ихэвчлэн музейгээс олддог ховор сорьц юм. Түүхдээ гүн хүндэтгэлтэй ханддаг энэхүү үнэт эдлэл нь эртний эрдэнэсийн сан хөмрөгт шинэ амьдралыг шингээдэг. Үнэт эдлэл урлах урлагаар дамжуулан дизайн нь үнэт олдворуудад шинэ зорилго өгөх хүсэл зориг, итгэл үнэмшлийг илэрхийлдэг.

Хүлээн зөвшөөрөлт

A' Design Award Мөнгөн шагнал тухай

Origins Энгэрийн Зүүлт нь A' Design Award Мөнгөн шагналын ялагч бөгөөд дээд зэргийн, гайхамшигтай, сэтгэл хөдөлгөм загварт олгодог онцгой нэр хүндтэй хүлээн зөвшөөрөлт юм. Мөнгөн ялагчид бол маш гялалзсан, маш бүтээлч ажил бөгөөд зохион бүтээгчдийн гарамгай мэдлэг, авьяас, нарийн мэдрэмжийг харуулдаг. Origins Энгэрийн Зүүлт нь гайхалтай, үлгэр жишээ, маш мэргэжлийн, гүнзгий шинэлэг бүтээл болно гэж хүлээгддэг. Мөнгөн шагнал хүртсэн энэ загвар бол урлаг, шинжлэх ухаан, загвар, технологийн хил хязгаарыг тэлэхэд хувь нэмэр оруулдаг анхаарал татахуйц, биширсэн шинэ бүтээл юм. Origins Энгэрийн Зүүлт бол олон хүний атаархал татдаг бүтээл бөгөөд хүслийг сэргээж, эерэг мэдрэмж авчирч, гайхшрал, биширлийг төрүүлдэг.

Дизайны цаад тал

Хэвлэлийн багц

Зохиогчийн өгсөн кредит, багийн гишүүд болон техникийн дэлгэрэнгүй мэдээлэл.

Өвөрмөц шинж чанарууд
This piece pays tribute to the Anishinaabe, the first inhabitants of the Great Lakes area, and their rich history. The centerpiece of the design is a 3,000-year-old copper spear point fishing tool, which has been transformed into a piece of art jewelry.

Through the lens of jewelry-making, this design represents our will and belief in giving new life and purpose to ancient treasures. The combination of textures - the roughness of the old copper, the warm smoothness of the pearls, and the cold fire of the diamonds - creates a truly unique and captivating piece.

This committed art jewelry also celebrates the importance of our shared history and the importance of repurposing antique treasures to create something new and inspiring. It is a tribute to the resilience of humankind, the power of nature, and the artistry of those who came before us.
Хэмжээ & Савлагаа
Gold: 6,85g
Diamonds: 40 x 0.008cts round brilliant cut VVS diamonds Total weight of diamonds: 0.32cts
Pearls: 2 Akoya pearls, 6mm, and 5.5mm
Brooch: 10cm x 1,3cm to 2mm
Шошго
jewelry, gold, brooch, necklace, First Nations, Anishinaabe, Necklace, Brooch, Unique, One of a Kind, Design, Repurpose, Museum piece, Antique, Art, Jewelry, Gold,
Үйлдвэрлэлийн технологи
The brooch is hand-crafted in 18kt gold using a casting technique. The Anishinaabe Harpoon head (1000 B.C.) was found in the Great Lakes area and is married with Japanese Akoya pearls and Diamonds. It is important to note that this copper piece was initially used as a harpoon point (harpoons were made of wood and, therefore, would break easily. The copper point was meant to harden the end of the harpoon. The Anishinaabe did not know the iron, only copper, as there was a considerable copper source in the Great Lakes area.) such specimens tend to be found in museums.
As the cooper spear point has a cylindrical body, we designed the back of the brooch with two needles in order to guarantee complete stability, making sure that the face of the brooch always looks forward when worn, avoiding it rolling towards one side or the other. We managed to keep these two needles completely invisible when worn.
Дизайны сорилт
The production of this piece presented two main challenges. Firstly, we aimed to maximize its utility while still conveying the Anishinaabe worldview in a contemporary context. This required a creative approach rather than just technical expertise. The brooch had to be comfortable to wear, visually appealing, and function as both a necklace and brooch, all while portraying the connection with nature and refinement of the First Nations.

During the early stages of the design, our challenge was primarily centered around how to ensure that the harpoon sat straight on the collar of a blouse or the lapel of a jacket, while keeping the functional structure invisible and comfortable to wear as a necklace. To achieve this, we developed a two-needle system that runs along 50% of the harpoon, with an invisible clasp at the top to allow a chain to pass through and use the harpoon point as a necklace. With the clasp centered and the two needles acting as counterweights and stoppers, the harpoon remains in a forward-facing position, whether worn as a necklace or a brooch.
The second challenge arose during the manufacturing process, as the harpoon is a delicate museum piece that cannot be subjected to high pressures or temperatures, or its texture and color could change. Furthermore, to respect its bond with nature, we had to ensure zero waste during production. To achieve this, we first hand-sculpted a wax mold that was then fitted precisely to the harpoon. We used this mold to cast the 18kts gold front enhancements in which the future diamonds would be set, as well as the brooch needles and the back adorns. Finally, the dorsal 18k gold structure was delicately adjusted to the harpoon to create the final product.

To showcase the piece´s deep connection to nature and portray the Anishinaabe’s skilled craftsmanship, we chose to incorporate natural gems with contrasting textures. The smooth, white spheres of the pearls beautifully contrast with the oxidized roughness of the copper, while the diamonds add a luminous quality to the piece that allows it to radiate its own light.
We believe these contrasting textures reflect the Anishinaabe worldview, which values the complementary nature of all things in the natural world. The smoothness of the pearls represents the calmness and tranquility found in nature, while the roughness of the copper represents the strength and resilience required to thrive in the natural world. The diamonds, with their brilliant radiance, represent the beauty and wonder of nature.
Through our design, we sought to pay homage to the Anishinaabe's sophisticated craftsmanship and their deep reverence for nature. The result is a piece that exudes luxurious allure while remaining faithful to the Anishinaabe worldview.
Урам зориг
This piece is inspired by human history and diversity, as well as the importance of giving a new life to antique tools.
Төслийн хугацаа
The project started in Michigan, USA, in January 2020 and was finished in our Beijing Atelier by the end of October 2020. It was exhibited at the Beijing Art and Design Fair in May 2021.
Үйл ажиллагааны урсгал
The piece is a brooch that can be used as a necklace with the addition of a chain.
Багийн гишүүд
Paloma Sanchez
Зургийн зохиогч
Image #1: Creator Paloma Sanchez The Art of Jewelry, Origins, 2021.
Image #2: Creator Paloma Sanchez The Art of Jewelry, Origins model necklace, 2021.
Image #3: Creator Paloma Sanchez The Art of Jewelry, Origins model brooch, 2021.
Video Credits: Creator Paloma Sanchez The Art of Jewelry, Origins, 2021.

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