Translucence Lampu Gantung oleh Iestyn Davies

Reka bentuk Translucence Lampu Gantung oleh Iestyn Davies ialah pemenang yang sangat dihormati bagi 2021 A' Design Award Emas yang amat berprestij dalam Kategori Pertandingan Reka Bentuk Produk dan Lekapan Pencahayaan.

EmasPencahayaan· 2021

Translucence Lampu Gantung

oleh Iestyn Davies

Klien: Contemporary Chandelier Company

Pemenang A' Design Award Emas dalam Kategori Pencahayaan

48,850

Pemenang Anugerah Yang Disahkan

Sahkan Status Anugerah untuk #113498

Lihat di A' Design Award Siaran Akhbar Lencana Anugerah

Warna

Reka Bentuk

Mengenai Translucence Lampu Gantung

Translucence ialah lampu gantung dengan pelindung kaca tiupan tangan dan sumber cahaya tersembunyi. Kaca ini ditiup ke dalam acuan optik, yang membentuk bahagian menegak yang lebih tebal dan lebih nipis untuk menangkap dan menyebarkan cahaya. Butiran akrilik yang dipotong laser di bahagian tengah mengelilingi modul LED dan menambah fokus. Tiga variasi bahagian tengah dan tiga saiz ditawarkan. Setiap pelindung dibuat dengan tangan, jadi setiap satunya sedikit berbeza. Translucence boleh digunakan secara bersendirian atau dikumpulkan dalam candelier yang lebih besar.

Pengiktirafan

Mengenai A' Design Award Emas

Translucence Lampu Gantung ialah pemenang A' Design Award Emas, pengiktirafan yang amat berprestij yang dianugerahkan kepada reka bentuk kelas pertama, menakjubkan dan cemerlang. Pemenang Emas ialah ciptaan yang sangat inovatif, berwawasan dan berkilau memukau yang mencerminkan kegeniusan, kebijaksanaan dan kepakaran pereka bentuknya. Translucence Lampu Gantung diharapkan menjadi ciptaan yang sangat dipuji, perintis aliran dan monumental yang memberikan nilai tanpa tandingan. Reka bentuk pemenang A' Design Award Emas ini ialah projek yang menakjubkan dan disegani yang memberi manfaat besar kepada dan memajukan batas seni, sains, reka bentuk dan teknologi. Translucence Lampu Gantung mencetuskan perasaan keinginan yang kuat, membangkitkan semangat, menggalakkan kreativiti dan memukau kita.

Di Sebalik Reka Bentuk

Kit Akhbar

Kredit, ahli pasukan dan butiran teknikal yang disediakan oleh pereka.

Ciri-Ciri Unik: Each individual pendant light can be viewed as a unique bespoke object, each subtly different from the next. The laser-cut acrylic detail to the centre creates focus and further enhances the light source; emulating the same material properties of the main body yet offering precision, detail, and durability; not properties readily associated with glass on such a small scale. There are three variables of the intricate central section and the pendant has been designed to operate as a stand-alone design or within a multi-array feature chandelier. Future design considerations will include a wall light and a desk top version.
Dimensi & Pembungkusan: Small - w: 120mm x d: 70mm x h: 120mm - approximately 100 lumens.
Medium - w: 170mm x d: 95mm x h: 170mm - approximately 100 lumens.
Large - w: 220mm x d: 110mm x h: 220mm - approximately 130 lumens.
Available in 2700K, 3000K or 5000K.
Materials: Glass (hand blown from 0% lead crystal,
Acrylic (housing for cob tape) LED cob tape
Mild steel threaded bar 2 x decorative lock-nut
Decorative cast acrylic laser-cut detail to centre Mirrored acrylic centre
Switch: customisable (via 12volt driver from mains supply) and mains dimmable.
Tag: Light, Pendant, Chandelier, glass, optical, aesthetic.
Teknologi Pengeluaran: Firstly, we experimented with how to package the LED cob tape, creating the core of the design. We produced countless acrylic laser-cut variations whilst exploring numerous hot glass forms, at the furnace side, using different optic moulds, reheats, shapes and proportions. We then explored different shapes and thicknesses of the delicate laser cut centres that sit immediately around the light source. All components were then brought together and, several iterations and months later, we were finally satisfied that we had captured the required aesthetic.
Cabaran Reka Bentuk: As a lighting designer/maker, I strive to create something that does not already exist elsewhere; ultimately encouraging the observer to hopefully question how is this made or even where the light comes from?
In this project I wished to explore how to produce around 100 lumens emanating from the smallest light source, creating an exciting aesthetic based around energy economy and longevity. The design became a balance between aesthetics and function.
The greatest challenge, however, is how to ensure what is essentially a handmade item can be fully reproduceable in volume. The glass shade is a bespoke element, relying entirely on the skills of the glassmaker to repeat what is intrinsically, a non-conformist process. The answer is to use due care and diligence, and two sets of callipers.
Penyelidikan: We wished to design a luminaire around our own dedicated low energy light source. We generally prefer to hide the light source wherever possible and use its effect through the various substrates to provide illumination. When you shine light through a clear substrate, it passes straight through unless it hits an ‘interrupter’. In this design we use the thicker and thinner cross section of the glass to catch and transmit the light; when you blow a hot, round glass bubble into an optic mould, the glass blows into the vertical grooves forming thicker vertical stripes.
Inspirasi: Iestyn Davies is both a glassmaker and lighting designer; inspiration came from wishing to reinstate the traditional craft-based technique of hot glass to a bespoke contemporary process rather than that of mass production. The goal was ultimately to combine this singular material with the emerging LED cob technology, even though the light source was hidden from view:to explore the unique properties of variable thickness optical glass and experiment with the interplay between two interactive glass surfaces, natural and integral light and ultimately explore a luxury aesthetic.
Tempoh Projek: This project started in June 2020 in London, with a series of glassmaking trials and lighting tests. It then moved to the Contemporary Chandeliers’ main studio in Shropshire, in August 2020, as part of an ongoing investigation into sculptural glass components.
Aliran Operasi: The LED cob light is rated at 50,000 hours and can be changed by removing the rear locknut and drawing out the assembly from the front. The cob unit can be disconnected via two screw terminals and another unit be introduced by reversing this process.
Ahli Pasukan: Designer : iestyn Davies
Technical Director: Simon Mewett
Technical Manager: Dan Nore
Glass Maker : Elliot Walker
Kredit Imej: Image 1 - Photographer, Simon Bruntnell, Translucence 1, 2021
Image 2 - Photographer, Simon Bruntnell, Translucence 2, 2021
Image 3 - Photographer, Simon Bruntnell, Translucence 3, 2021
Image 4 - Photographer, Simon Bruntnell, Translucence 4, 2021
Image 5 - Photographer, Steve Parry, Translucence 5, 2021