Tibetan Thangka Art Muzium oleh AND Studio

Reka bentuk Tibetan Thangka Art Muzium oleh AND Studio ialah pemenang yang sangat dihormati bagi 2024 A' Design Award Perak yang amat berprestij dalam Kategori Pertandingan Reka Bentuk Seni Bina, Bangunan dan Struktur.

PerakSeni Bina· 2024

Tibetan Thangka Art Muzium

oleh AND Studio

Klien: And Studio

Pemenang A' Design Award Perak dalam Kategori Seni Bina

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Pemenang Anugerah Yang Disahkan

Sahkan Status Anugerah untuk #152344

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Reka Bentuk

Mengenai Tibetan Thangka Art Muzium

Muzium Thangka Lhasa ialah sebuah muzium untuk seni Thangka yang terletak di kaki gunung di Lhasa. Bangunan ini disusun mengikut cara biara Tibet dan mewujudkan dialog dengan gunung dan langit. Laluan luaran mendaki antara isipadu bangunan dan menuju ke sebuah dataran tinggi, manakala laluan dalaman menyusun ruang-ruang pameran. Dinding batu tradisional ditafsirkan semula sebagai dinding konkrit berlapis dua yang berpengudaraan, yang meningkatkan penebatan dan mengurangkan penggunaan tenaga. Bahan tempatan dan tenaga kerja tempatan telah digunakan. Muzium ini mempromosikan seni Thangka dan budaya Tibet.

Pengiktirafan

Mengenai A' Design Award Perak

Tibetan Thangka Art Muzium ialah pemenang A' Design Award Perak, pengiktirafan yang sangat berprestij yang dianugerahkan kepada reka bentuk bertaraf tinggi, indah dan mengagumkan. Pemenang Perak ialah karya yang amat cemerlang dan sangat kreatif yang menggambarkan kepakaran, bakat dan ketajaman fikiran yang luar biasa pereka bentuknya. Tibetan Thangka Art Muzium diharapkan menjadi karya yang menakjubkan, contoh teladan, sangat profesional dan sangat inovatif. Reka bentuk pemenang A' Design Award Perak ini ialah ciptaan yang sangat ketara dan dikagumi yang memberi manfaat kepada dan memajukan batas seni, sains, reka bentuk dan teknologi. Tibetan Thangka Art Muzium ialah ciptaan yang sangat dicemburui yang membangkitkan keinginan, membawa perasaan positif dan mencetuskan rasa hairan serta kagum.

Di Sebalik Reka Bentuk

Kit Akhbar

Kredit, ahli pasukan dan butiran teknikal yang disediakan oleh pereka.

Ciri-Ciri Unik: Set against the foothills of the mountains, the Lhasa Thangka Museum is organized in the manner of a Tibetan monastery, with an emphasis on dialogue with the mountain and the sky. The detail design respects the heritage of the local culture and reproduces the traditional artistic features with a modern architectural language.The museum aims to be a window for the dissemination of Thangka art, it will treasure and promote Thangka culture and Tibetan culture.
Dimensi & Pembungkusan: The main tower is used as an exhibition space, as a vantage point to admire the landscape and at the same time acts as a "wind tower": it creates natural ventilation and cools the building during the very hot summers. The double wall structure guarantees the insulation of the building, the reduction energy consumption for heating and cooling by 30%, and the integration of the technical equipment.
Tag: museum, thangka art, concrete, brass, glass curtain wall
Teknologi Pengeluaran: The project is organized in two paths: the external one, which takes up the path of the Tibetan monastery, a climb between the different volumes, which recalls the ascent of the mountain, to lead to the high square, where During the “Sho Dun” festival, you can admire a large Thangka suspended against the tower; the other interior, which organizes the exhibition spaces and the objects on display following the path of the believer in search of enlightenment. In order to get as close as possible to the zero carbon objective, quite a lot of work has been done on the search for local materials and producers and reducing CO2 production and energy consumption. We convinced our Client not to import materials from elsewhere, avoiding long supply transportation, favoring local manpower and materials. To protect the environment, quarries are now banned in the region. We therefore chose to reinterpret the traditional stone walls with double ventilated concrete walls. We used pressed clay, a local ancestral technique, to create the floor of the exhibition spaces.
Cabaran Reka Bentuk: At first we wanted to use the local stone, following the vernacular architecture. However quarrying is now prohibited in this region in order to protect the environment. We have therefore chosen to reinterpret the traditional stone walls with double walls in concrete.
We chose concrete instead of steel and metal cladding in order to avoid any importation of materials.
Penyelidikan: At the genesis of this project, a great collector contacted us to promote and exhibit this art from the Buddhist religion; a cultural and secular approach unprecedented in Tibet. Exploring Lhasa guided by a monk and by the client allowed us to immerse ourselves in this ancestral culture. For us, it was a question here of conceiving a poetic, spiritual project, intimately linked to this context. Through our architect's eyes, we have transcribed our learning of Buddhist culture to create a museum deeply rooted in the local reality; a secular place where the boundaries between art and spirituality merge.
Inspirasi: Two years ago we were approached by the largest holder of Thangka art collection in the world to study for a museum project in Tibet. We have the ambition to reconcile modernity and tradition. For this we took an initiatory journey to learn Thangka art, local culture, in its expressions of volumetric and architectural composition. The progression through the Potala Palace inspires the journey around the volumes of our project.
Tempoh Projek: The project started in February 2019 and finished in May 2022 in Lhasa, China
Aliran Operasi: We designed this museum to promote learning and meditation. The light work and scenography are designed to sublimate the centuries-old paintings, which will serve as inspiration and testimony for future generations.
The museum itinerary was designed in collaboration with the curator and a local monk. The use of natural light as an architectural component has guided the design of the spaces. Zenithal light, claustra and fissures occasionally pierce the walls and roofs of the exhibition halls.
Paten: Design: AND Studio
Consultant: CSCEC AECOM Consultants Co., LTD
Ahli Pasukan: Lead Architect: Ning Wang
Lead Architect: Duccio Cardelli
Architect: Tomasso di Francia
Architect: Yutong Ma
Architect: Qinyi Li
Architect: Luca Amighetti
Architect: Dominika Kowalczyk
Kredit Imej: Photo and Video by: Arch-Exist Photography