Reka bentuk New Year Ilustrasi oleh Jui-Ping Lee ialah pemenang yang sangat dihormati bagi 2024 A' Design Award Besi yang amat berprestij dalam Kategori Pertandingan Seni Digital.

BesiSeni Digital· 2024

New Year Ilustrasi

oleh Jui-Ping Lee

Pemenang A' Design Award Besi dalam Kategori Seni Digital

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Pemenang Anugerah Yang Disahkan

Sahkan Status Anugerah untuk #158137

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Warna

Reka Bentuk

Mengenai New Year Ilustrasi

Di sebuah halaman yang tenang, di tengah kepingan salji musim sejuk yang turun lembut dan warna-warni daun musim luruh yang cerah, duduk seorang figura anggun berpakaian Kimono yang menawan. Adegan ini membangkitkan intipati Wabisabi, melambangkan keindahan kesunyian dan ketenangan. Corak halus menghiasi kain tersebut, kebanyakannya Pine, melambangkan kesungguhan; dan Seigaiha yang berirama mewakili ketenangan laut. Mengezum masuk mendedahkan butiran yang lebih rumit, sebuah plat batu yang membawa nama pena artis terletak di sebelah kiri; dan pada Kimono tersebut, corak tikus yang mewakili tahun baharu 2020, tahun tikus.

Pengiktirafan

Mengenai A' Design Award Besi

New Year Ilustrasi ialah pemenang A' Design Award Besi, pengiktirafan yang berprestij yang dianugerahkan kepada reka bentuk yang baik yang memenuhi keperluan profesional dan industri yang dijangka daripada ciptaan yang direka dengan baik. Pemenang Besi menunjukkan kemahiran yang besar, kepakaran yang tinggi, kefahaman pakar dan keupayaan kreatif penciptanya. New Year Ilustrasi diharapkan menjadi ciptaan yang sangat dihargai, dikagumi dan disayangi yang praktikal dan inovatif. Reka bentuk pemenang A' Design Award Besi ini menyepadukan amalan terbaik industri dan mempunyai ciri teknikal yang kompeten yang dikaitkan dengan kepakaran dan bakat. New Year Ilustrasi dihormati kerana ketelitiannya dan direka untuk memberikan peningkatan kualiti hidup yang membantu menjadikan dunia tempat yang lebih baik.

Di Sebalik Reka Bentuk

Kit Akhbar

Kredit, ahli pasukan dan butiran teknikal yang disediakan oleh pereka.

Ciri-Ciri Unik: An elegant figure with splendid Kimono, serenely sitting in a yard on a cold winter's day at new year, with colourful leaves and slowly showering snow around her that represents the traditional artistic term, Wabisabi (beauty of solitude and tranquility).

If we zoom in, it can be seen that the Patterns are mainly Pines, which is used in the most formal kimono, to be worn only on ceremonious occasions; and also "Seigaiha (sea waves)", which represents tranquility.

Aside from that, the stone plate on the left reads the pen-name of the artist; and on the kimono, there are patterns depicting mice, to celebrate 2020, the year of mouse.
Dimensi & Pembungkusan: Original dimensions at 5600*3150 px, with 935 canvas layers
Tag: Illustration, Kimono, Furisode, Kouyou, Karesansui
Teknologi Pengeluaran: Drawn using a Wacom Cintiq Pro 32, with software Easy Paint Tool SAI 2.0
Cabaran Reka Bentuk: The key challenge is to make a painting while keep the authenticity of the elements - the kimono, the karesansui ("dry yard") and the red leaves. While many other illustrators prefer drawing kimono-like outfits, this work must be authentic on the kimono design so it can fit the theme properly; under such condition, the creating process became much more difficult due to the fact that it can not be a free-form creation, but a restricted one that the combination of all the elements in the painting must be meticulously designed and crafted.
Penyelidikan: Research especially on the meaning of the kimono patterns was conducted, to better represent kimono while avoid improper designs. Books and documents are examined, and different combinations of patterns are tried in the painting, and the one with best both cultural and visual effect was determined, resulting in a design which is both having superb color representation and cultural meaning that befit the theme of the work (new year).
Inspirasi: When I was sitting alone in my home watching a video about how Kimono's (traditional Japanese dress) are made, I suddenly imagined a figure in Karesansui (Japanese stone yards), surrounded by maples and wearing the most fine, magnificent Kimono; and I, a "photographer", would quietly approach, crouching on the ground and capture the evanescent moment with a single-lens-reflex camera (which is my canvas and pen)
Tempoh Projek: The vague inspiration of it formed since 2017-2018, and the actual drawing started in December 2019, finished & published in January 2020.
Aliran Operasi: At first sight, you will immediately focus on the figure in the middle, in spite of the fact that the saturation level of the background is much higher. This is called the "blurring perspectives" technic that by burring out items whilst no obvious perspective cues, it creates a huge sense of space, and can lead the beholder to focus their sight at once at the non-blurred items, namely the figure in this painting, sitting in the middle, creating a "photo-like" effect.