MGY Base Bini tal-Uffiċċju by Eitaro Satake

MGY Base Bini tal-Uffiċċju by Eitaro Satake is a highly esteemed winner of the very prestigious 2021 Premju A' Design Award tal-Bronż in Disinn tal-Arkitettura, Bini u Strutturi Competition Category.

BronżArkitettura· 2021

MGY Base Bini tal-Uffiċċju

by Eitaro Satake

Client: Mighty co. ltd

Premju A' Design Award tal-Bronż Winner in Arkitettura Category

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Verified Award Winner

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Visit Site View at A' Design Award Press Release Award Badge

Colors

The Design

About MGY Base Bini tal-Uffiċċju

Il-MGY Base huwa bini tal-uffiċċju għal marka tal-ħwejjeġ f'Tokjo, il-Ġappun. Id-disinn isegwi l-idea ta' bażi sigrieta fejn in-nies jixtiequ jinġabru. Is-sular ewlieni għoli 6 metri, u faċċata kbira tal-ħġieġ tagħti l-impressjoni ta' spazju semi-miftuħ. Xibka tal-wajer fil-loft, dawl bl-istil industrijali, u tagħmir magħmul mill-ħadid u mill-scaffolding jappoġġjaw l-istess tema. Il-bini għandu struttura tal-konkos armat u erja totali tal-art ta' 124 metru kwadru. L-interjur miftuħ huwa maħsub biex jinkoraġġixxi l-komunikazzjoni u xogħol komdu.

The Recognition

About the Premju A' Design Award tal-Bronż

MGY Base Bini tal-Uffiċċju huwa rebbieħ tal-Premju A' Design Award tal-Bronż, rikonoxximent prestiġjuż ħafna mogħti lil disinji eċċellenti ddistingwuti mill-kreattività, l-ingenwità u l-għaqal. Ir-rebbieħa tal-Bronż huma xogħlijiet bi ħila biżżejjed u kreattivi b'mod impressjonanti li jawtentikaw l-esperjenza vasta, l-immaġinazzjoni u l-ħila ta' riżorsi tad-disinjaturi tagħhom. Huwa mistenni li MGY Base Bini tal-Uffiċċju ikun oġġett imqabbar ħafna, mammirat u maħbub, notevolment professjonali u innovattiv. Dan id-disinn rebbieħ tal-Bronż jinkorporaw l-aħjar prattiki fl-arti, ix-xjenza, id-disinn u t-teknoloġija u huwa eċċellenti fl-attenzjoni għad-dettalji. MGY Base Bini tal-Uffiċċju jissodisfa l-ħtiġijiet b'mod eċċellenti, imiss ix-xewqat, jinċanta s-sentimenti u jattira l-kurżità.

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties: An office like a secret base where people would want to gather.
The novel corona virus has brought to light the necessity of communication in the office. Our design is an example of an answer to the problem.
MGY Base is an apparel brand office situated in Tokyo. The main floor is 6m high and its huge glass facade gives the impression of semi-outdoor space. Wire mesh used in the loft, industrial taste lighting, iron and scaffold used fixtures, and other details represent the secret base the client asked for.
Dimensions & Packaging: Site area: 124.94 m²
Building area: 73.70 m²
Total floor area: 124 m²
Structure: Reinforced concrete construction
Tags: Workplace, apparel brand, MGY BASE, STAR, Japan
Production Technology: Distinctive facade promotes the apparel brand.
High ceiling on the main floor reminiscent of the semi-outdoor, providing an open and comfortable atmosphere that eliminates the stuffiness of the office.
Unified with design ideas that make the brand playful, such as mesh mezzanine.
Inspiration: We tried to design an office that is a third-place that makes you want to assemble and work.
A place
1. where the clients and business associates would like to go and want to gather.
2. where the staff feel comfortable and want to work longer.
3. that is unique and playful.
We designed an office with these three points in mind to give a sense of the brand's personality.
Project Duration: Project completed in 15/09/2018
Project Location: 3-30 Jingumae, Shibuya-ku, Tokyo, Japan
Operation Flow: Efficiency from the management perspective, offices are increasingly being consolidated into urban areas and are expanding in size. At the same time, more and more start-up companies and companies with an awareness of design management are creating unique offices with an emphasis on quality and design. Against this backdrop, the COVID-19 has called into question the meaning of the office. This was an opportunity to rethink the meaning of working and gathering in one place.
Image Credits: Photographer Kai Nakamura, 2018