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Muse Wirja Kunċettwali by Michelle Poon
Muse Wirja Kunċettwali by Michelle Poon
Muse Wirja Kunċettwali by Michelle Poon
Muse Wirja Kunċettwali by Michelle Poon
Muse Wirja Kunċettwali by Michelle Poon

Deheb Grafika · 2021

Muse Wirja Kunċettwali

by Michelle Poon

  • Premju A' Design Award tad-Deheb 2021 in Grafika
  • CLIENT: Michelle Kason
  • Estimated Number of Design Views: 61,168
  • Verification code 9AF1A31CF8 · Verify this award
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About Muse Wirja Kunċettwali

Muse huwa proġett ta’ disinn sperimentali li jistudja l-perċezzjoni mużikali tal-bniedem permezz ta’ tliet esperjenzi ta’ installazzjoni li jipprovdu modi differenti biex tesperjenza l-mużika. L-ewwel huwa purament sensazzjonali bl-użu ta 'materjal termo-attiv, u t-tieni juri l-perċezzjoni dekodifikata tal-ispazalità mużikali. L-aħħar hija traduzzjoni bejn notazzjoni tal-mużika u forom viżwali. In-nies huma mħeġġa jinteraġixxu mal-installazzjonijiet u jesploraw il-mużika viżwalment bil-perċezzjoni tagħhom stess. Il-messaġġ ewlieni huwa li d-disinjaturi għandhom ikunu konxji ta’ kif il-perċezzjoni taffettwahom fil-prattika.

About the Premju A' Design Award tad-Deheb

Muse Wirja Kunċettwali huwa rebbieħ tal-Premju A' Design Award tad-Deheb, rikonoxximent prestiġjuż ħafna mogħti lil disinji tal-ewwel klassi, mill-isbaħ u eċċellenti. Ir-rebbieħa tad-Deheb huma ħolqien innovattiv ħafna, b'viżjoni u li jleqqu b'mod li jgħammex, li jirriflettu t-talent, l-għerf u l-ħila tad-disinjaturi tagħhom. Huwa mistenni li Muse Wirja Kunċettwali ikun invenzjoni mfaħħra ħafna, li tistabbilixxi x-xejriet u monumentali li tagħti valur bla preċedent. Dan id-disinn rebbieħ tad-Deheb huwa proġett spettakolari u rispettat li jwessa' l-fruntieri tal-arti, ix-xjenza, id-disinn u t-teknoloġija. Muse Wirja Kunċettwali joħloq xewqa qawwija, iqajjem il-passjoni, iħeġġeġ il-kreattività u jisħer lilna.

Press Kit

Unique Properties
Muse is an experimental design project studying the musical perception of the human through three installation experiences, two sensational and one logical. People are encouraged to interact with the installations and explore the music visually with their own perception. We try to understand how people understand music here.
Dimensions & Packaging
The exhibition is proposed to be in Hong Kong Museum of Art Gallery 4. It includes three installations which is 2m x 2m x 3m each for two of the cylinder exhibits (the Senses and Shades) and three tables for the third interactive exhibit (the Table).

There are also a set of printed materials, such as poster, brochures, printed and digital tickets, which align back to the exhibition brand.
Tags
exhibition, music, perception, visual communication, graphic design, experiement, conceptual
Production Technology
Thermo-active fabric for the Senses.
Acrylic Tiles for the Table.
Antalis Skin Paper for printed matierals.
Design Challenge
Research part:

With the current situation of coronavirus, I could not provide an extensive performance that surrounds the participants. This makes sensing spatiality less specific than in under a real performance as participants could only rely on their imaginations while listening to their headphones.

Creative part:

I stuggled to code or turn raw data into infographics or coded graphics. The topic of 'musical Perception' digs very deep into human psychology and it is somehow hard for anybody to understand the final deliverables. I developed a many possibilities before coming up wth using simple and minimalistic approach to code the raw dats collected.
Research
Readings:

Perception is ineffable. Any written language on the earth failed us in fully communicating perceptions. Perception could be sensed and understood, but not necessarily be spoken. This situation is even more significant when it comes to music as music is often known to be ‘expressive’, ‘intangible’ and ‘free flow’. Music is something that could not be 100% translated to verbal communication. Music is so vague that perception plays a really big role on how we feel and are moved about it.

Musical Experiment:

A group of audience were asked to finish a set of doodles while surrounded by a group of choral performers. From the results, it is understood that human focus on differences and similarities, ups and downs, stable sounds and changes, as well as flat tones and big contrasts. Human always try to find repetitive patterns in a song, which is a reference of what we have always been exposed to.
Inspiration
The name ‘Muse’ is taken from the inspiration of Greek mythology. The Greek goddesses of art & music are the Muses. They are known as one entity, though there are actually 9 of them and each is unique in their own way. Its resonances with the concept of perception as perception could be understood universally to some extent, though still unique among each of us.
Project Duration
The project started dwith the research stage from September 2019 to January 2020, and the execution stage from January 2020 to June 2020.
Operation Flow
We perceive an object through sensations from our body and also our logical mindset which make sense of the sensations. Yet the channels for perceiving music is not limited to our ears only, but our eyes which see the performance, our hands and our bodies which feel the bass beat and frequencies. These information collected from the senses are sent to our brain to construct meaning and perception paved in to help making sense of the information collected.
Patents
Copyrights belong to Michelle Kasom, 2020
Image Credits
Michelle Kason

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