Past at Last Moda Sostenibbli minn Tihana Miksa

Id-disinn Past at Last Moda Sostenibbli minn Tihana Miksa huwa rebbieħ stmat ħafna tal-prestiġjuż 2021 Premju A' Design Award tal-Fidda fil-Kategorija tal-Kompetizzjoni ta' Disinn tal-Moda, Lbies u Ħwejjeġ.

FiddaModa· 2021

Past at Last Moda Sostenibbli

minn Tihana Miksa

Klijent: Tihana Mikša

Rebbieħ tal-Premju A' Design Award tal-Fidda fil-Kategorija ta' Moda

36,948

Rebbieħ ta' Premju Ivverifikat

Ivverifika l-Istatus tal-Premju għal #113802

Żur is-Sit Ara fuq A' Design Award Stqarrija għall-Istampa Badge tal-Premju

Kuluri

Id-Disinn

Dwar Past at Last Moda Sostenibbli

L-enfasi fil-kompożizzjonijiet tal-ilbies hija fuq tessuti għonja u ludici u kuluri mhux uniformi. Bħala konsegwenza, il-ħwejjeġ infushom huma simetriċi, sempliċi u forom magħluqa mingħajr interventi impenjattivi għall-istruttura. Dawn l-oġġetti jeżaminaw l-aspett viżwali, it-tattilità, il-materjaljità, il-moviment ħaj u l-arkettonika tat-tessuti. Il-kuluri huma baxxi fl-intensità u akromatiċi, ħlief l-aħmar li jippolsa f'dan l-ispettru ċar.

Ir-Rikonoxximent

Dwar il-Premju A' Design Award tal-Fidda

Past at Last Moda Sostenibbli huwa rebbieħ tal-Premju A' Design Award tal-Fidda, rikonoxximent prestiġjuż straordinarjament mogħti lil disinji tal-ogħla livell, sbieħ u impressjonanti. Ir-rebbieħa tal-Fidda huma xogħlijiet brillanti ħafna u kreattivi ħafna li juru l-għarfien espert, it-talent u l-aċċuratezza tad-disinjaturi tagħhom. Huwa mistenni li Past at Last Moda Sostenibbli ikun xogħol mill-isbaħ, eżemplari, professjonali ħafna u innovattiv bil-fond. Dan id-disinn rebbieħ tal-Fidda huwa invenzjoni notevoli u mammirata li tikkontribwixxi biex jitwessgħu l-fruntieri tal-arti, ix-xjenza, id-disinn u t-teknoloġija. Past at Last Moda Sostenibbli huwa ħolqien li ħafna jinvidjawh, li jqajjem ix-xewqat, iġib sentimenti pożittivi u joħloq tgħaġġib u mistagħġib.

Wara d-Disinn

Kit għall-Istampa

Krediti, membri tat-tim u dettalji tekniċi pprovduti mid-disinjatur.

Proprjetajiet Uniċi: The emphasis in the clothing compositions is on rich, playful textures and uneven coloration. As a consequence, the garments themselves are symmetrical, simple and closed forms without any demanding interventions to the structure. These objects examine the visual aspect, tactility, materiality, living motion and the architectonics of textiles.
The colours are low in intensity and achromatic, except reds that pulsate within this pale spectrum.
Tikketti: basketry,wool,mould,seamless,textile,handpainted,handmade, handpleating, sashiko, nuno felting,aperture, finishes
Teknoloġija tal-Produzzjoni: The textile is structured through various pleating techniques, improper and proper stitching, hand tinting to achieve noble tones, treatment with acids, wax, burning, patching, sandpapering, drilling, basket-making and finishes.
Sfida tad-Disinn: Perhaps this no longer matters, but we still care about values, about something that goes beyond our mere existence in the here and now, even when it comes to dressing. What we use to shroud our body, how we seem and appear in front of others, and what we communicate and convey in this manner, this will continue to matter about as long as we share this world with others.
Tihana Mikša Perković is aware of this, and in her quest for clothing worthy of man she intervenes in history as well as in modernity, in the continuity of life finding the only real source of inspiration. Her inspiration are folk costumes from Croatian regions which she interprets in a contemporary key, by applying contemporary textile processing techniques.
Ispirazzjoni: The man of tradition is closely linked to the rural way of life, as can be seen from the regional diversity that result from geographical location and the set of natural givens.
It was my intention to follow in the footsteps of our ancestors and to commit myself in a contemplative and repetitive, as well as time-consuming manner to the overall creation of each costume. In actual fact, my intention was to slow down, to be part of the process, and not just a consumer of finished impersonal and alienated clothing.
Tul tal-Proġett: 10.03.-26.03.2016., Zagreb, Ulupuh Gallery
Krediti tal-Immaġni: Photo Vanja Šolin
Hairdress and make up Dalibor Šakić
Model Hana F.M.