Id-disinn Venus Benniena, Sufan minn Hajar Shahsavari and Golnoush Zamani huwa rebbieħ stmat ħafna tal-prestiġjuż 2022 Premju A' Design Award tal-Ħadid fil-Kategorija tal-Kompetizzjoni ta' Disinn tal-Għamara.
ĦadidGħamara· 2022
Venus Benniena, Sufan
minn Hajar Shahsavari and Golnoush Zamani
Rebbieħ tal-Premju A' Design Award tal-Ħadid fil-Kategorija ta' Għamara
Rebbieħ ta' Premju Ivverifikat
Ivverifika l-Istatus tal-Premju għal #130019Id-Disinn
Dwar Venus Benniena, Sufan
Venus hija biċċa għamara b'użu multiplu li taħdem kemm bħala sufan kif ukoll bħala benniena. L-istruttura ovali hija magħmula mill-injam maqtugħ b'magna CNC, mimlija b'ragħwa għall-imbroxx ta' 60 mm u miksija bid-drapp. Ċint tal-lamperna tista' titwaħħal 'l isfel biex tipproteġi lit-tarbija. Kuxxin b'teknoloġija ta' stetoskopju jħalli lill-omm tisma' t-taħbit tal-qalb tal-fetu matul it-tqala. Venus tappoġġja l-mistrieħ, it-treddigħ u l-irqad għal omm u tifel/tifla sa ħames snin. Il-forma hija ispirata mill-istatwi tat-tafal Iranjani antiki tal-Era Neolitika.
Ir-Rikonoxximent
Dwar il-Premju A' Design Award tal-Ħadid
Venus Benniena, Sufan huwa rebbieħ tal-Premju A' Design Award tal-Ħadid, rikonoxximent prestiġjuż mogħti lil disinji tajbin li jissodisfaw ir-rekwiżiti professjonali u industrijali mistennija minn ħolqien imfassal tajjeb. Ir-rebbieħa tal-Ħadid juru l-ħila kbira, l-ispeċjalizzazzjoni għolja, il-fehim espert u l-kapaċità kreattiva tal-ħallieqa tagħhom. Huwa mistenni li Venus Benniena, Sufan ikun ħolqien imqabbar ħafna, mammirat u maħbub li huwa prattiku u innovattiv. Dan id-disinn rebbieħ tal-Ħadid jintegra l-aħjar prattiki tal-industrija u għandu karatteristiċi tekniċi kompetenti marbuta mal-għarfien u t-talent. Venus Benniena, Sufan huwa rispettat għall-eżattezza tiegħu u mfassal biex itejjeb il-kwalità tal-ħajja u jgħin jagħmel id-dinja post aħjar.
Wara d-Disinn
Kit għall-Istampa
Krediti, membri tat-tim u dettalji tekniċi pprovduti mid-disinjatur.
- Proprjetajiet Uniċi
- Venous is furniture to a hug for mother and kid.
Venous inspire by Iran's feminine statues that go back to the Neolithic era.
with the specific vision to the concept of fertility and motherless, Venous provides a comfortable area for the mother and her child as well.
this is multi _purpose product that applies as a sofa and cradle, considered as a piece of child's room furniture.
A space for :
-Having rested in pregnancy
-listening to the fetus's heartbeat by the cushion (during pregnancy)
-feeding and resting with the baby
-baby's cradle up to a 5 year _old child - Dimensjonijiet u Ippakkjar
- The oval shape of the furniture has the following dimension: 800mm(width) 1200mm(depth) 1000mm (height)
- Tikketti
- interaction, relax mother, cradle, pregnancy, ancient of Iran , statues
- Teknoloġija tal-Produzzjoni
- The oval shape of Venus structure is made of wood, cut down with a CNC machine and filled with Upholstery Foam (60mm thickness), and then covered with fabric.
the fence was prototyped in the Polywood structure and was connected to the body with two circular patches.
we used stethoscope technology for the pillow to hear the fetus heartbeat. - Sfida tad-Disinn
- the main challenge was the connection between ancient inspiration and modern society. finding a design language the faces our real needs. we could highlight some of the fertility touch points and find solutions based on inspiration resources. as an example mother's concerns for the health of the fetus and the desire to hear the baby's heartbeat were founded in the function of the old mother statues that were used as some magical power to calm down and have an easy birth.
- Riċerka
- The mother is the oldest subject of human art," says Toynbee. In ancient Iran, over the Neolithic period, there are some play statues with this subject. In some of these statues, their female organs are emphasized such as breasts and legs.
The excessive fatness of these statues reflects the difference that has been achieved in the aesthetic view of us and our prehistoric ancestors, and the belief in the beauty of fat women has remained strong in the minds of many people in the world until a few decades ago. Fatness was a symbol of health, wealth, and satiety for our ancestors. - Ispirazzjoni
- The identity of this project goes back to ancient Iran and the importance of women in the fertility of the earth. there are some clay statues, called Venus, that go back to the Neolithic era which is the symbol of the mother, the oldest human artistic subject. (says, Toynbee) These statues are symbols of fertility in the human, agriculture, and earth and were inspirational for our ancestors to survive. these ancient Iranian Venouses have a minimal ascetic with exaggerated sexual organs.
- Tul tal-Proġett
- The project started in Jul 2020 Isfahan/Iran and finished in Dec 2020.
- Fluss tal-Operazzjoni
- In the pregnancy period, the mother can lay down on the furniture and use the pillow behind her head to listen to the fetus heartbeat and feel relax physically and mentally with her baby.
after the birth, the furniture can be used as space work for both mother and newborn to sleep, feed, hug and calm down together.
the main interaction is when the furniture can be used as a cradle the mother can turn down the fence to protect her baby. - Membri tat-Tim
- Hajar Shahsavari & Golnoush Zamani
- Krediti tal-Immaġni
- image#1:photograpger GolnoushZamani, image#2:phptographer: Golnoush Zamani, image#3:photographer Golnoush Zamani, image#4:photographer Golnoush Zamani
Video: Golnoush Zamani
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