2022 Phantasm Il-Ġbir Ta 'xalpa Tas-Suf by Yen-Ting Cho

2022 Phantasm Il-Ġbir Ta 'xalpa Tas-Suf by Yen-Ting Cho is a highly esteemed winner of the very prestigious 2022 Premju A' Design Award tal-Fidda in Disinn ta' Aċċessorji tal-Moda u Vjaġġar Competition Category.

FiddaAċċessorju· 2022

2022 Phantasm Il-Ġbir Ta 'xalpa Tas-Suf

by Yen-Ting Cho

Client: YEN TING CHO Studio

Premju A' Design Award tal-Fidda Winner in Aċċessorju Category

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Colors

The Design

About 2022 Phantasm Il-Ġbir Ta 'xalpa Tas-Suf

Xalpi tas-suf pur newtrali għall-ġeneru b'mudelli kontemporanji stampati diġitali uniċi prodotti bl-użu ta 'softwer apposta pprogrammat imsejjaħ Mov.i.see li juża l-moviment tal-ġisem biex jittrasforma data diġitali u jiżvela dettalji organiċi mhux possibbli biss permezz ta' programmar tal-kompjuter. Mov.i.see jippermetti lid-disinjatur joħloq mudelli asimmetriċi u mhux ripetuti, li jirriżultaw f'xalpi multidimensjonali u tal-logħob li jistgħu jintlibsu b'modi differenti skont il-burdata jew l-okkażjoni, u huma differenti minn kwalunkwe prodott ieħor fis-suq tat-tessuti jew tal-aċċessorji tal-moda. .

The Recognition

About the Premju A' Design Award tal-Fidda

2022 Phantasm Il-Ġbir Ta 'xalpa Tas-Suf huwa rebbieħ tal-Premju A' Design Award tal-Fidda, rikonoxximent prestiġjuż straordinarjament mogħti lil disinji tal-ogħla livell, sbieħ u impressjonanti. Ir-rebbieħa tal-Fidda huma xogħlijiet brillanti ħafna u kreattivi ħafna li juru l-għarfien espert, it-talent u l-aċċuratezza tad-disinjaturi tagħhom. Huwa mistenni li 2022 Phantasm Il-Ġbir Ta 'xalpa Tas-Suf ikun xogħol mill-isbaħ, eżemplari, professjonali ħafna u innovattiv bil-fond. Dan id-disinn rebbieħ tal-Fidda huwa invenzjoni notevoli u mammirata li tikkontribwixxi biex jitwessgħu l-fruntieri tal-arti, ix-xjenza, id-disinn u t-teknoloġija. 2022 Phantasm Il-Ġbir Ta 'xalpa Tas-Suf huwa ħolqien li ħafna jinvidjawh, li jqajjem ix-xewqat, iġib sentimenti pożittivi u joħloq tgħaġġib u mistagħġib.

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties: The patterns are unique because they are created with the studio's digital software, mov.i.see, which uses body movement to reconstruct digital data and reveal organic details not possible solely by programming. This enables he design team to create asymmetrical, non-repeat patterns that are very different from those made using traditional methods eg. mirroring or repetition. Finished by hand, the patterns are digitally-printed onto natural fabric which enables the design team to reproduce the fine detail of the designs.
Dimensions & Packaging: Each scarf: pure wool fibre, 100cm wide x 200cm long, 0.4 kg weight. Pattern digitally-printed with ink free of heavy metals.
Tags: Digital design, digital print, wool, scarf, textile design, pattern, contemporary, new aesthetic, COVID-19, pandemic
Production Technology: The design team uses a bespoke interactive software, mov.i.see, to create digital patterns. Mov.i.see uses body movement to reconstruct digital data and reveal organic details not possible solely by programming. For this Collection, the team used, for the first time, layered design to bridge the gap between the figurative and the abstract to represent the complexity of the COVID-19 virus. Digital printing techniques reproduce the fine detail of the original designs whilst retaining the special colour-pattern combinations. Pure fine-combed wool holds the ink and reveals the detail of the pattern.
Design Challenge: The challenge was to create patterns inspired by the difficult circumstances of the COVID-19 pandemic that were colourful, optimistic and playful. The team researched thematic concepts and colour-ways, and experimented with mov.i.see to create the new patterns. The designers used, for the first time, layered design to integrate distinctive abstract patterns with figurative symbols (eg. houndstooth). The patterns were modified whilst they were being created, rather than allow the software to wholly dictate the design; consequently, the patterns reveal the authorship of the designer.
Research: The design team creates unique patterns using a bespoke digital software programme (mov.i.see), which uses body movement to reconstruct digital data and reveal organic details not possible solely by programming. Inspired by the COVID-19 pandemic, the team aimed to apply the designs to a saleable commodity - pure wool scarves - that are colourful, optimistic and playful. Through trial and error, the team found digital printing techniques that reproduce the fine detail of the original digital designs whilst retaining the special colour combinations. The scarves are retailed and exhibited internationally.
Inspiration: The 2022 patterns represent a personal creative response to the COVID-19 pandemic. Physically stranded between studios in two countries during national lockdowns, the design team looked inwards for inspiration. Longing to escape to a utopian paradise, the team envisaged a journey to a fantastical world. The response was fantastical, ethereal and playful patterns based on the imagined journey, incorporating radically new pattern structures and colour combinations.
Project Duration: This Collection was inspired by the peculiar circumstances of the COVID-19 pandemic. The design team started designing the patterns in September 2020 and completed the project in February 2022 when the patterns were launched in New York City.
Operation Flow: A pure wool scarf with a digitally-printed pattern which can be worn as a gender-neutral fashion accessory. The studio produces unique and dynamic patterns that can be applied to playful, aesthetically-pleasing and desirable products. With asymmetrical and unique colour combinations, the scarf can be worn in different ways and to reflect individual expression, and fit changing fashion needs and occasions. Patterns are printed through the wool, so each pattern is double-sided. The wool is specially treated so that it is very comfortable and non-abrasive to the touch.
Team Members: Director: Yen-Ting Cho
Co-Director: Jamie Gilham
Software Developer: Yen-Ling Kuo
Software Developer: Yen-Ting Yeh
Brand Assistant: Cheng-Lin Lee
Design Assistant: Yu-Ting Li
Video Editor: Kai Ting Chan