Id-disinn Grace Siġġu Sala minn Daniel Devadder huwa rebbieħ stmat ħafna tal-prestiġjuż 2023 Premju A' Design Award tad-Deheb fil-Kategorija tal-Kompetizzjoni ta' Disinn tal-Għamara.

DehebGħamara· 2023

Grace Siġġu Sala

minn Daniel Devadder

Klijent: Daniel Devadder Interior Design

Rebbieħ tal-Premju A' Design Award tad-Deheb fil-Kategorija ta' Għamara

301,679

Rebbieħ ta' Premju Ivverifikat

Ivverifika l-Istatus tal-Premju għal #141711

Żur is-Sit Ara fuq A' Design Award Stqarrija għall-Istampa Badge tal-Premju

Kuluri

Id-Disinn

Dwar Grace Siġġu Sala

Il-grazzja hija disinn li jittraduċi sentimenti li kelma waħda ma tistax tiddeskrivi. Dan flimkien mal-konvinzjoni li l-forma mhux dejjem issegwi l-funzjoni, iżda għandha tkun kapaċi ssegwi l-emozzjoni. Ir-riżultat huwa disinn qisu skultura magħmul minn qafas stampat 3D, miksi parzjalment b'fowm għal aktar kumdità u drapp elastiku iżda dejjiemi. Mil-lat estetiku, għandu eleganti u forma li b'xi mod huwa prontezza. Jista 'jqabbel finituri u materjali differenti u jħallat f'ambjenti differenti: minn użu high-end f'lobby ta' lukanda għal għamara f'dar privata.

Ir-Rikonoxximent

Dwar il-Premju A' Design Award tad-Deheb

Grace Siġġu Sala huwa rebbieħ tal-Premju A' Design Award tad-Deheb, rikonoxximent prestiġjuż ħafna mogħti lil disinji tal-ewwel klassi, mill-isbaħ u eċċellenti. Ir-rebbieħa tad-Deheb huma ħolqien innovattiv ħafna, b'viżjoni u li jleqqu b'mod li jgħammex, li jirriflettu t-talent, l-għerf u l-ħila tad-disinjaturi tagħhom. Huwa mistenni li Grace Siġġu Sala ikun invenzjoni mfaħħra ħafna, li tistabbilixxi x-xejriet u monumentali li tagħti valur bla preċedent. Dan id-disinn rebbieħ tad-Deheb huwa proġett spettakolari u rispettat li jwessa' l-fruntieri tal-arti, ix-xjenza, id-disinn u t-teknoloġija. Grace Siġġu Sala joħloq xewqa qawwija, iqajjem il-passjoni, iħeġġeġ il-kreattività u jisħer lilna.

Wara d-Disinn

Kit għall-Istampa

Krediti, membri tat-tim u dettalji tekniċi pprovduti mid-disinjatur.

Proprjetajiet Uniċi: Grace provides a certain wow factor and the way it is interpreted changes from person to person, from feeling to feeling, making it a unique experience.
An experience that will always be linked to your thoughts and how you feel.
Dimensjonijiet u Ippakkjar: Width 900mm x Depth 910mm x Height 680mm
Tikketti: Furniture, chair, productdesign, lounge, seating, indoor, organic, 3Dprint, stereolithography, Belgium
Teknoloġija tal-Produzzjoni: 3D printed structure. The material used is called Tusk SolidGrey3000 which is the world's first Stereolithography material that combines a high degree of stiffness with high impact resistance, available exclusively at Materialise.
The chair was tested from 2000N to 6000N. The displacement in the seating area ranges from 2mm to 5mm (for 2000N and 6000N respectively) and 3.5mm to 11mm at the top of the back rest.

The fabric used for the manual upholstery is Tonus 4, colour 0610, from Kvadrat because of its flexibility and durability. On the outsides of the design, high resilience foam is used for added comfort.
Sfida tad-Disinn: Finding a material that could follow the shapes while having the strength and rigidity to support the weight of an adult without deforming.

He wanted to use a fully recycled plastic to 3D print the design. However, this was not yet possible with the available materials, which at the same time had to meet the necessary strength requirements, etc.

He had the chair upholstered. Even though an elaboration without any upholstery would be perfectly conceivable.

If a pattern would be cut by machine, some details from the upholstery could be finished in a more refined way.
Riċerka: The design arises as a reflection of emotions that you cannot capture with a simple word, but rather express through a movement, a certain flow. The spiritual, indescribable and mysterious is what resulted in the design.
Ispirazzjoni: Grace was a way to translate feelings and emotions a single word can not describe.

Inspired by nature with its complexity hidden behind elegant and flawless forms.

This in combination with the conviction that form doesn't and shouldn't always follow function, but rather should be able to follow emotion. They merge together. It's something you strongly see in dance. Ballet and tango for example. Translating emotions and feelings by transcending oneself in a form or movement.
Tul tal-Proġett: End of December 2020: First sketch.
January 2021: First digital plans.
June 17, 2021: 3D printed structure was delivered.
March 11, 2022: Collection of the fully upholstered and finished chair in Antwerp.
Fluss tal-Operazzjoni: As you walk around it, from every angle you discover something new that changes the interpretation of what you see. Some may recognise a bird, a plant, a child may think of a ghost. This gives the design a certain personality and soul.

It has an elegance and form that somehow is timeless. It could go with different finishes and materials and fit in different settings. From high-end use in the lobby of a hotel to furniture in a private home.
Even when not in use, the design leaves behind a kind of sculpture that enhances the space it resides in.
Membri tat-Tim: Daniel Devadder
Krediti tal-Immaġni: Ypsilon Business Photography, 2022