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Crash Ilbies Tan-Nisa by Meng Ling Chung

Crash Ilbies Tan-Nisa by Meng Ling Chung is a highly esteemed winner of the very prestigious 2023 Premju A' Design Award tal-Ħadid in Disinn tal-Moda, Lbies u Ħwejjeġ Competition Category.


ĦadidModa· 2023

Crash Ilbies Tan-Nisa

by Meng Ling Chung

Premju A' Design Award tal-Ħadid Winner in Moda Category

36,457

Verified Award Winner

Verify Award Status for #145127

Colors

The Design

About Crash Ilbies Tan-Nisa

Il-prints fil-Ġbir Crash huma kollha dwar il-qerda tal-immaġni tal-fajls kollha wara ħabta tal-kompjuter. Il-memorji u x-xogħlijiet tad-disinjatur huma kollha mibdula fi blokki kkuluriti: Kull rettangolari b'mudell uniku. Meng Ling interpretat dawn il-pixmaps fl-istruttura tal-ilbies, u pproġetta l-immaġni bi-dimensjonali fuq il-ġisem tal-bniedem 3-dimensjonali. Il-punt ewlieni tad-disinn huwa l-iskema tal-kulur sturdut u t-tqegħid mhux raġonevoli ta 'immaġini. L-essenza tal-glitch hija li kontinwament tkisser u torganizza mill-ġdid, u ssib bilanċ perfett.

The Recognition

About the Premju A' Design Award tal-Ħadid

Crash Ilbies Tan-Nisa huwa rebbieħ tal-Premju A' Design Award tal-Ħadid, rikonoxximent prestiġjuż mogħti lil disinji tajbin li jissodisfaw ir-rekwiżiti professjonali u industrijali mistennija minn ħolqien imfassal tajjeb. Ir-rebbieħa tal-Ħadid juru l-ħila kbira, l-ispeċjalizzazzjoni għolja, il-fehim espert u l-kapaċità kreattiva tal-ħallieqa tagħhom. Huwa mistenni li Crash Ilbies Tan-Nisa ikun ħolqien imqabbar ħafna, mammirat u maħbub li huwa prattiku u innovattiv. Dan id-disinn rebbieħ tal-Ħadid jintegra l-aħjar prattiki tal-industrija u għandu karatteristiċi tekniċi kompetenti marbuta mal-għarfien u t-talent. Crash Ilbies Tan-Nisa huwa rispettat għall-eżattezza tiegħu u mfassal biex itejjeb il-kwalità tal-ħajja u jgħin jagħmel id-dinja post aħjar.

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties
Could you live without your computer or smartphone? Once Meng Ling's computer crashed, it mercilessly devoured all her hard work. Her memories and works are all turned into colored blocks. Then she realized that the computer is her second brain, visualizing her imagination and storing her memories. Yet when the second brain died, she was desperate to explore all the past efforts left in her mind, but they all became blurred. Meng Ling was mourning for her past, ''remember'' they were supposed to be my duty, not my computer.
Dimensions & Packaging
Industry-standard size of S/M for women.
Tags
glitch art, clothing, chaotic,
Production Technology
After capturing thousands of images, Meng Ling redesigned the pixel images, disassembled and reassembled all the images, and printed them on silk and mesh fabrics. Since these are rectangular diagrams, the proportions of the human body have to be very carefully planned. The production process had to take into account the chromaticity and the harmony of the rectangle with the human body.
Design Challenge
Rectangular patterns often cause incongruent proportions in the configuration of the human body, and Meng Ling tried nearly a hundred sets of patterns in this regard. And the color is a very important part of glitch aesthetics. In addition to finding a balance point in discordant colors, it is also necessary to ensure that the printing quality cannot be distorted.
Research
The original intention of Meng Ling's work is about the glitch from the computer covers her memory. So in the beginning, she researched a series of glitch art and combined various glitch forms that her computer generated. Meng Ling thinks the main point of the view in this work is the dizzying color scheme and the unreasonable placement of images. The essence of glitch is to constantly break and reorganize, and find a perfect balance.
Inspiration
Designer, Meng Ling's computer was apparently not functioning anymore, and all the files were broken up into unintelligible graphics. She took screenshots of them one by one, trying to recognize the original picture from the blurry scene. There are obviously traces of my memory in each photo. So she started piecing together these enigmatic patterns like a jigsaw puzzle and putting them in prints to commemorate my old creations.
Project Duration
The project started in January 2020 in Beijing and finished in July 2020 in Taiwan.
Operation Flow
The prints in this collection are all about the image destruction of all my files after the computer crashed. Each rectangular pattern is unique. Meng Ling interprets these pixmaps into the structure of the garment, projecting the 2-dimensional image onto the 3-dimensional human body.
Image Credits
Image #1: Meng Ling Chung, Crash, 2020
Image #2: Meng Ling Chung, Crash, 2020
Image #3: Meng Ling Chung, Crash, 2020
Image #4: Meng Ling Chung, Crash, 2020
Image #5: Meng Ling Chung, Crash, 2020

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