Reborn Vażun Tal-Injam by Chu Jou, Yu Hsuan, Fan Xuan and Ching Ching

Reborn Vażun Tal-Injam by Chu Jou, Yu Hsuan, Fan Xuan and Ching Ching is a highly esteemed winner of the very prestigious 2023 Premju A' Design Award tal-Ħadid in Disinn tal-Arti Fini u Installazzjonijiet Artistiċi Competition Category.

ĦadidArti Fini· 2023

Reborn Vażun Tal-Injam

by Chu Jou, Yu Hsuan, Fan Xuan and Ching Ching

Client: Tainan University of Technology/Product Design Deparment

Premju A' Design Award tal-Ħadid Winner in Arti Fini Category

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Verified Award Winner

Verify Award Status for #150604

View at A' Design Award Press Release Award Badge

Colors

The Design

About Reborn Vażun Tal-Injam

Il-ħolqien ta 'valur għall-injam mormi u l-fdal mill-industrija tal-għamara billi tuża tekniki ta' intarsjar tal-metall fuq wiċċ tal-injam organikament sferiku. Ispirat minn forma ta 'ħajja ta' żrieragħ li qed jikbru, wajer tar-ram huwa inkorporat fuq il-qamħ ta 'l-injam, u jestendi bħala l-forma ta' l-għeruq imkabbra biex isostnu l-vażun ta 'l-injam. Il-mudell għandu użi funzjonali peress li l-fdal tal-injam isir f'kontenitur għat-tħawwil, li jixbaħ żerriegħa li tinbet, li tissimbolizza ċ-ċiklu tal-ħajja. Il-forma ta 'għeruq tal-metall li tiċċirkola tagħti sens ta' vitalità, li tixbaħ organiżmu li jiċċaqlaq.

The Recognition

About the Premju A' Design Award tal-Ħadid

Reborn Vażun Tal-Injam huwa rebbieħ tal-Premju A' Design Award tal-Ħadid, rikonoxximent prestiġjuż mogħti lil disinji tajbin li jissodisfaw ir-rekwiżiti professjonali u industrijali mistennija minn ħolqien imfassal tajjeb. Ir-rebbieħa tal-Ħadid juru l-ħila kbira, l-ispeċjalizzazzjoni għolja, il-fehim espert u l-kapaċità kreattiva tal-ħallieqa tagħhom. Huwa mistenni li Reborn Vażun Tal-Injam ikun ħolqien imqabbar ħafna, mammirat u maħbub li huwa prattiku u innovattiv. Dan id-disinn rebbieħ tal-Ħadid jintegra l-aħjar prattiki tal-industrija u għandu karatteristiċi tekniċi kompetenti marbuta mal-għarfien u t-talent. Reborn Vażun Tal-Injam huwa rispettat għall-eżattezza tiegħu u mfassal biex itejjeb il-kwalità tal-ħajja u jgħin jagħmel id-dinja post aħjar.

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties: The pattern on this wooden vase artwork is inlaid on a three-dimensional spherical wood surface. Inspired by growing seeds, brass wire is embedded on the wood following the wood grain, with some extending out as the shape of seed roots to support the wooden vase. The pattern has functional uses as wood leftovers are made into a container for planting, resembling a sprouting seed, symbolizing the cycle of life. The flowing metal root shape gives a sense of vitality, resembling a moving organism.
Dimensions & Packaging: Material: teak wood, brass, glass.
Dimensions: Round seed: Length 15cm x Width 9cm x Height 14cm, Gourd-shaped seed: Length 20cm x Width 11cm x Height 17cm, Eggplant-shaped seed: Length 23cm x Width 8.5cm x Height 22.5m, Elliptical seed: Length 30cm x Width 9cm x Height 10cm.
Tags: Wooden, Vase, Metal, Inlaid Technique, Art Craft, Brass, Leftover
Production Technology: Material: teak, brass, glass.
Production technology: lathe turning out of the basic shape of wood, hand-polished wood appearance,hand-welded metal, inlaid metal, hand-dyed spray
painting.
Surface treatment: spray transparent protective paint after dyeing and then polish and trim the surface to smooth, this process is repeated 2-3 times after polishing the metal, and finally spray a laver of transparent protective paint to prevent brass oxidation.
Design Challenge: To support the wood above, a thicker and harder brass wire was used for the extended structure. However, the ends of the wire tended to curl up when embedded on the curved surface. To enhance the metal's stability on the wood, eight types of glue were tested and the problem was resolved by referencing riveting techniques. When grinding the pointed end of the wire, it tended to become too thin and curl up, but after trying various methods, the issue was resolved.
Research: Type of study: technology, art.
Goal: Apply planar tessellation techniques to surface tessellation.
Methods: Technical application analysis, process technology analysis, material analysis, practical operation experiment.
Data collection: self-observation experience, books, online work observation.
Research tools:
metalworking tools,
woodworking tools, all kinds of drills, all kinds of grinding tools.
Inspiration: We discovered leftover wood from furniture making and decided to utilize our metalworking skills to combine it with metal through inlaying techniques. After observing that metal inlaying on wood is often flat and purely decorative, we aimed to create something different. We used our craft skill to create new value from the leftover material by combining the gentle nature and unique wood grain of the wood with the idea of the cycle of life, resulting in this artistic piece.
Project Duration: The project began in June 2021 and was completed in Tainan, Taiwan in March 2022.
Operation Flow: The holes on the flower vessel contain glass containers that can be filled with water to grow aquatic plants, resembling a germinating seed from a distance. Other items can be inserted into the container for decoration, or it can be used as a standalone art piece.
Team Members: Instructor: ChungSheng Chen
Designer：ChuJou Chen
Designer: YuHsuan Chen
Designer: FanXuan Yang
Designer: ChingChing Weng
Tainan University of Technology Product Design Dept
Image Credits: Image#1~#5: ChuJou Chen/ YuHsuan Chen/ FanXuan Yang/ ChingChing Weng