Looping Flower Spazju Kulturali Ikebana minn Ni Jie Guo

Id-disinn Looping Flower Spazju Kulturali Ikebana minn Ni Jie Guo huwa rebbieħ stmat ħafna tal-prestiġjuż 2024 Premju A' Design Award tal-Bronż fil-Kategorija tal-Kompetizzjoni ta' Disinn ta' Spazji Interjuri u Wirjiet.

BronżInterjur· 2024

Looping Flower Spazju Kulturali Ikebana

minn Ni Jie Guo

Klijent: Blankspace

Rebbieħ tal-Premju A' Design Award tal-Bronż fil-Kategorija ta' Interjur

9,902

Rebbieħ ta' Premju Ivverifikat

Ivverifika l-Istatus tal-Premju għal #151842

Ara fuq A' Design Award Stqarrija għall-Istampa Badge tal-Premju

Kuluri

Id-Disinn

Dwar Looping Flower Spazju Kulturali Ikebana

L-arti tal-ikebana hija meditazzjoni fuq il-ħajja fil-fluss tal-erba' staġuni, inkluż il-qbid aħħari ta' mumenti qosra fl-estetika Ġappuniża, ir-rikostruzzjoni tal-ħajja tal-fjuri u l-fergħat, u l-kollizzjoni innovattiva ta' struttura u estetika. Id-disinn tal-ispazju kollu huwa bbażat fuq l-ispirtu ta' Kusatsuki-ryu, jestratti elementi mill-arkitettura tradizzjonali Ġappuniża u jittrasformahom f'lingwaġġ arkitettoniku modern, jesplora r-relazzjoni bejn il-kostruzzjoni kontemporanja u l-estetika b'elementi Ġappuniżi astratti.

Ir-Rikonoxximent

Dwar il-Premju A' Design Award tal-Bronż

Looping Flower Spazju Kulturali Ikebana huwa rebbieħ tal-Premju A' Design Award tal-Bronż, rikonoxximent prestiġjuż ħafna mogħti lil disinji eċċellenti ddistingwuti mill-kreattività, l-ingenwità u l-għaqal. Ir-rebbieħa tal-Bronż huma xogħlijiet bi ħila biżżejjed u kreattivi b'mod impressjonanti li jawtentikaw l-esperjenza vasta, l-immaġinazzjoni u l-ħila ta' riżorsi tad-disinjaturi tagħhom. Huwa mistenni li Looping Flower Spazju Kulturali Ikebana ikun oġġett imqabbar ħafna, mammirat u maħbub, notevolment professjonali u innovattiv. Dan id-disinn rebbieħ tal-Bronż jinkorporaw l-aħjar prattiki fl-arti, ix-xjenza, id-disinn u t-teknoloġija u huwa eċċellenti fl-attenzjoni għad-dettalji. Looping Flower Spazju Kulturali Ikebana jissodisfa l-ħtiġijiet b'mod eċċellenti, imiss ix-xewqat, jinċanta s-sentimenti u jattira l-kurżità.

Wara d-Disinn

Kit għall-Istampa

Krediti, membri tat-tim u dettalji tekniċi pprovduti mid-disinjatur.

Proprjetajiet Uniċi: This art space is located in Fuzhou City, Fujian Province, with a total area of about 105 sqm. The owner hopes that this space will be able to hold experimental art exhibitions on a regular basis as a place to focus on outside the flower show classroom and as an exchange.
Dimensjonijiet u Ippakkjar: Aiming at the disadvantage that the project is located along the river and has high humidity. At the spatial level, we raised the ground at three levels, raising the first level of the ground to reduce moisture infiltration, and then setting a movable dark grid in the hollow position and placing charcoal to reduce humidity, so as to improve the problem of dampness near the river and enrich the space. In addition, the three gradual elevations also indicate the transition of the nature of space from public to private, and enhance the sense of spatial experience.
Tikketti: Ikebana, Japanese Aesthetics, Natural Features, Relaxed
Teknoloġija tal-Produzzjoni: In terms of the organization of the plan, the exterior of the building uses semi high stone walls as its front stage and cobbles as its transition point. Our work has opened up a third realm in the external environment and internal space, reinterpreting the traditional material media of Japanese architecture, the edge. Allowing the noisy atmosphere of the street to form a strong contrast to the tranquil atmosphere of the interior. This eliminates the sense of the rigid boundary of the building.
Sfida tad-Disinn: Being the space of flower paths, there is a large storage demand, and we must solve these problems in the limited space. In order to create the possibility of acceptance in the space to a greater extent, we use the alley and other space to perform boundary computation, in order to ensure a clean and tidy image in the hall of flower paths.
Riċerka: The proportion of the door is obtained after the traditional Japanese style house frame has been calculated, in the design deliberately control the height, so that the visual external door is relatively small, but after entering the interior it will be felt that the longitudinal stretching of the space is very strong. This is similar to the traditional Japanese space. In the style of oriental classical architecture, it stands in contrast to the modern material form, highlighting infinitely qualitative spatial narrative techniques.
Ispirazzjoni: In designing the entire space, we dismantle the design based on the spirit of the flow of grass and moon: extracting elements from traditional Japanese architecture and transforming them into the modern architectural language, and exploring the relationship between structure and contemporary aesthetics with abstract Japanese features. So that it is not necessarily a traditional depiction but has a Japanese temper.
Tul tal-Proġett: The project started in August 2022 and finished in December 2022 in China .
Fluss tal-Operazzjoni: To make it more ceremonial to enter the flower room, we will extend the line of movement to enter the room, using internal push processing to create a unique entrance to the space, increasing the time it takes to enter the building, and hoping visitors will change their state from body to mind and become immersed in the ambience. entering the flower path to study. Floor-to-ceiling glass windows enter the room and bring enough natural light into the entire space, and the open and brightly lit lecture area and exhibition area welcomes visitors. Causing visitors to temporarily forget the impetuousness of outer life and find a corner to rest in.
Membri tat-Tim: NI JIE GUO
Krediti tal-Immaġni: BLANKSPACE