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Endless Succession Installazzjoni tal-Arti Pubblika minn Jin Ying Yei Tao Pottery Ltd

Id-disinn Endless Succession Installazzjoni tal-Arti Pubblika minn Jin Ying Yei Tao Pottery Ltd huwa rebbieħ stmat ħafna tal-prestiġjuż 2024 Premju A' Design Award tal-Bronż fil-Kategorija tal-Kompetizzjoni ta' Disinn tal-Arti Fini u Installazzjonijiet Artistiċi.


BronżArti Fini· 2024

Endless Succession Installazzjoni tal-Arti Pubblika

minn Jin Ying Yei Tao Pottery Ltd

Klijent: Jin Ying Yei Tao Pottery Ltd

Rebbieħ tal-Premju A' Design Award tal-Bronż fil-Kategorija ta' Arti Fini

38,991

Rebbieħ ta' Premju Ivverifikat

Ivverifika l-Istatus tal-Premju għal #153111

Kuluri

Id-Disinn

Dwar Endless Succession Installazzjoni tal-Arti Pubblika

Endless Succession hija punt referenzjali taċ-ċeramika installata fid-daħla taż-Żona Rikreattiva tal-Foresta Nazzjonali ta' Neidong f'Tajwan. Il-forma tixbah figura tmienja wieqfa, li tqajjem il-simbolu tal-infinit, u tfakkar fil-parabola tal-Kaskata Xinxian. L-istruttura permeabbli taġixxi bħala arkata li tmexxi lill-viżitaturi ġewwa lejn il-foresta. Il-wċċieh ħodor iġorru totems Atayal ħomor u suwed kif ukoll skulturi bir-riljev ta' speċi lokali, inkluż friefet, għasafar u żrinġijiet tas-siġar. It-tafal u l-verniċ tal-fuħħar jinħarqu 'l fuq minn 1,200 grad Celsius, li jagħmel dan ix-xogħol magħmul bl-idejn reżistenti għat-temp, li ma jitlifx il-kulur tiegħu, u sigur meta jintmess.

Ir-Rikonoxximent

Dwar il-Premju A' Design Award tal-Bronż

Endless Succession Installazzjoni tal-Arti Pubblika huwa rebbieħ tal-Premju A' Design Award tal-Bronż, rikonoxximent prestiġjuż ħafna mogħti lil disinji eċċellenti ddistingwuti mill-kreattività, l-ingenwità u l-għaqal. Ir-rebbieħa tal-Bronż huma xogħlijiet bi ħila biżżejjed u kreattivi b'mod impressjonanti li jawtentikaw l-esperjenza vasta, l-immaġinazzjoni u l-ħila ta' riżorsi tad-disinjaturi tagħhom. Huwa mistenni li Endless Succession Installazzjoni tal-Arti Pubblika ikun oġġett imqabbar ħafna, mammirat u maħbub, notevolment professjonali u innovattiv. Dan id-disinn rebbieħ tal-Bronż jinkorporaw l-aħjar prattiki fl-arti, ix-xjenza, id-disinn u t-teknoloġija u huwa eċċellenti fl-attenzjoni għad-dettalji. Endless Succession Installazzjoni tal-Arti Pubblika jissodisfa l-ħtiġijiet b'mod eċċellenti, imiss ix-xewqat, jinċanta s-sentimenti u jattira l-kurżità.

Wara d-Disinn

Kit għall-Istampa

Krediti, membri tat-tim u dettalji tekniċi pprovduti mid-disinjatur.

Proprjetajiet Uniċi
The landmark epitomizes the diversity of local ecology. The permeable design is like an archway that leads visitors into the Forest Recreation Area surrounded by nature.
The shape of the work resembles an upright figure 8 of 'infinity'. Located on the wooden trestle at the entrance of the Neidong National Forest Recreation Area, it is green in color with red and black totems. When one gets closer, there are carves of common species in the area. The extremely realistic animal and plant totems on the column are not only photographed but also sculpted by experienced masters.
Dimensjonijiet u Ippakkjar
The height of the work is about 450cm, and the width of the space occupied is about 250cm.
This is the first time for the team to create such a huge landmark. The clay was stacked up to a height of 450cm by climbing a ladder and then carved with realistic butterflies, birds, tree frogs, and other patterns from top to bottom. Then, the clay is cut into sections and kiln-dried, and finally assembled. The entire landmark is handmade.
Mixing the glazes is also an important part of the work, as uneven proportions will affect the color rendering.
Tikketti
Wulai, Neidong Waterfall, Neidong, Atayal, ceramics, Installation Art, Sightseeing Landmark.
Teknoloġija tal-Produzzjoni
Both the clay and the glaze of this work have been hardened at a high temperature of more than 1,200 degrees Celsius. The minerals and metals contained in the clay have been melted and transformed into stable substances. Its high hardness makes it safe and colorfast when exposed to the sun and wind or in contact with human skin. Unlike ordinary ceramics with a melting point of less than 1,000 degrees, which are susceptible to heavy metals, 'Endless Succession' allows the public to appreciate and touch the relief sculptures from a close distance.
Sfida tad-Disinn
Pottery requires long hours of handmade work, and humidity control was the first and foremost challenge. To maintain the humidity of the large clay, it must be constantly watered or wrapped in canvas.
Furthermore, to present the curves smoothly, it was necessary for the person leading the work to watch from the bottom and direct the masters executing the work from the top. Therefore, the masters who lead and execute the work need to have a certain tacit understanding and great patience. Each person's interpretation of the aesthetic presentation often required communication and discussion.
Riċerka
Typhoon Soudelor in 2015 damaged many facilities in the Forest Recreation Area. The Forest Recreation Area then replacement of old equipment, and improvement of the landscape. At that time, there was no distinctive entrance to the park. To create and emphasize the distinctive landscape of the Forest Recreation Area, the team integrated the local environment and created a landmark with aesthetics and consistency at its core. The artwork presents imagery of the Xinxian Waterfall and the diversity of the park's species, as well as showcasing the local Atayal culture.
Ispirazzjoni
The authorities wanted to create an entrance landmark with natural ecological imagery. Planned to visualize the beauty of the Xinxian Waterfall, presenting the special features of the landscape with the graceful parabola of the waterfall as it cascades down from the top of the mountain. The static and dynamic nature of the waterfall incorporates the common species found in Neidong and is intertwined with Atayal totems, symbolizing the inseparable integration with the environment. The overall shape also implies the meaning of the 'infinity' symbol, which symbolizes the everlasting ecology and richness of culture.
Tul tal-Proġett
The project finished in August 2018 in Taiwan.
Fluss tal-Operazzjoni
As the old saying goes, 'It could be admired from a distance but not be tampered with up close and personal.', this is the public's established impression of ceramic art. The work is scratch-resistant, non-toxic, weather-resistant, and colorfast, encouraging the public to interact with it and take photos to experience a different way of presenting 'pottery'. The design team has shown the intimate side of clay to a wider audience. The artwork combines the humanity and ecological elements of Neidong, realizing the depth and beauty of the place and localizing the artwork.
Membri tat-Tim
Jin Ying Yei Tao Pottery Ltd
Krediti tal-Immaġni
Jin Ying Yei Tao Pottery Ltd

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