Radiance of Nature with Urushi Dawl minn Yu Watanabe

Id-disinn Radiance of Nature with Urushi Dawl minn Yu Watanabe huwa rebbieħ stmat ħafna tal-prestiġjuż 2024 Premju A' Design Award tal-Fidda fil-Kategorija tal-Kompetizzjoni ta' Disinn ta' Prodotti u Għodod tad-Dawl.

FiddaDawl· 2024

Radiance of Nature with Urushi Dawl

minn Yu Watanabe

Klijent: Yu Watanabe

Rebbieħ tal-Premju A' Design Award tal-Fidda fil-Kategorija ta' Dawl

79,728

Rebbieħ ta' Premju Ivverifikat

Ivverifika l-Istatus tal-Premju għal #154276

Żur is-Sit Ara fuq A' Design Award Stqarrija għall-Istampa Badge tal-Premju

Kuluri

Id-Disinn

Dwar Radiance of Nature with Urushi Dawl

Il-lakka Urushi, derivata minn liċċa naturali li tinġabar b'mod sostenibbli fil-Ġappun, hija applikata fuq il-bambu biex toħloq spazju immersiv fost forom li jixbhu siġar. B'kuntrast mal-kultura tal-Punent, fejn in-nies ineħħu d-dellijiet mill-ispazju, dan il-proġett joħloq id-dellijiet intenzjonalment bħala parti mill-ġmiel estetiku. Il-kolonni ta' Urushi jistgħu jirriflettu dawl li jixbah xemgħa f'kamra mudlama, u jagħtu ħruġ luminuż li jagħti sens tal-fond tal-dlam. Il-proprjetajiet uniċi tal-forma u d-dawl joħolqu interazzjoni affaxxinanti ta' riflessi tad-dawl u dellijiet li jevokaw spazju mikrokosmu li fakkarna fin-natura.

Ir-Rikonoxximent

Dwar il-Premju A' Design Award tal-Fidda

Radiance of Nature with Urushi Dawl huwa rebbieħ tal-Premju A' Design Award tal-Fidda, rikonoxximent prestiġjuż straordinarjament mogħti lil disinji tal-ogħla livell, sbieħ u impressjonanti. Ir-rebbieħa tal-Fidda huma xogħlijiet brillanti ħafna u kreattivi ħafna li juru l-għarfien espert, it-talent u l-aċċuratezza tad-disinjaturi tagħhom. Huwa mistenni li Radiance of Nature with Urushi Dawl ikun xogħol mill-isbaħ, eżemplari, professjonali ħafna u innovattiv bil-fond. Dan id-disinn rebbieħ tal-Fidda huwa invenzjoni notevoli u mammirata li tikkontribwixxi biex jitwessgħu l-fruntieri tal-arti, ix-xjenza, id-disinn u t-teknoloġija. Radiance of Nature with Urushi Dawl huwa ħolqien li ħafna jinvidjawh, li jqajjem ix-xewqat, iġib sentimenti pożittivi u joħloq tgħaġġib u mistagħġib.

Wara d-Disinn

Kit għall-Istampa

Krediti, membri tat-tim u dettalji tekniċi pprovduti mid-disinjatur.

Proprjetajiet Uniċi: Urushi lacquer is produced from natural sap sustainably harvested in Japan. Unfortunately, the traditional craft of Urushi is in decline due to the emergence of alternative materials. This project aims to revitalise this craft and create a space that connects people with nature. Urushi also has qualities that reflect even the smallest light. Through the arrangement of tree-like shapes, the play of light and shadows can immerse people in a microcosmic space reminiscent of nature.
Dimensjonijiet u Ippakkjar: The object consists of 16 cylindrical lights. Diameter: 11 cm to 14 cm. It comes in four sizes: size S 60 cm, size M 90 cm, size L 128 cm, and size XL 167 cm.
Urushi lacquer is applied on the bamboo by hand by Urushi craftsmen.
The bamboo is cut by artisans who cut the bamboo vertically, revealing the cut section on a dare.
Tikketti: Lighting, Sustainable, Traditional, Revitalising, Cultural, Meditative, Darkness, Space, Installation, Product,
Teknoloġija tal-Produzzjoni: Urushi is extracted from trees in small amounts, applied to natural materials such as bamboo. Although highly durable, Urushi products can be returned to nature when disposed of breaking down naturally under UV light. Crafted by hand by skilled artisans, each product is created in respect of the slow, yet continuous production of natural material. This circular design has the potential to restore the relationship between nature and people contrasting the modern reliance on single-use plastics.
Sfida tad-Disinn: Why can’t everyday objects also be an opportunity for people to connect with nature? Urushi, a fully repairable, biodegradable, and naturally produced lacquer, allows people to create products embodying the cycle of nature. This ancient Japanese craft founded in principles of sustainability is revitalized through a modern design in this project
Riċerka: Design research was conducted through hands-on experiments, thesis research, and collaboration with experts such as craftsmen, harvesters, and product designers. Hands-on experiments involved experimenting with more than 20 natural materials in combination with lacquer, while on the theoretical side, we investigated the relationship between how traditional Japanese lighting and space are perceived, and the relationship between Japanese gardens, modernism, and minimalism.
Ispirazzjoni: Unlike the West, where people often remove shadows from space, the Japanese embrace shadows as a part of aesthetic beauty. In Junichiro Tanizaki's In Praise of Shadows, he mentions the true value of lacquerware is that it reflects a candle-like light in a dark room, giving off a luminous glow that gives a sense of the depth of darkness and invites one into a meditative space. Through this project, Urushi is used to reflect a small flickering light while embracing shadows.
Tul tal-Proġett: The project started in August 2022 in London and Japan, and finished in June 2023 in London, and was exhibited in Saint Central Martins in London.
Fluss tal-Operazzjoni: Through the arrangement of tree-like shapes, the project seeks to evoke a sense of being in a forest. The play of light and shadows allows viewers to immerse themselves in a microcosmic space reminiscent of nature. This project not only explores the fascination of materials but also encourages the viewer to look at the materials through the lense of their backgrounds, narratives and connections with nature.
Krediti tal-Immaġni: ALL Images: Yu Watanabe, 2023
Sound in Video: Kevin MacLeod (incompetech.com) Ambiment, Licensed under Creative Commons: By Attribution 3.0 License
http://creativecommons.org/licenses/by/3.0/