The Opposite Kollezzjoni ta' Malji minn Yishu Yan

Id-disinn The Opposite Kollezzjoni ta' Malji minn Yishu Yan huwa rebbieħ stmat ħafna tal-prestiġjuż 2024 Premju A' Design Award tal-Fidda fil-Kategorija tal-Kompetizzjoni ta' Disinn tal-Moda, Lbies u Ħwejjeġ.

FiddaModa· 2024

The Opposite Kollezzjoni ta' Malji

minn Yishu Yan

Rebbieħ tal-Premju A' Design Award tal-Fidda fil-Kategorija ta' Moda

662,508

Rebbieħ ta' Premju Ivverifikat

Ivverifika l-Istatus tal-Premju għal #157237

Żur is-Sit Ara fuq A' Design Award Stqarrija għall-Istampa Badge tal-Premju

Kuluri

Id-Disinn

Dwar The Opposite Kollezzjoni ta' Malji

The Opposite hija kollezzjoni ta' malji unisex iddisinjata biex tintlibes b'diversi modi. Il-kollezzjoni hija magħmula b'metodi ta' żero qtugħ u żero skart, sabiex l-ebda drapp ma jintrema. In-niseġ diġitali jintuża biex jifforma strutturi tridimensjonali flessibbli u kostruzzjonijiet ta' lbies li jistgħu jinbidlu. L-oġġetti miż-żewġ ilbiesi jistgħu jiġu skambjati u mqabbla f'kombinazzjonijiet differenti, li jippermetti lil kull min jilbishom joħloq stil personali. Id-disinn ta' daqs universali joqgħod lil ħafna nies ta' korporatura medja. The Opposite tqajjem mistoqsijiet dwar l-ideat komuni dwar l-ilbies tal-irġiel u tan-nisa.

Ir-Rikonoxximent

Dwar il-Premju A' Design Award tal-Fidda

The Opposite Kollezzjoni ta' Malji huwa rebbieħ tal-Premju A' Design Award tal-Fidda, rikonoxximent prestiġjuż straordinarjament mogħti lil disinji tal-ogħla livell, sbieħ u impressjonanti. Ir-rebbieħa tal-Fidda huma xogħlijiet brillanti ħafna u kreattivi ħafna li juru l-għarfien espert, it-talent u l-aċċuratezza tad-disinjaturi tagħhom. Huwa mistenni li The Opposite Kollezzjoni ta' Malji ikun xogħol mill-isbaħ, eżemplari, professjonali ħafna u innovattiv bil-fond. Dan id-disinn rebbieħ tal-Fidda huwa invenzjoni notevoli u mammirata li tikkontribwixxi biex jitwessgħu l-fruntieri tal-arti, ix-xjenza, id-disinn u t-teknoloġija. The Opposite Kollezzjoni ta' Malji huwa ħolqien li ħafna jinvidjawh, li jqajjem ix-xewqat, iġib sentimenti pożittivi u joħloq tgħaġġib u mistagħġib.

Wara d-Disinn

Kit għall-Istampa

Krediti, membri tat-tim u dettalji tekniċi pprovduti mid-disinjatur.

Proprjetajiet Uniċi: "The Opposite", a unisex fashion knitwear collection, aims to create a new concept of modern garments with multiple wearing methods. It features the zero-cut, zero-waste, highly adaptable, flexible wearability and longevity of the design through highlighting sustainable design thinking and digital design attributes. The stylish items in the two outfits can be easily interchanged and matched. Rather than focusing on providing a figurative silhouette or identity, the collection is more concerned with the inclusion of the product to the user. It intends to explore the process of confrontation and cooperation between contradictory elements through the development of flexible knitted structures and changeable garment constructions, questioning the common notions of men's and women's wear, and Eastern and Western clothing.
Dimensjonijiet u Ippakkjar: This garment is an all-size design and will fit most people of average build.
Tikketti: Fashion Design, Knitwear, Multiple Wearing Methods, Unisex Design, Digital Knitting, Sustainable Design, Zero-waste, Zero-cut, Adaptative Design
Teknoloġija tal-Produzzjoni: This project was essentially completed in Hong Kong, China in 2019. Relevant research for design development has been published in Science Citation Index journals and obtained a China Utility Model Patent. The collection has been exhibited at the Asian Art Museum, in San Francisco, USA. Research related to the design project is being continued.
Sfida tad-Disinn: The special three-dimensional knitted structure shows a unique surface texture effect and deformation ability, but it also creates a problem for the composition and relative stability of the garment structure. This is both a challenge and an opportunity. This flexible and versatile nature provides unlimited possibilities for the continuous development of this design.
Riċerka: This design research is exploratory and practice-led in nature. The proposed design offers a new approach to innovative fashion that integrates surface design and construction design through a digital knitting process, which bridges the gap between modern knitting technology and fashion design. Textile structural research-led design allows clothing design to be no longer limited by the inherent framework, i.e., gender, identity, etc., but rather to look back at the matter of wearing itself, i.e. the interaction between clothing and the body. Both objective and subjective evaluation were involved. The results of a series of performance tests have evolved into serval formulas and a design database that provide quantifiable and predicate criteria for upcoming designs.
Ispirazzjoni: The inspiration comes from the visiting experience of the AUDIO ARCHITECTURE exhibition at 21_21 Design Sight in Tokyo, Japan. There was one unique exhibit in the exhibition a special song. The song's lyrics present various contradictory words, such as structure and surface, chaos and order, sound and silence, to discuss the dynamic relationship between audio and architecture. It inspires me that, many items seem the opposite, such as artificial and natural, body and soul, or, knit and purl, however, are they opposites? Or are they an ultimate whole? As a Chinese idiom says "Seek common ground while reserving differences". This point of view may offer one possible approach for global humanity to face the contemporary dilemma of the post-epidemic era.
Tul tal-Proġett: This project was essentially completed in Hong Kong, China in 2019. Relevant research for design development has been published in Science Citation Index journals and obtained a China Utility Model Patent. The collection has been exhibited at the Asian Art Museum, in San Francisco, USA.
Fluss tal-Operazzjoni: The identity of both the designer and the user in this design is fluid. The designer plays as also a researcher and an engineer, involved in all aspects of design, development, and production. Meanwhile, the stylish items of the collection can be easily interchanged and re-matched, thus the user is encouraged to re-generate his/her style continuously. The essential concept determines the interaction of this design is always in a dynamic process of development and innovation.
Membri tat-Tim: Academic adviser: Kinor Jiang & Jinyun Zhou
Krediti tal-Immaġni: Image #1-5: Photographer: Joseph, Raysee Media/ Model: Sofia Korobova