Floating Island Wirja tal-Arti minn Zong-Ying Chen

Id-disinn Floating Island Wirja tal-Arti minn Zong-Ying Chen huwa rebbieħ stmat ħafna tal-prestiġjuż 2024 Premju A' Design Award tal-Bronż fil-Kategorija tal-Kompetizzjoni ta' Disinn ta' Spazji Interjuri u Wirjiet.

BronżInterjur· 2024

Floating Island Wirja tal-Arti

minn Zong-Ying Chen

Klijent: IW Magazine

Rebbieħ tal-Premju A' Design Award tal-Bronż fil-Kategorija ta' Interjur

14,061

Rebbieħ ta' Premju Ivverifikat

Ivverifika l-Istatus tal-Premju għal #158573

Ara fuq A' Design Award Stqarrija għall-Istampa Badge tal-Premju

Kuluri

Id-Disinn

Dwar Floating Island Wirja tal-Arti

Gżira Mgħaddsa hija wirja tal-arti li saret f'post dejjaq ta' 190 metru kwadru. Erbgħin qoxra doppja, magħżula minn 153 ħarġa ta' rivisti, huma stampati fuq pannelli akriliċi trasparenti u mdendla minn installazzjoni ta' 9 metri mqiegħda fiċ-ċentru. L-installazzjoni taqsam l-ispazju f'żewġ żoni trijangolari mhux ugwali u tippermetti postijiet bil-qiegħda bil-forma ta' feles għal-lekċers. Peress li l-bini huwa sit storiku, kolonni tat-truss tal-aluminju jġorru l-pannelli mingħajr ma jmissu l-istruttura. It-trussijiet jistgħu jerġgħu jintużaw, u b'hekk jitnaqqas l-iskart. Jintwerew ukoll marki magħżula ta' għamara u dawl.

Ir-Rikonoxximent

Dwar il-Premju A' Design Award tal-Bronż

Floating Island Wirja tal-Arti huwa rebbieħ tal-Premju A' Design Award tal-Bronż, rikonoxximent prestiġjuż ħafna mogħti lil disinji eċċellenti ddistingwuti mill-kreattività, l-ingenwità u l-għaqal. Ir-rebbieħa tal-Bronż huma xogħlijiet bi ħila biżżejjed u kreattivi b'mod impressjonanti li jawtentikaw l-esperjenza vasta, l-immaġinazzjoni u l-ħila ta' riżorsi tad-disinjaturi tagħhom. Huwa mistenni li Floating Island Wirja tal-Arti ikun oġġett imqabbar ħafna, mammirat u maħbub, notevolment professjonali u innovattiv. Dan id-disinn rebbieħ tal-Bronż jinkorporaw l-aħjar prattiki fl-arti, ix-xjenza, id-disinn u t-teknoloġija u huwa eċċellenti fl-attenzjoni għad-dettalji. Floating Island Wirja tal-Arti jissodisfa l-ħtiġijiet b'mod eċċellenti, imiss ix-xewqat, jinċanta s-sentimenti u jattira l-kurżità.

Wara d-Disinn

Kit għall-Istampa

Krediti, membri tat-tim u dettalji tekniċi pprovduti mid-disinjatur.

Proprjetajiet Uniċi: Double Covers Installation: Utilizing the limited space scale to develop endless aesthetic depth. Centered on our characteristic double covers collection, the preliminary issues, by the time sequence, are exhibited to the public for the first time.
Brand Showcase Island: Select Scandinavian and Italian design brands that have had a profound impact on the history of furniture design.
Aesthetic Special Lecture: Returning to the essence of media, the exhibition invites Taiwan's renowned architectural scholars and photographers to share with readers the aesthetic experience of life.
Dimensjonijiet u Ippakkjar: The Venue is only 190 square meters with a long and narrow layout. The team expected to create a comfortable and interesting traffic flow and, thus, located the 9-meter magazine cover installation in the center, which not only breaks the original rigid space planning but makes it extra two unequal triangular areas that with full of scale tension. Firstly, it gives a strong visual and a deep sense of spatial form; secondly, the lecture seats can be unfolded in a fan-shaped, making the event a small theater, and also shortening the distance between the speaker and the audience.
Tikketti: IW Magazine, Exhibition, Art Exhibition, PP Mobler, Gufram, Memphis Milano, Flos, Smeg, Space Design Magazine.
Teknoloġija tal-Produzzjoni: In this exhibition, we focus on how to make the main visual cover installation as an emotional communication with readers, instead of just a backdrop. 40 double-covers selected from 153 issues were presented at the exhibition, adopting the form of transparent acrylic plate for output, in a penetrating and lightweight manner, along with a chronology of twenty-five years of important events, let it could be unrestricted in the 190-square-meter site, let the viewers as immersive in a quality magazine.
Sfida tad-Disinn: The exhibition building is a municipal historic site, thus all structures must be connected with external objects and not touch the building itself. To this end, the IW team chose 'aluminum square columns' (truss structures) that are commonly used in music concerts as the main structure of the double-cover installation. The 9-meter device uses 4 trusses in total, which are connected in series with flat irons. Its Thick and solid characteristics make the 80 acrylic panels hanging below extremely safe. It not only solves the load-bearing problem but is also reusable, which will not cause waste.
Riċerka: The entire exhibition not only showcases our magazine's historical highlights with internationally famous brands, PP Mobler, Gufram, Memphis Milano, Flos, and Smeg but also invites two well-known representative cultural figures to share their professional views through lectures. In summary, by taking 'life' as the fulcrum, 'aesthetics' as the focus, and 'perseverance' to express the opinion, the IW team wishes to evoke a clash of readers' points of view during this unprejudiced reading experience and also injects new thoughts into a cluster of buildings of historical value.
Ispirazzjoni: 1997, IW Magazine was launched. As a bi-monthly magazine that reports on the aesthetics of living space and design trends, we have been thinking about exploring the essence of the publication and giving it an interpretation. In every meticulously crafted story, we expand the narrative by synthesizing the view and discovering depth through the details. This is the first special exhibition of IW Magazine's 25th anniversary, the team expects to express the value of the pass-years knowledge through the curation.
Tul tal-Proġett: The project finished in November 2023 in Taiwan.
Fluss tal-Operazzjoni: Just like the initial mission of IW magazine, 'reports on the aesthetics of living space and design trends', we wish to contribute to the improvement of national aesthetics and implement as Rodin, the French sculptor, said: 'Beauty is everywhere. It is not that she is lacking to our eye, but our eyes which fail to perceive her.' As an independent media, we wish to through our modest power, provide the public another stage and perspective for appreciating beauty.
Membri tat-Tim: IW Magazine
Krediti tal-Immaġni: Zong-Ying Chen