Fountain Of Life Installazzjoni ta' Arti Pubblika minn Derya Geylani Vurusan

Id-disinn Fountain Of Life Installazzjoni ta' Arti Pubblika minn Derya Geylani Vurusan huwa rebbieħ stmat ħafna tal-prestiġjuż 2025 Premju A' Design Award tal-Fidda fil-Kategorija tal-Kompetizzjoni ta' Disinn tal-Arti Fini u Installazzjonijiet Artistiċi.

FiddaArti Fini· 2025

Fountain Of Life Installazzjoni ta' Arti Pubblika

minn Derya Geylani Vurusan

Rebbieħ tal-Premju A' Design Award tal-Fidda fil-Kategorija ta' Arti Fini

78,385

Rebbieħ ta' Premju Ivverifikat

Ivverifika l-Istatus tal-Premju għal #170478

Żur is-Sit Ara fuq A' Design Award Stqarrija għall-Istampa Badge tal-Premju

Kuluri

Id-Disinn

Dwar Fountain Of Life Installazzjoni ta' Arti Pubblika

Fountain of Life hija opra tal-arti pubblika fuq skala kbira installata f'ristorant fl-Ajruport ta' Istanbul. L-iskultura tgħaqqad funtana tal-ġebla travertina minquxa bl-idejn ma' titjiriet ta' ilma tal-ħġieġ skolpiti bl-idejn. Il-funtana tal-ġebel tirreferi għall-passat, filwaqt li t-titjiriet tal-ħġieġ, iffurmati biex jidhru qishom telgħin mill-funtana, jesprimu l-mument preżenti. Il-funtana tal-ġebel għandha għoli ta' 3000 mm, u l-forom tal-ħġieġ ivarjaw minn 400 mm sa 1000 mm fl-għoli. Il-ġebel illustrat u l-ħġieġ semi-trasparenti jinbidlu fid-dehra tagħhom hekk kif id-dawl jiċċaqlaq fuq l-uċuħ.

Ir-Rikonoxximent

Dwar il-Premju A' Design Award tal-Fidda

Fountain Of Life Installazzjoni ta' Arti Pubblika huwa rebbieħ tal-Premju A' Design Award tal-Fidda, rikonoxximent prestiġjuż straordinarjament mogħti lil disinji tal-ogħla livell, sbieħ u impressjonanti. Ir-rebbieħa tal-Fidda huma xogħlijiet brillanti ħafna u kreattivi ħafna li juru l-għarfien espert, it-talent u l-aċċuratezza tad-disinjaturi tagħhom. Huwa mistenni li Fountain Of Life Installazzjoni ta' Arti Pubblika ikun xogħol mill-isbaħ, eżemplari, professjonali ħafna u innovattiv bil-fond. Dan id-disinn rebbieħ tal-Fidda huwa invenzjoni notevoli u mammirata li tikkontribwixxi biex jitwessgħu l-fruntieri tal-arti, ix-xjenza, id-disinn u t-teknoloġija. Fountain Of Life Installazzjoni ta' Arti Pubblika huwa ħolqien li ħafna jinvidjawh, li jqajjem ix-xewqat, iġib sentimenti pożittivi u joħloq tgħaġġib u mistagħġib.

Wara d-Disinn

Kit għall-Istampa

Krediti, membri tat-tim u dettalji tekniċi pprovduti mid-disinjatur.

Proprjetajiet Uniċi: This is a sculptural piece in Istanbul Airport Kaimakk Restaurant that combines traditional travertine stone with large-scale glass splashes, representing the concept of time. The stone fountain symbolizes the past, while the glass splashes, shaped to appear as if they’re emerging from the fountain, capture the present moment. This design is unique due to its integration of materials and its symbolic representation of time, blending technics with a narrative that reflects both history and the present in a dynamic form.
Dimensjonijiet u Ippakkjar: Material: Traditional travertine stone (fountain base) and hand-sculpted glass (splashes).
Dimensions:
Fountain: Height 3000mm, Width 1800mm, Depth 1800 mm
Glass splashes: Varying heights from 400 mm to 1000 mm

Production Method: Hand-carved travertine stone combined with hot glassblowing techniques.
Finish: Polished stone surface, semi-transparent glass finish.
Packaging: Custom-made wooden crate with protective padding for safe transport.
Tikketti: glass, contemporary glass, glass art
Teknoloġija tal-Produzzjoni: The piece was created by combining traditional materials with modern glassblowing techniques. The fountain was sculpted from travertine stone, chosen for its historical significance and texture. The glass splashes were shaped using advanced hot glass sculpting techniques, requiring precise control of temperature and pressure to achieve the desired fluid, dynamic effect. The challenge was integrating these materials in a way that highlighted their contrasting properties while conveying the passage of time through form and texture.
Sfida tad-Disinn: The hardest part of the installation was merging two contrasting materials—traditional travertine stone and dynamic glass—into a cohesive design. Overcoming technical obstacles, such as controlling the shape and flow of the glass while maintaining the integrity of the stone, was crucial. Additionally, the limited production possibilities for large-scale glass sculptures and the need for precision posed significant challenges in execution.
Riċerka: The research behind The installation is conceptual and experimental, focusing on the symbolic representation of time through material choice and form. The objective was to explore how contrasting materials like travertine stone and glass can embody past and present. Insights showed that combining history with dynamic forms creates a powerful narrative. The research impacts design by blending heritage and innovation, influencing both art and architecture in the creation of immersive, meaningful spaces.
Ispirazzjoni: The inspiration for the installation stems from my ongoing exploration of time in my Moment series. The project reflects the interplay between the past, present, and future. Traditional travertine stone, representing history, contrasts with the dynamic glass splashes, which symbolize the present moment frozen in time. Technically, the challenge of merging such contrasting materials to convey temporal concepts drove the design, aiming to create a timeless yet dynamic narrative.
Tul tal-Proġett: The project started in May 2023 and finished in August 2023. The project located in Istanbul Airport, departure departmant, Kaimakk Restaurant.
Fluss tal-Operazzjoni: The project is a static installation, allowing viewers to interact visually. The object doesn’t operate in a traditional sense but transforms through its aesthetic impact. The interaction occurs as light shifts across the glass splashes and stone, creating varying reflections. Key moments happen as viewers observe the contrast between the solid, timeless stone and the dynamic, fluid glass. The piece’s strength lies in its ability to evoke emotions and thoughts about time, inviting viewers to reflect on the past and present.
Krediti tal-Immaġni: Photo Credits: Sibel Ekenoglu