Changes Cycles and Shapes Arti Diġitali minn Yuko Suzuki

Id-disinn Changes Cycles and Shapes Arti Diġitali minn Yuko Suzuki huwa rebbieħ stmat ħafna tal-prestiġjuż 2025 Premju A' Design Award tad-Deheb fil-Kategorija tal-Kompetizzjoni ta' Disinn Ġenerattiv, Algoritmiku, Parametriku u Assistit mill-AI.

DehebĠenerattiv· 2025

Changes Cycles and Shapes Arti Diġitali

minn Yuko Suzuki

Klijent: Feral File

Rebbieħ tal-Premju A' Design Award tad-Deheb fil-Kategorija ta' Ġenerattiv

210,079

Rebbieħ ta' Premju Ivverifikat

Ivverifika l-Istatus tal-Premju għal #170864

Żur is-Sit Ara fuq A' Design Award Stqarrija għall-Istampa Badge tal-Premju

Kuluri

Id-Disinn

Dwar Changes Cycles and Shapes Arti Diġitali

Dan ix-xogħol jesplora l-mistoqsija, X'inhi pittura? billi jesprimu ċ-ċirkolazzjoni ta' espressjonijiet viżwali. Ispirat minn tranżizzjonijiet fil-pitturi ta' Mondrian, huwa bbażat fuq dijagramma tal-komponenti tal-pittura, fejn il-forma timxi bejn figurattiv u astratt, u bejn storbju u linearità - idea applikata għall-kulur. Ix-xogħol jevoka l-istat li qed jinbidel tal-materjaliżmu diġitali, u jenfasizza li l-forom bejn il-bidliet huma l-essenza. Billi jinkorpora tessturi stampati b'baren, dan jirrifletti l-identità tal-artist bħala stampatur f'forma diġitali.

Ir-Rikonoxximent

Dwar il-Premju A' Design Award tad-Deheb

Changes Cycles and Shapes Arti Diġitali huwa rebbieħ tal-Premju A' Design Award tad-Deheb, rikonoxximent prestiġjuż ħafna mogħti lil disinji tal-ewwel klassi, mill-isbaħ u eċċellenti. Ir-rebbieħa tad-Deheb huma ħolqien innovattiv ħafna, b'viżjoni u li jleqqu b'mod li jgħammex, li jirriflettu t-talent, l-għerf u l-ħila tad-disinjaturi tagħhom. Huwa mistenni li Changes Cycles and Shapes Arti Diġitali ikun invenzjoni mfaħħra ħafna, li tistabbilixxi x-xejriet u monumentali li tagħti valur bla preċedent. Dan id-disinn rebbieħ tad-Deheb huwa proġett spettakolari u rispettat li jwessa' l-fruntieri tal-arti, ix-xjenza, id-disinn u t-teknoloġija. Changes Cycles and Shapes Arti Diġitali joħloq xewqa qawwija, iqajjem il-passjoni, iħeġġeġ il-kreattività u jisħer lilna.

Wara d-Disinn

Kit għall-Istampa

Krediti, membri tat-tim u dettalji tekniċi pprovduti mid-disinjatur.

Proprjetajiet Uniċi: Based on the question, What is painting?, this work expresses the circulation of multiple visual expressions, evoking the shifting state of digital materiality, oscillating between the concrete and the abstract. In it, it also expresses the idea that forms in between changes are the essence, and we live in a moment in change.
Furthermore, by incorporating textures printed with a baren, the artist's identity as a printmaker is incorporated in a digital form.
Dimensjonijiet u Ippakkjar: 1920×1080 px / 3840×2160 px, 25 seconds, 65 works
Tikketti: Generative Art, Coding
Teknoloġija tal-Produzzjoni: This work was created entirely in a programming language called Processing.
It is made up of animations that change from one shape to the next.
Sfida tad-Disinn: The theme of the exhibition was the inheritance of the experimental aesthetics of Hiroshi Kawano, a pioneer of Japanese computer art, so I researched Hiroshi Kawano and the history of past computer art.
I had repeated conversations with this great artist of the past to find out how to connect Kawano's work with my own experiments, and it took me a long time to dig deep into my theme and digest it.
Riċerka: This design study aims to explore how print textures can be incorporated into paintings. The researcher delved into the historical background of Hiroshi Kawano and Mondrian to explore how their style and techniques can be reflected in his own work. In terms of methodology, he took an experimental approach and researched the archives of past painters to evolve the expression of his work by combining different materials and textures.
As a result, the work is a reflection of the history of painting, and the influences of Hiroshi Kawano and Mondrian are beautifully integrated. This study proposed a new way of expression that goes beyond the boundaries of print and painting, and offered a new perspective on contemporary art. In terms of business, it made us reconsider the commercial value of art and its potential as design, and in terms of society, it allowed us to delve deeper into the historical and cultural meaning of art.
Ispirazzjoni: In painting, shape has an axis of figurative - abstract and an axis of noise - linear, while color also has an axis of noise - linear. Based on the component diagram of painting constructed from this idea, I developed a means of cycling through multiple visual idioms at once, with the work expressing the cycle itself. This work was also inspired by the transitions in Mondrian's paintings.
Tul tal-Proġett: This work was exhibited at Patterns of Flow held at NEORT++ in Tokyo from September 24th to October 6th, 2024.
This exhibition was a collaboration with Right Click Save and Massage Magazine, and the works were sold on Feral File, an NFT platform.
Fluss tal-Operazzjoni: In this animation, objects transform over time, oscillating between figurative and abstract, noise and linear. Designed to create a continuous flow of visual changes, the animation's timing and speed are adjusted to create a visually pleasing rhythm. By silently observing these changes, viewers can relate to their own lives and experiences, evoking deep empathy and emotional responses.
Krediti tal-Immaġni: Image #3: NEORT++, Changes, Cycles, and Shapes in Between, 2024.