Clay Moulded Disinn ta' Intern ta' Teatru minn Marius Mateika

Id-disinn Clay Moulded Disinn ta' Intern ta' Teatru minn Marius Mateika huwa rebbieħ stmat ħafna tal-prestiġjuż 2025 Premju A' Design Award tad-Deheb fil-Kategorija tal-Kompetizzjoni ta' Disinn ta' Spazji Interjuri u Wirjiet.

DehebInterjur· 2025

Clay Moulded Disinn ta' Intern ta' Teatru

minn Marius Mateika

Klijent: Mama architects

Rebbieħ tal-Premju A' Design Award tad-Deheb fil-Kategorija ta' Interjur

68,756

Rebbieħ ta' Premju Ivverifikat

Ivverifika l-Istatus tal-Premju għal #171457

Żur is-Sit Ara fuq A' Design Award Stqarrija għall-Istampa Badge tal-Premju

Kuluri

Id-Disinn

Dwar Clay Moulded Disinn ta' Intern ta' Teatru

Clay Moulded huwa d-disinn ta' intern ta' teatru mużikali fi Klaipeda, il-Litwanja. It-tafal jiksi l-ħitan u s-soqfa, u aktar minn 30 tunnellata tal-materjal ġew applikati bl-idejn. Il-motif tas-sala prinċipali huwa kontinwu u jimtedd minn tarf tal-ispazju sal-ieħor. Għall-proġett ġie żviluppat proċess ta' kisi f'seba' stadji, li jinkludi l-isprejjar, il-formazzjoni tal-motif, it-tnixxif, l-għorik, l-igglejżjar u l-konservazzjoni. Il-ħitan u s-soqfa jistgħu jinfetħu u jingħalqu biex jikkontrollaw ir-riflessjonijiet tal-ħoss, b'hekk l-ispazju jadatta ruħu għal kunċerti, drammi u laqgħat. L-awditorju joqgħod fih 700 persuna.

Ir-Rikonoxximent

Dwar il-Premju A' Design Award tad-Deheb

Clay Moulded Disinn ta' Intern ta' Teatru huwa rebbieħ tal-Premju A' Design Award tad-Deheb, rikonoxximent prestiġjuż ħafna mogħti lil disinji tal-ewwel klassi, mill-isbaħ u eċċellenti. Ir-rebbieħa tad-Deheb huma ħolqien innovattiv ħafna, b'viżjoni u li jleqqu b'mod li jgħammex, li jirriflettu t-talent, l-għerf u l-ħila tad-disinjaturi tagħhom. Huwa mistenni li Clay Moulded Disinn ta' Intern ta' Teatru ikun invenzjoni mfaħħra ħafna, li tistabbilixxi x-xejriet u monumentali li tagħti valur bla preċedent. Dan id-disinn rebbieħ tad-Deheb huwa proġett spettakolari u rispettat li jwessa' l-fruntieri tal-arti, ix-xjenza, id-disinn u t-teknoloġija. Clay Moulded Disinn ta' Intern ta' Teatru joħloq xewqa qawwija, iqajjem il-passjoni, iħeġġeġ il-kreattività u jisħer lilna.

Wara d-Disinn

Kit għall-Istampa

Krediti, membri tat-tim u dettalji tekniċi pprovduti mid-disinjatur.

Proprjetajiet Uniċi: For the interior décor, we chose an archaic material - clay. It is probably the largest interior in the world made of natural clay. The pattern and technology of the hall is unique and continuous throughout the space, created by one artist Mantas Petravičius. All planes are in motion. They open and close (as you can see in photo 3) depending on the nature of the concert and the acoustics required. And that's what makes this space even more unique.
Dimensjonijiet u Ippakkjar: The whole theater is 10 000m2 size. The auditorium has seating capacity of 700 people. We used over 30 tonnes of clay for wall decor.
Tikketti: Klaipėdos muzikinis teatras, Klaipėda state musical theatre, MAMA architects
Teknoloġija tal-Produzzjoni: We used over 30 tonnes of clay for the walls and ceilings of the entire interior. This work took nine months to complete using unique tools created exclusively for this work and was carried out by the hands. The clay coating process is also unique, developed exclusively for this theatre.The process itself consists of 7 stages (clay spraying, patterning, drying, scrubbing, re-spraying, glazing, conservation). It takes about 3 weeks to complete all the steps. The whole process was implemented on the construction site.
Sfida tad-Disinn: The decor of the main hall is a continuous pattern starting at one end of the hall and ending at the other. Meanwhile, the process required major interruptions and took 9 months. The hardest part was to bring everything together into a coherent picture. The rest of the public spaces (lobbies, passages, staircases) are also made of clay. Here, the pattern is different, but also handmade.
Riċerka: Clay was used for wall and ceiling decor.
The whole process was done by hand in stages:
1.) First, the clay is sprayed, then swiped with special tools made just for this object to form waves.
2.) Waiting for everything to dry. Then the sharp corners are scrubbed.
3.) Repeat the spraying with a thinner layer. After spraying, the clay shall be brushed to distribute the clay evenly and to form a soft surface.
4.) Wait for everything to dry.
5.) Everything is impregnated and preserved.
Ispirazzjoni: The city of Klaipėda, where the theatre is located, is by the sea. We were inspired by the sandy coastline of the sea and the shores shaped by the waves. Klaipėda is an old city dominated by red clay brick buildings. For us, the sea and the clay became the basis for the idea. As this is a theatre, clay seemed to us to be the right material to create a dramatic mood.
Tul tal-Proġett: The project lasted 5 years. The clay decoration alone took 9 months. The theatre is realized in Klaipeda, Lithuania.
Fluss tal-Operazzjoni: This theatre has transformable walls and ceilings.
They open up. This controls sound reflections. The space adapts to the event. (Depending on whether it's a concert, a play, an meeting event).
Membri tat-Tim: Architects: Marius Mateika
Krediti tal-Immaġni: Photographer: Leonas Garbačauskas