Cadence of the Spiral Funzjoni Primarja: Installazzjoni Kinetika minn Yusuke Kamiyama

Id-disinn Cadence of the Spiral Funzjoni Primarja: Installazzjoni Kinetika minn Yusuke Kamiyama huwa rebbieħ stmat ħafna tal-prestiġjuż 2026 Premju A' Design Award tal-Fidda fil-Kategorija tal-Kompetizzjoni ta' Disinn tal-Arti Fini u Installazzjonijiet Artistiċi.

FiddaArti Fini· 2026

Cadence of the Spiral Funzjoni Primarja: Installazzjoni Kinetika

minn Yusuke Kamiyama

Klijent: Spline Design Hub Inc.

Rebbieħ tal-Premju A' Design Award tal-Fidda fil-Kategorija ta' Arti Fini

20,405

Rebbieħ ta' Premju Ivverifikat

Ivverifika l-Istatus tal-Premju għal #182460

Żur is-Sit Ara fuq A' Design Award Stqarrija għall-Istampa Badge tal-Premju

Kuluri

Id-Disinn

Dwar Cadence of the Spiral Funzjoni Primarja: Installazzjoni Kinetika

Test tal-Ktieb: Cadence of the Spiral jesplora ż-żmien bħala xi ħaġa elastika, relazzjonali u ħajja. Strixxa ta' azzar tal-molla inossidabbli tingħata forma li dejjem tevolvi minn tletin driegħ mekkaniku. Id-dirgħajn jiċċaqilqu f'ritmi sottili u mbiddla fil-fażi. Hekk kif l-ispirali tieħu n-nifs, titgħawweġ u terġa' torganizza ruħha, l-ebda żewġ mumenti ma huma qatt l-istess. Ix-xogħol huwa ispirat mill-molla prinċipali ta' arloġġ mekkaniku. Jinterpreta mill-ġdid il-metall imkebbeb bħala reċipjent ta' enerġija maħżuna u fluss temporali. Il-moviment ma jiġix ripetut. Minflok, il-bidla tiġi rivelata permezz ta' varjazzjoni kkontrollata. Iż-żmien mhux imkejjel, iżda mħoss.

Ir-Rikonoxximent

Dwar il-Premju A' Design Award tal-Fidda

Cadence of the Spiral Funzjoni Primarja: Installazzjoni Kinetika huwa rebbieħ tal-Premju A' Design Award tal-Fidda, rikonoxximent prestiġjuż straordinarjament mogħti lil disinji tal-ogħla livell, sbieħ u impressjonanti. Ir-rebbieħa tal-Fidda huma xogħlijiet brillanti ħafna u kreattivi ħafna li juru l-għarfien espert, it-talent u l-aċċuratezza tad-disinjaturi tagħhom. Huwa mistenni li Cadence of the Spiral Funzjoni Primarja: Installazzjoni Kinetika ikun xogħol mill-isbaħ, eżemplari, professjonali ħafna u innovattiv bil-fond. Dan id-disinn rebbieħ tal-Fidda huwa invenzjoni notevoli u mammirata li tikkontribwixxi biex jitwessgħu l-fruntieri tal-arti, ix-xjenza, id-disinn u t-teknoloġija. Cadence of the Spiral Funzjoni Primarja: Installazzjoni Kinetika huwa ħolqien li ħafna jinvidjawh, li jqajjem ix-xewqat, iġib sentimenti pożittivi u joħloq tgħaġġib u mistagħġib.

Wara d-Disinn

Kit għall-Istampa

Krediti, membri tat-tim u dettalji tekniċi pprovduti mid-disinjatur.

Proprjetajiet Uniċi: A long stainless-steel spiral is dynamically deformed by independently actuated arms, generating continuous reorganization through tension and release. Unlike static sculpture, the form never settles; it is constantly restructured into shifting orders. The spiral functions as a physical model of time—elastic, unstable, and relational. Controlled irregularity replaces mechanical uniformity, allowing viewers to perceive time not as measurement, but as a living and evolving order.
Dimensjonijiet u Ippakkjar: Material: Blast-finished stainless spring steel (0.3 mm thickness, 80 mm width)
Spiral pitch: 100 mm
Number of turns: 10
Control: PC-based control system
Installation footprint: Approx. 2000 mm × 2000 mm × 2000 mm
Power: AC 100–240 V
Tikketti: Kinetic art, Spiral structure, Time perception, Mechanical rhythm, Parametric design, Stainless steel sculpture, Dynamic installation, Temporal form
Teknoloġija tal-Produzzjoni: A custom-fabricated stainless-steel spiral plate forms the core structure, paired with a bespoke linear actuation system developed for this work. Most mechanical components—including joints, mounts, and structural interfaces—were custom-designed to enable precise distributed deformation. Motion is coordinated through a PC-based control architecture enabling synchronized, phase-shifted oscillations. Parametric modeling and simulation optimized stress distribution and torsional balance.
Sfida tad-Disinn: The primary challenge was balancing structural stability with expressive flexibility. The spiral required sufficient rigidity to maintain form, yet enough elasticity to allow dynamic deformation. Managing distributed mechanical stress while achieving organic motion demanded extensive iteration. Technological constraints of synchronized actuation and material fatigue also required innovative solutions to preserve both safety and poetic integrity.
Riċerka: This practice-based design research explores time as a spatial and kinetic phenomenon. Through iterative prototyping combining mechanical engineering and artistic experimentation, parametric modeling, structural simulation, and motion analysis were employed. Audience observation during exhibitions informed the study. The research identified perceptual shifts generated by micro-irregular motion, demonstrating how controlled instability enhances emotional engagement and contributes to contemporary kinetic art and experiential design.
Ispirazzjoni: Inspired by the mainspring of a mechanical watch, Cadence of the Spiral reconsiders the spiral beyond its functional role. The tightly wound strip of metal appeared as a vessel containing latent energy and rhythm of time itself. When gently lifted, it responded with subtle motion, as if about to begin a heartbeat. The spiral thus emerged not as an object, but as a physical manifestation of invisible time—an embodiment of tension and release within temporal experience.
Tul tal-Proġett: The project began in Tokyo in March 2025 and was completed in November 2025. Prototyping and structural validation were conducted in Tokyo. Developed in collaboration with Seiko Watch Corporation to explore the cultural and mechanical heritage of horology, the work was exhibited in Japan and is currently being prepared for international presentation.
Fluss tal-Operazzjoni: The spiral slowly shifts between tension and release. As the supporting arms extend and retract, the form breathes, twists, and reorganizes itself. There is no fixed choreography; instead, subtle variations create moments of alignment and misalignment. Viewers experience a continuous transformation—sometimes synchronized, sometimes slightly off—evoking the sensation of time that never fully repeats yet always returns.
Privattivi: Copyrights belong to Spline Design Hub Inc., 2025.
Membri tat-Tim: Yusuke Kamiyama
Shin Sakamoto
Kaku Murayama
Fumiya Nakano
Krediti tal-Immaġni: IMAGE CREDITS: Daisuke Ohki