Longmen Realm Disinn ta' Wirja by Ecust Creplus Design

Longmen Realm Disinn ta' Wirja by Ecust Creplus Design is a highly esteemed winner of the very prestigious 2026 Premju A' Design Award tal-Bronż in Disinn ta' Spazji Interjuri u Wirjiet Competition Category.

BronżInterjur· 2026

Longmen Realm Disinn ta' Wirja

by Ecust Creplus Design

Client: Lingshan Museum

Premju A' Design Award tal-Bronż Winner in Interjur Category

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Verified Award Winner

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View at A' Design Award Press Release Award Badge

Colors

The Design

About Longmen Realm Disinn ta' Wirja

Il-wirja Longmen Realm tippreżenta 76 artefatt mill-Grotti ta' Longmen, inklużi skulturi Buddisti, riljievi tal-ġebel, u riproduzzjonijiet kalligrafiċi. Id-disinn jirrikonfigura l-ispazju tal-mużew permezz tal-organizzazzjoni spazjali, elementi ta' installazzjoni, u dawl biex jappoġġja viżjoni u interpretazzjoni ċara. Bandalori mdendlin, art riflettiva, u dawl integrat joħolqu ambjent viżiv strutturat. Elementi interattivi jinkoraġġixxu l-involviment tal-viżitaturi u l-fotografija, u jtejbu l-aċċess pubbliku għall-wirt kulturali.

The Recognition

About the Premju A' Design Award tal-Bronż

Longmen Realm Disinn ta' Wirja huwa rebbieħ tal-Premju A' Design Award tal-Bronż, rikonoxximent prestiġjuż ħafna mogħti lil disinji eċċellenti ddistingwuti mill-kreattività, l-ingenwità u l-għaqal. Ir-rebbieħa tal-Bronż huma xogħlijiet bi ħila biżżejjed u kreattivi b'mod impressjonanti li jawtentikaw l-esperjenza vasta, l-immaġinazzjoni u l-ħila ta' riżorsi tad-disinjaturi tagħhom. Huwa mistenni li Longmen Realm Disinn ta' Wirja ikun oġġett imqabbar ħafna, mammirat u maħbub, notevolment professjonali u innovattiv. Dan id-disinn rebbieħ tal-Bronż jinkorporaw l-aħjar prattiki fl-arti, ix-xjenza, id-disinn u t-teknoloġija u huwa eċċellenti fl-attenzjoni għad-dettalji. Longmen Realm Disinn ta' Wirja jissodisfa l-ħtiġijiet b'mod eċċellenti, imiss ix-xewqat, jinċanta s-sentimenti u jattira l-kurżità.

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties: The exhibition presents 76 artifacts from the Longmen Grottoes, including sculptures, reliefs, and calligraphic rubbings. Through spatial design, scenography, and lighting, the project adapts the museum gallery to improve how visitors view and understand the works. By combining historical artifacts with installation design, the exhibition supports cultural interpretation and public awareness of heritage. Within 45 days of opening, the exhibition recorded over 450000 visitors.
Dimensions & Packaging: Total exhibition area: 2000 m². The exhibition includes suspended textile banners, sculptural installations, mirror-finished flooring, and lighting systems integrated with the octagonal ceiling structure to enhance spatial depth and visual layering.
Tags: Longmen Grottoes, Exhibition Design, Installation, Museum Space
Production Technology: The exhibition integrates spatial design, installation structures, textile banners, reflective flooring, and programmable lighting systems. Fabric structures are used to suspend large scale imagery, while mirror-finished flooring enhances spatial reflection. Installations derived from calligraphic brushstrokes translate traditional visual elements into contemporary spatial forms.
Design Challenge: The main challenge was presenting ancient sculptures shaped by long-term historical processes in a contemporary exhibition format while maintaining their cultural context. The design introduced large suspended banners, reflective flooring, and a central lotus structure to organize the space. In the calligraphy section, brushstroke forms were transformed into installations, creating a relationship between traditional artifacts and spatial design.
Research: The project is based on research into the sculptural forms of the Longmen Grottoes and the spatial characteristics of the museum gallery. The study analyzed proportions, carving styles, and calligraphic inscriptions to identify visual elements adaptable to exhibition design. These findings informed artifact placement, installation structures, and lighting strategies, enabling the exhibition to balance historical authenticity with immersive contemporary presentation.
Inspiration: The exhibition draws inspiration from the artistic language of the Longmen Grottoes, including Buddhist sculpture, stone reliefs, decorative patterns, and calligraphy from the Northern Wei period. Through research into these elements, the design reinterprets traditional aesthetics using a contemporary spatial and visual approach.
Project Duration: The project design began in February 2025 in Shanghai, China, and the exhibition opened in July 2025 at Lingshan Scenic Area, Wuxi, China.
Operation Flow: Visitors move through a spatial narrative that transitions from historical interpretation to immersive experience. Sculptures and calligraphic artifacts are arranged around large-scale installations that guide circulation and visual focus. Suspended Buddha banners, reflective flooring, and dynamic lighting create layered perspectives as visitors move through the space. A central lotus seat invites visitors to pause, interact, and photograph, transforming the exhibition into both a contemplative and participatory cultural experience.
Team Members: Chief Project Planner: Weiping QIN
Deputy Project Planner: Yidong FAN
Creative Director: Hao Shan
Art Director：Yueqi DING
Graphic Designer: Haoming XIAN, Jingning ZHANG, Yizhou Hua, Shuyi TANG, Zhonghang LI
Image Credits: Photo Credits: ECUST Creplus Design，Wuxi Lingshan Cultural Tourism Group
Video Credits: Wuxi Lingshan Cultural Tourism Group