Id-disinn Boku Intern ta' Ristorant u Bar minn Takahiro Todoroki huwa rebbieħ stmat ħafna tal-prestiġjuż 2026 Premju A' Design Award tal-Fidda fil-Kategorija tal-Kompetizzjoni ta' Disinn ta' Spazji Interjuri u Wirjiet.
FiddaInterjur· 2026
Boku Intern ta' Ristorant u Bar
minn Takahiro Todoroki
Klijent: Engine,inc
Rebbieħ tal-Premju A' Design Award tal-Fidda fil-Kategorija ta' Interjur
Rebbieħ ta' Premju Ivverifikat
Ivverifika l-Istatus tal-Premju għal #183326Id-Disinn
Dwar Boku Intern ta' Ristorant u Bar
Boku huwa intern ta' ristorant u bar f'Guadalajara, il-Messiku. Id-disinn jgħaqqad il-prinċipji spazjali Ġappuniżi mal-kultura lokali u huwa ispirat mill-ikel tat-triq ta' Osaka, bit-takoyaki bħala t-tema ċentrali. Bank ikkurvat iħeġġeġ l-interazzjoni soċjali, u t-teksturi tal-ħitan iżidu dettall tattili. Dawl tal-bambù imdendel u materjali naturali joħolqu atmosfera organika. Mezzanin jagħmel użu mis-saqaf għoli u jżid varjetà funzjonali. Il-post iservi l-ikel matul il-jum u jsir bar u spazju għall-avvenimenti bil-lejl.
Ir-Rikonoxximent
Dwar il-Premju A' Design Award tal-Fidda
Boku Intern ta' Ristorant u Bar huwa rebbieħ tal-Premju A' Design Award tal-Fidda, rikonoxximent prestiġjuż straordinarjament mogħti lil disinji tal-ogħla livell, sbieħ u impressjonanti. Ir-rebbieħa tal-Fidda huma xogħlijiet brillanti ħafna u kreattivi ħafna li juru l-għarfien espert, it-talent u l-aċċuratezza tad-disinjaturi tagħhom. Huwa mistenni li Boku Intern ta' Ristorant u Bar ikun xogħol mill-isbaħ, eżemplari, professjonali ħafna u innovattiv bil-fond. Dan id-disinn rebbieħ tal-Fidda huwa invenzjoni notevoli u mammirata li tikkontribwixxi biex jitwessgħu l-fruntieri tal-arti, ix-xjenza, id-disinn u t-teknoloġija. Boku Intern ta' Ristorant u Bar huwa ħolqien li ħafna jinvidjawh, li jqajjem ix-xewqat, iġib sentimenti pożittivi u joħloq tgħaġġib u mistagħġib.
Wara d-Disinn
Kit għall-Istampa
Krediti, membri tat-tim u dettalji tekniċi pprovduti mid-disinjatur.
- Proprjetajiet Uniċi
- This project merges Japanese spatial philosophy with the local culture of Mexico, avoiding superficial Japanese style design. Inspired by Osaka street food culture, the space centers on takoyaki and reinterprets the vitality of octopus as a spatial language. A curved counter evokes tentacles, encouraging social interaction, while wall textures recall suction cups. Suspended bamboo lighting and natural materials create an organic atmosphere. A mezzanine utilizes the high ceiling, adding vertical depth and functional diversity.
- Dimensjonijiet u Ippakkjar
- Total area: 128 sqm. Ceiling height: 4500 mm. Structure: steel frame. Materials: bamboo, mortar cement, brick, steel, washi, resin, sumi ink, LED neon. Ceiling: brick finish with clear coating. Floor: pigmented mortar with urethane coating. Walls: brick and painted surfaces with artwork. Lighting: 50 lux ambient, 100 lux table, 2700K. Features include sound system with subwoofer, DJ booth, and integrated lighting installations.
- Tikketti
- Bar, Mexico, Japanese, Restaurant, Takoyaki, Tequila, Bamboo, Sake, Guadarajara,
- Teknoloġija tal-Produzzjoni
- The design process translated traditional Takeakari into a modular ceiling system using parametric modeling and digital fabrication. Bamboo elements were lasercut based on 3D data due to limited local craftsmanship. Detailed drawings were developed to adapt complex geometries to local construction skills. The counter was formed using mortar and cement with curved surfaces requiring precise manual finishing. A mezzanine structure resolves the narrow plan by layering functions vertically. Circulation and visibility were optimized through curved layouts and open kitchen placement.
- Sfida tad-Disinn
- The main challenge was bridging the gap between complex design intent and local construction capabilities. Many contractors declined due to the level of detail, and initial cost estimates exceeded the budget. This was resolved by simplifying construction systems and clearly communicating design logic through detailed drawings. Inconsistent schedules and craftsmanship required multiple adjustments and rework. Maintaining design quality under these constraints demanded continuous on-site coordination and adaptive problem-solving throughout the project.
- Riċerka
- This is an applied spatial design research. The objective was to reinterpret Japanese identity in Mexico without cliches while ensuring functional performance. The methodology combined cultural analysis, spatial planning, material testing, and onsite coordination over 3 months design and 5 months construction. Data were collected through site constraints, user flow studies, and mock ups using drawings, 3D modeling, lighting tests, and material comparisons. Experiments included bamboo lighting and steel hand lights. The result improved user stay time, SNS engagement, and cross cultural business value.
- Ispirazzjoni
- The project was inspired by the fusion of Japanese highball culture and takoyaki, aiming to redefine Japanese identity outside Japan. Instead of stereotypical expressions, it integrates subtle cultural elements such as bamboo lighting, ranma lattice, and sumie art. Influenced by Osaka vibrant street stalls, the design reflects warmth, energy, and informality. Traditional Japanese spatial techniques are reinterpreted through contemporary materials and composition, creating a modern space that quietly embodies the essence of Wa within a global context.
- Tul tal-Proġett
- This project began its design phase in Japan in 2024 and opened in Guadalajara, Mexico, in August 2025.
- Fluss tal-Operazzjoni
- The space operates as a restaurant during the day and transforms into a bar and event venue at night. It supports a wide range of users, from individuals to large groups. The open kitchen creates a lively atmosphere where guests can experience the cooking process. The takoyaki grill is placed near the entrance to attract attention and introduce the cuisine. The curved counter allows natural communication between guests, enhancing social interaction and making the space intuitive and engaging.
- Krediti tal-Immaġni
- Photographer : Katsumi Hirabayashi
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