Maldivian Fishermen Funzjoni Primarja: Vidjo by Aishath Naajila

Maldivian Fishermen Funzjoni Primarja: Vidjo by Aishath Naajila is a highly esteemed winner of the very prestigious 2026 Premju A' Design Award tal-Fidda in Disinn ta' Films, Vidjos u Animazzjoni Competition Category.

FiddaFilm· 2026

Maldivian Fishermen Funzjoni Primarja: Vidjo

by Aishath Naajila

Client: Two Thousand Isles

Premju A' Design Award tal-Fidda Winner in Film Category

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Colors

The Design

About Maldivian Fishermen Funzjoni Primarja: Vidjo

Test tal-Ktieb: Il-film Sajjieda Maldiviani juri s-sajd tradizzjonali tat-tonn bil-lasta u l-ħabel waħdanija fil-Maldivi, metodu sostenibbli li spiss jiġi deskritt bħala l-qalb pulsanti tan-nazzjon gżira. Għal ġenerazzjonijiet sħaħ, it-tonn kien ikel bażiku li jsostni l-ħajja ta' kuljum madwar il-gżejjer. Bl-adozzjoni ta' approċċ ta' storytelling b'viżwali ċinematiċi u disinn tal-ħoss immersiv, il-proġett jaqbad is-sajjieda tas-sengħa jaħdmu f'ritmu kkoordinat abbord Dhoni tradizzjonali, u jġib l-esperjenza fuq palk globali.

The Recognition

About the Premju A' Design Award tal-Fidda

Maldivian Fishermen Funzjoni Primarja: Vidjo huwa rebbieħ tal-Premju A' Design Award tal-Fidda, rikonoxximent prestiġjuż straordinarjament mogħti lil disinji tal-ogħla livell, sbieħ u impressjonanti. Ir-rebbieħa tal-Fidda huma xogħlijiet brillanti ħafna u kreattivi ħafna li juru l-għarfien espert, it-talent u l-aċċuratezza tad-disinjaturi tagħhom. Huwa mistenni li Maldivian Fishermen Funzjoni Primarja: Vidjo ikun xogħol mill-isbaħ, eżemplari, professjonali ħafna u innovattiv bil-fond. Dan id-disinn rebbieħ tal-Fidda huwa invenzjoni notevoli u mammirata li tikkontribwixxi biex jitwessgħu l-fruntieri tal-arti, ix-xjenza, id-disinn u t-teknoloġija. Maldivian Fishermen Funzjoni Primarja: Vidjo huwa ħolqien li ħafna jinvidjawh, li jqajjem ix-xewqat, iġib sentimenti pożittivi u joħloq tgħaġġib u mistagħġib.

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties: This is an independently produced documentary visual project capturing the traditional pole-and-line fishing practice in the Maldives. Created during COVID-19 while in isolation at sea, it combines cinematography, sound design, and immersive storytelling. Its strength lies in its authenticity, produced within real conditions of isolation, offering an intimate, unfiltered portrayal of Maldivian fishermen. The work stands out for its experiential approach, blending heritage, resilience, and cinematic realism.
Dimensions & Packaging: Shot aboard a 100-foot pole-and-line fishing dhoni, the project documents Maldivian fishermen working at sea with precise, coordinated movements resembling a disciplined system. Through aerial perspectives, it captures the ocean’s food chain in motion, sharks, skipjack tuna, and fishermen, framing these moments to reflect the deep connection between this traditional practice and the Maldives’ identity and way of life.
Tags: sustainable, fishing, pole and line, Maldives, tuna, ocean, documentry
Production Technology: Filmed on a Sony A7 III with 35mm, 85mm, and 70–200mm lenses, with aerials via DJI Phantom 4 and underwater footage on a GoPro during freediving, the project was produced independently,covering planning, real-time filming, editing, sound design, and colour grading. An unobtrusive approach allowed fishermen to work naturally, ensuring an authentic, unstaged portrayal without direction.
Design Challenge: The project faced logistical constraints, including limited equipment, a single drone battery requiring precise planning, and long waits for unpredictable moments at sea. The first four days saw no catch due to bait shortages, and underwater footage relied solely on a GoPro. Adapting strategically, key moments were captured to form an authentic narrative of the fishermen’s practice and the ocean’s food chain.
Research: Documentary visual research on sustainable pole-and-line fishing in the Maldives. Field-based observation and immersive filming were conducted over 8 days in March 2020 aboard a local fishing vessel during the COVID-19 period. Data was collected through photography, film, aerial, and underwater footage. Participants included local fishermen. The results highlight ecological balance, resilience, and coordination. The impact emphasizes cultural preservation and awareness of sustainable fishing practices.
Inspiration: Inspired by a lifelong curiosity about fishing in the Maldives, the project evolved through Two Thousand Isles, where travel deepened an interest in storytelling and lived experience. While learning freediving, the filmmaker joined an eight-day trip on a local boat, living at sea, waking before dawn and at midnight, eating the catch, and observing the ocean’s food chain in motion.
Project Duration: Filmed over eight days aboard a fishing vessel in March 2020, during the early stages of COVID-19, the project was later completed with full post-production, editing, sound design, and colour grading, independently carried out later that year.
Operation Flow: Operated on a traditional pole-and-line dhoni, the method relies on coordinated teamwork and timing rather than machinery. Fishermen attract skipjack tuna with live bait, triggering a feeding response where fish are hooked individually. Key moments, bait release, surface frenzy, precise catching, transform ocean activity into a sustainable harvest, reducing bycatch and ensuring quality, rooted in skill, patience, and harmony with marine life.
Patents: All the copyrights belong to Aishath Naajila, 2023.
Image Credits: Videography & Photography: Aishath Naajila