The Birth of a Book Ktieb minn Urszula Giren

Id-disinn The Birth of a Book Ktieb minn Urszula Giren huwa rebbieħ stmat ħafna tal-prestiġjuż 2020 Premju A' Design Award tad-Deheb fil-Kategorija tal-Kompetizzjoni ta' Disinn tal-Istampa u Midja Ppubblikata.

DehebStampa· 2020

The Birth of a Book Ktieb

minn Urszula Giren

Klijent: Urszula Gireń

Rebbieħ tal-Premju A' Design Award tad-Deheb fil-Kategorija ta' Stampa

80,127

Rebbieħ ta' Premju Ivverifikat

Ivverifika l-Istatus tal-Premju għal #97144

Żur is-Sit Ara fuq A' Design Award Stqarrija għall-Istampa Badge tal-Premju

Kuluri

Id-Disinn

Dwar The Birth of a Book Ktieb

It-Twelid ta' Ktieb hija pubblikazzjoni stampata dwar id-disinn tal-kotba fil-Polonja tas-seklu 16. Il-ktieb jippreżenta l-istampati antiki fid-daqs reali tagħhom, sabiex il-qarrejja jkunu jistgħu jaraw il-formati oriġinali. Il-qoxra ta' barra turi l-metodu tal-impożizzjoni użat għall-format antik tal-octavo. Żigarella li sservi bħala sinjal tal-paġni timmarka l-għoli tal-kotba folio, quarto u octavo. L-inċiżjonijiet fuq l-injam fuq il-paġni tat-titlu huma stampati b'inverżjoni tal-kulur, li tfakkar fil-matriċi miksija bil-linka sewda. Il-format huwa ta' 256 b'320 millimetru, b'560 paġna u madwar 1200 illustrazzjoni. L-għan huwa li jiġu spjegati l-metodi tal-istampar tar-Rinaxximent lil qarrejja wiesgħa.

Ir-Rikonoxximent

Dwar il-Premju A' Design Award tad-Deheb

The Birth of a Book Ktieb huwa rebbieħ tal-Premju A' Design Award tad-Deheb, rikonoxximent prestiġjuż ħafna mogħti lil disinji tal-ewwel klassi, mill-isbaħ u eċċellenti. Ir-rebbieħa tad-Deheb huma ħolqien innovattiv ħafna, b'viżjoni u li jleqqu b'mod li jgħammex, li jirriflettu t-talent, l-għerf u l-ħila tad-disinjaturi tagħhom. Huwa mistenni li The Birth of a Book Ktieb ikun invenzjoni mfaħħra ħafna, li tistabbilixxi x-xejriet u monumentali li tagħti valur bla preċedent. Dan id-disinn rebbieħ tad-Deheb huwa proġett spettakolari u rispettat li jwessa' l-fruntieri tal-arti, ix-xjenza, id-disinn u t-teknoloġija. The Birth of a Book Ktieb joħloq xewqa qawwija, iqajjem il-passjoni, iħeġġeġ il-kreattività u jisħer lilna.

Wara d-Disinn

Kit għall-Istampa

Krediti, membri tat-tim u dettalji tekniċi pprovduti mid-disinjatur.

Proprjetajiet Uniċi: The designed structure of publications presents the old prints in real size and the method of their production in additional elements like a dust jacket which show printing sheet, typographic composition at 1:1 scale. The woodcuts in color inversion on the title pages refer to matrices covered with black ink. The compositions of this pages were plotted on a scheme invented by Villard de Honnecourt, 13th century artist, and refer to the proportions of columns, margins used in the 16th century.
Dimensjonijiet u Ippakkjar: Format:
256 x 320 mm in a 1.25 ratio, 560 pages, the page format allowed the calculation of a multi-level grid for the composition of individual elements, including 1200 illustrations.
Tikketti: renaissance book, first roman typefaces, old prints, typography
Teknoloġija tal-Produzzjoni: The work was digitally printed and a hardback, paper binding, thermo-gluing was used. The covering is made of black beater-dyed paper. There are also a dust jacket reflecting an imposition method for the old octavo book format, as well as a ribbon - bookmark, depicting the folio, quarto and octavo heights. Covering: Geltex Negro Antracita 191 Embossing LS 115 g (beater-dyed paper), silver color - screen printing, binder's board: spine board 2 mm, base case 3 mm, Dust Jacket: Color Style Black Smooth 120 g (beater-dyed paper) silver color - screen printing, Endpaper: Geltex Negro Antracita 191 Embossing LS 130 g (beater-dyed paper), Book-block: Pergraphica Natural Smooth 120 g, CMYK - digital printing, HP Indigo, printing according to fiber direction, PUR glue, Headband: Black, Ribbon bookmark: Black, silver color
Sfida tad-Disinn: The biggest challenge was complicated structure of the text - a lot of auxiliary and descriptive texts, an unusually large number of various illustrations - 1274. Organizing the appropriate grid required several verifications. I based the project largely on mathematical calculations related to the content of the publication. The divisions and colors used resulted entirely from the content and the assumption of the best possible exposure of illustrations and text. By learning the methodology of 16th-century typographers, you can see frequent references to numbers that have always been present in nature. The search for systematization the surrounding world by the renaissance artists was huge inspiration. Each element in the world has its place and meaning, nothing is accidental, everything is connected with each other and interacts with each other. I also wanted to build a relationship system in the design of my publication, where the smallest part would result from the structure of the whole.
Riċerka: The first part of book contains basic information about printing, introduces the reader to the general principles of Renaissance design. In the second part of the publication, printing in Poland was discussed in more detail. This part was divided into 5 chapters, four of which have been assigned specific cities. The choice of places was justified by the pioneering activity of the printing houses, which opened there, their size, as well as the quality of the publications they produced.
Ispirazzjoni: The main inspirations were the general principles of Renaissance design. The first stage of the project included gathering graphic material necessary to conduct research on the old European, Polish books. The study covered individual elements, starting from the materials from which books were created: papers, binding materials, typefaces, ornaments, graphics. Information was also collected on the most well-known Polish and European publishers, typographers and punchcutters.
Tul tal-Proġett: The project started in May 2017 in Bialystok and finished in February 2019 in Katowice, Poland
Fluss tal-Operazzjoni: All the elements in the book have been designed to familiarize the reader with the methodology of creating books in the 16th century. Starting from the format of the book showing real formats of old prints, to the dust jacket presenting the printing imposition, or the ribbon indicating the height of old books - folio, quarto, otavo.
Krediti tal-Immaġni: Urszula Gireń / 2019