For Georges Rousse Tlanextiltzin: Tetlacnelilli ītēchcopa Hasong Lee

Tlanāhuatīlli For Georges Rousse Tlanextiltzin: Tetlacnelilli ītēchcopa Hasong Lee cē cencā mahuizzō tēmacēhualōni īpan huēyi 2020 Mahuizolli A' Design Award Iztacteocuitlatl īpan Tlanextilli, Tlanextiliztepoztli ihuan Neixcahuiliztli Tlachihchihualiztli Nēhuilīztli Tlamantli.

IztacteocuitlatlTlanextilli· 2020

For Georges Rousse Tlanextiltzin: Tetlacnelilli

īpal Hasong Lee

Tlanāhuatīlli: Hasong Lee

Mahuizolli A' Design Award Iztacteocuitlatl Tēmacēhualōni īpan Tlanextilli Tlamantli

84,542

Tlaneltīlīlli Tēmacēhualōni

Xictlaneltilia Tēmacēhualli ītēchcopa #104814

Xiquitta A' Design Award ītechcopa Āmatl Tēmachiyōtīliztli Tlamachiōtl

Tlapalli

Tlanēxtilistli

Ītechcopa For Georges Rousse Tlanextiltzin: Tetlacnelilli

Inin For Georges Rousse ce tetlacnelilli tlen omochiuh inic quimacaz mahuizyotl ce francés tlaixcopinqui. Inin tetlacnelilli ce yeixtin tlaixiptlayotl tlen mopohua ipan anamorfosis, ce tlachializ tlateixpanoliztli campa ce tlacayotl motta cocoliuhqui ipan miec canahtli. Ijcuac motta ipan ce huelnezqui tlaixnextiliztli, in tlacuecuepqui tlaixmanaliztli mocentlaliah huan quitecpanah ce tepapatlactic yahualli ica tlatlapoltin tlen quipiah tlapalli. In tlacayotl omochiuh ica ce yeixtin computadora tepoztlamachtiloni. Tlaixmantli cupro-níquel huan iztac teocuitlatl omotehtequih, omocuecuepqueh huan omopilhuih, zatepan omotlapalhuih ica totonqui inic quichihuaz ce nenepaniuhqui itzalan tliltic huan iztac. Inin tetlacnelilli quipiya 115 ica 137 ica 154 milímetros.

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Iztacteocuitlatl

For Georges Rousse Tlanextiltzin: Tetlacnelilli ca in quicuic in Mahuizolli A' Design Award Iztacteocuitlatl, hueyi tlamahuizoliztli tlen momaca in huel yectli, tlanextic ihuan mahuiztic tlachihualli. In quicuicah Iztacteocuitlatl ca cenca cualli ihuan cenca yancuic tlachihualli in quinextia in tlamatiliztli, toltecayotl ihuan ixtlamatiliztli intlachihuanime. Ca quinequi in For Georges Rousse Tlanextiltzin: Tetlacnelilli ca cenca cualli, cenca motequiuhtia ihuan yancuic. Ni dizayno in quicuic Iztacteocuitlatl quihuelitia in toltecayotl, tlamatiliztli, dizayno ihuan teknolohia. For Georges Rousse Tlanextiltzin: Tetlacnelilli quiyolchicahua in tlacah, quipaquiltia ihuan quitlamahuiztiltia.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa: It is a trophy for French photographer Georges Rousse. Forms were made by imaging his stories and works. Based on this, I produced a trophy figure that is a three-dimensional impossible that showed the intended form and image at one point. I expressed the interior space that is his work in a structural form with a sense of space. Also if you look at the trophy from a point in time, you can see a two-dimensional circle with holes in different colors. It is an indirect message to rousse.
Huēyiliztli īhuān Tlacualtepēhualli: 115 mm x 137 mm x 154 mm
I produced a trophy figure that is a three-dimensional impossible that showed the intended form and image at one point. My work has a visual illusion of Anamorphosis. This seems to distort or distort the appearance of the object depicted in the picture from a normal point of view. However, when viewed from a specific location or angle specified by the artist, the distortion disappears and the figure in the picture appears normal.
Tōcāitl: Anamorphosis, Memorial, Symbolism, Sculptures, Trophy
Tlachīhualiztli Māchiyōtl: The form is produced through a computer 3D program. The metal plate is cut using a saw or a laser. It uses the technique of folding or soldering metal to fit the drawing. I use cupro-nickel and 925silver as materials. This is because when the form is finally completed and the body is colored through heat, the contrast between black and white can be seen. Then we can clearly see the picture of the form or surface I intended at a specific point in time of the finished work.
Tlanāhuatīlli Nētēcahuilīztli: Usually, the visual expression of Anamorphosis is only seen in large spaces for us. This is because the larger the space, the more effective the visual expression.
In order to show this through a small objet, I expressed it in three dimensions by combining the visual expression of IMPOSSIBLE FIGURE such as Penrose’s triangle as we know it. At one point, the three-dimensional sculpture of the trophy will show you impossible figure through Anamorphosis. That shape isn’t make sense.
Tlatēmōliztli: This work is a trophy to commemorate the Georges Rousse, which gave me a lot of enlightenment in using visual expressions, giving me the direction of formative work with memoriality and symbolism. In the future, I will continue to explore and pioneer the technique of creating sculptures in which the external and visual moldings and the inner and memorial and symbolic meanings of each are harmonious. Research on making these sculptures will advance my trophies, ornaments, and various objets.
Tēyōllālīliztli: Among many techniques of metal crafting, there is a technique of digging a groove in a metal plate, folding it at a certain angle, and then soldering between them. I like geometric shapes and I naturally became interested in the technique and I used it to produce many works. During this process, the metal plates were folded in and out to create interesting shapes. At this point, I came up with the idea that I could see the shape I wanted from a certain angle. The three-dimensionally folded metal plated can show the planar shape I intended from only one angle, which gave me curiosity and curiosity, and gave me visual fun. With this expression of Anamorphosis, jewelry like a brooch was later vanished with lacquer on the shape of the angle I intended.
Tēquitl Cāhuitl: The project started in Seoul in September 2017 and ended in late December 2017 in Seoul. First, the work was exhibited at the Gold Museum in New Taipei, Taiwan from June to October 2018. And secondly, before I graduated from the graduate school, this work was exhibited in the school gallery.
Tēquitl Ōhuitl: My work has a visual illusion of Anamorphosis. This seems to distort or distort the appearance of the object depicted in the picture from a normal point of view. However, when viewed from a specific location or angle specified by the artist, the distortion disappears and the figure in the picture appears normal. Viewers feel visually confused by observing these distortions. It also creates strong concentration in them, creates tension, and leads them to doubt their views.
Calpolli Tlācah: Hasong Lee
Īxiptla Tlanēxtīlli: Image ALL: Photographer&Craftsman Myeongwook Heo, For Georges Rousse, 2018
Main Image is Image #1. Optional Image is Image #2, Image #3 and Image #4.