Plycelain Tlacualcomitl Necentlaliztli ītēchcopa Yuting Chang

Tlanāhuatīlli Plycelain Tlacualcomitl Necentlaliztli ītēchcopa Yuting Chang cē cencā mahuizzō tēmacēhualōni īpan huēyi 2021 Mahuizolli A' Design Award Cozticteocuitlatl īpan Tlaxcalchihualoni, Tlacualtlapechtli, Atliloni ihuan Tlecuilchihualli Tlachihchihualiztli Nēhuilīztli Tlamantli.

CozticteocuitlatlTlecuilchihualli· 2021

Plycelain Tlacualcomitl Necentlaliztli

īpal Yuting Chang

Tlanāhuatīlli: Yuting Chang

Mahuizolli A' Design Award Cozticteocuitlatl Tēmacēhualōni īpan Tlecuilchihualli Tlamantli

54,361

Tlaneltīlīlli Tēmacēhualōni

Xictlaneltilia Tēmacēhualli ītēchcopa #110554

Xiquitta Tlahcuilōlcalli Xiquitta A' Design Award ītechcopa Āmatl Tēmachiyōtīliztli Tlamachiōtl

Tlapalli

Tlanēxtilistli

Ītechcopa Plycelain Tlacualcomitl Necentlaliztli

Plycelain -in tocaitl oquipehpenoh Yuting Chang, monamictiah cuauhnepantlayotl ihuan comaltetl- ca ce necentlaliztli nepantlayoh atlapatli ic chiuhki atlacomatl. Chang quichihua ce yancuic xoxouhqui ihuan iztac comitl ipampa quimotlalih atlapatli tlachihualiztli, in miyequintin-tlachihualiztli ipan comaltetl. Ipan cuepca in atlapatli tlachihualiztli, in nepantlayomeh mochihuah, auh in yohyoh xoxouhqui tlahcuilolmeh neci ipan in tlatequilli, tech quitenehuah in cualli nepanoliztli nepantlah in necentlalilli tlamantli.

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Cozticteocuitlatl

Plycelain Tlacualcomitl Necentlaliztli ca in quicuic in Mahuizolli A' Design Award Cozticteocuitlatl, huel mahuiztic tlamahuizoliztli tlen momaca in achtopa, huel cualli ihuan mahuiztic tlachihualli. In quicuicah Cozticteocuitlatl ca cenca yancuic, tlachiyani ihuan tlanextic tlachihualli in quinextia in tlamatiliztli ihuan toltecayotl. Ca quinequi in Plycelain Tlacualcomitl Necentlaliztli quitlalizque yancuic tlamantli ihuan quimacazque tlazohtli. Ni dizayno in quicuic Cozticteocuitlatl ca mahuiztic tlamantli in quihuelitia in toltecayotl, tlamatiliztli, dizayno ihuan teknolohia. Plycelain Tlacualcomitl Necentlaliztli quiyolchicahua ihuan quipaquiltia in tlacah.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa: Plycelain -a term coined by the designer combining plywood and porcelain- is a collection of multilayered slip casting drinkware. The designer creates a contemporary version of blue and white ware through applying slip casting, the mass-production technique of ceramics. By adapting the process of slip casting, layers form, and subtle blue lines are exposed on the cut surfaces, which emphasize the beautiful relationship between assembled parts.
Huēyiliztli īhuān Tlacualtepēhualli: Cup : 114 x 89 x 70 (mm)
Big Saucer : 133 x 133 x 13 (mm)
Bowl : 114 x 114 x 60 (mm)
Espresso Cup : 70 x 93 x 53 (mm)
Small Saucer : 114 x 114 x 13 (mm)
Tōcāitl: Tableware, Porcelain, Slipcasting,
Tlachīhualiztli Māchiyōtl: Slipcasting, Porcelain
Tlanāhuatīlli Nētēcahuilīztli: The challenge was each layer of the pieces requires precision and good timing to form a proper thickness during slip casting. Also, the assembling and fettling works before bisque firing are crucial.
Tlatēmōliztli: Blue-and-white ware was the most classic and influential type of Chinese porcelain before industrialization. After the invention of mass production techniques, porcelain ware can be slipcasted, and embellishments can be applied by transfer-printing. The manufacturing process is about large quantities of standardized products and unconcerned with the aesthetics of craftsmanship. The designer asked herself: how to utilize mass production techniques while keeping the genuineness of the craftsmanship spirit and create a new version of blue-and-white?

The designer tries to find the balance between tradition and modernity by transforming mass production techniques- slipcasting. She started with the idea of creating a pattern without actually painting on the clay like the traditional way. Gradually, the concept of patterning by layering casting formed.

Unlike traditional decorative blue-and-white, which embellishments are glazed on the outer surface, the patterns on Plycelain are composed of the cross-section of each functional component, such as mugs’ handles and saucers’ feet. The delicate blue lines are embedded internally during the process of slipcasting and become visible where the pieces are trimmed into shape during assembly. The subtle lines bring out the beautiful relationship between assembled parts and make this collection a unique tableware design.
Tēyōllālīliztli: The modern update of the blue-and-white porcelain is not only regarding the appearance but also about the manufacturing process. After the invention of mass production techniques, porcelain-ware can be slipcasted, and embellishments can be applied by transfer-printing. The designer tries to find the balance between tradition and modernity by utilizing mass production techniques while keeping the genuineness of the craftsmanship spirit.
Tēquitl Cāhuitl: The project started in December 2017 in Chicago and finished in 2018.
Tēquitl Ōhuitl: Plycelain is a tableware collection, including a cup set (with big saucer), an espresso cup set (with small saucer), and a Bowl. The design of Plycelain tableware collection is understated and humble, yet with a second look, the meticulous and innovative craftsmanship is not quiet at all.
Īxiptla Tlanēxtīlli: Image #1: Photographer Yuting Chang, Plycelain, 2019.
Image #2: Photographer Yuting Chang, Plycelain, 2019.
Image #3: Photographer Yuting Chang, Plycelain, 2019.
Image #4: Photographer Yuting Chang, Plycelain, 2019.
Image #5: Photographer Yuting Chang, Plycelain, 2019.