Evd Tlachihchiuhtli Ihtec Tequipancalli ītēchcopa Yang Bing and Hao Liyun

Tlanāhuatīlli Evd Tlachihchiuhtli Ihtec Tequipancalli ītēchcopa Yang Bing and Hao Liyun cē cencā mahuizzō tēmacēhualōni īpan huēyi 2021 Mahuizolli A' Design Award Cozticteocuitlatl īpan Callitic Tlacauhtli ihuan Tlanextilizpan Tlachihchihualiztli Nēhuilīztli Tlamantli.

CozticteocuitlatlCallitic· 2021

Evd Tlachihchiuhtli Ihtec Tequipancalli

īpal Yang Bing and Hao Liyun

Tlanāhuatīlli: EVD Design

Mahuizolli A' Design Award Cozticteocuitlatl Tēmacēhualōni īpan Callitic Tlamantli

23,353

Tlaneltīlīlli Tēmacēhualōni

Xictlaneltilia Tēmacēhualli ītēchcopa #112174

Xiquitta Tlahcuilōlcalli Xiquitta A' Design Award ītechcopa Āmatl Tēmachiyōtīliztli Tlamachiōtl

Tlapalli

Tlanēxtilistli

Ītechcopa Evd Tlachihchiuhtli Ihtec Tequipancalli

EVD ce tequipancalli ihuan tlanextilizcalli ihtec tlachihchiuhtli tlen mocahua ipan Shanghai, China. Inin canahyotl quipia 300 metros cuadrados. In ixnezcayotl tlen canahyotl omochihchiuh ica huehcauh tlahtolmachiyotl, ihuan in huehcauh calchihualiztli tlamantli motequihuia ica yancuic tlachihualiztli inic motlalia ce nemachiliztli tlen cemihcac yeliztli. Ce canahyotl quen U ixnezqui monechicoa ica ce hueyac itlacotyan ihuan macuilli huehueyi tlanexcoyoctli, ihuic in tonalmeyotl calaqui ihuan momoyahua ica yollotlamatiliztli. Ololtic ixnezcayotl motlalia inic mocualnextia in ihtec canahyotl. In tlachihchiuhtli pehua ica motlahtlania in tlateltiliztli tlen quichihua in tlepohpoloni acatecomatl ihuan in ehecaceceliani acatecomatl. Achi mochi tepamitl quitequihuia tlapalamatl tlachihualli ica atexcalpotectli ihuan yolic ocotzotl.

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Cozticteocuitlatl

Evd Tlachihchiuhtli Ihtec Tequipancalli ca in quicuic in Mahuizolli A' Design Award Cozticteocuitlatl, huel mahuiztic tlamahuizoliztli tlen momaca in achtopa, huel cualli ihuan mahuiztic tlachihualli. In quicuicah Cozticteocuitlatl ca cenca yancuic, tlachiyani ihuan tlanextic tlachihualli in quinextia in tlamatiliztli ihuan toltecayotl. Ca quinequi in Evd Tlachihchiuhtli Ihtec Tequipancalli quitlalizque yancuic tlamantli ihuan quimacazque tlazohtli. Ni dizayno in quicuic Cozticteocuitlatl ca mahuiztic tlamantli in quihuelitia in toltecayotl, tlamatiliztli, dizayno ihuan teknolohia. Evd Tlachihchiuhtli Ihtec Tequipancalli quiyolchicahua ihuan quipaquiltia in tlacah.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa: The spatial form of the office is shaped based on classical languages. The design team utilized classical architectural elements with modern approaches, to add a sense of eternity to the space. Besides, sphere -the most beautiful solid figure is brought in, which enhances the spatial aesthetic. The designers elevated the area outside the door opening of the "garden" to create natural height difference of sight line and to endow the space with fun and a sense of mystery.
Huēyiliztli īhuān Tlacualtepēhualli: Type: office and exhibition area
Area: 300 sqm
Tōcāitl: Evd, office, workplace, classical aesthetics, Classical spatial languages
Tlachīhualiztli Māchiyōtl: The design starts from solving with spatial limitations caused by pipes for fire protection and air conditioners in the original space. Such a design method can avoid repeated construction and resource wastes. 95% of walls use sustainable art paints. Those paints are composed of shell powder and natural gums, harmless to the environment and convenient for construction. Open and flexible spatial
Tlanāhuatīlli Nētēcahuilīztli: Due to site limitations, the position of the foyer determines the location of the entrance. In addition, the structural framework and the five orderly window openings define the placement of the wall. The challenges are how to allow light from the north naturally into the interior space and offer people a sense of participation and a playful perception.
Tlatēmōliztli: Located in Shanghai, China, EVD office is conceived based on two design threads that derive from site restrictions. One extends from the entrance to the interior, while the other is folded out vertically in the 5-meter-high space. Due to site limitations, the position of the foyer determines the location of the entrance. In addition, the structural framework and the five orderly window openings define the placement of the wall.
Tēyōllālīliztli: The designers created a U-shaped area that combines with one long side and the five large windows, allowing natural light to filter in and diffuse freely. The entrance protrudes towards the foyer, due to the consideration of fire control regulations. Its position and width for evacuation bring new opportunities for organizing spatial pattern and form. The overall spatial design starts here.
Tēquitl Cāhuitl: April 2019-September 2019, Shanghai
Tēquitl Ōhuitl: The spatial form is shaped based on classical languages. It absorbs arched elements from Antonello da Messina's masterpiece "St. Jerome in His Study". In the painting, Messina depicted an "eternal" space that combines openness and privacy as well as fluidity and serenity by the use of arches, which can be seen on architectural and interior structures, landscape and furniture. Based on 3D shapes, he t
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