Shine Estuary Calpolli Tecpancalli ītēchcopa Qiyue Architects

Tlanāhuatīlli Shine Estuary Calpolli Tecpancalli ītēchcopa Qiyue Architects cē cencā mahuizzō tēmacēhualōni īpan huēyi 2021 Mahuizolli A' Design Award Iztacteocuitlatl īpan Calchihualiztli, Calmanaliztli ihuan Tlatecpanaliztli Tlachihchihualiztli Nēhuilīztli Tlamantli.

IztacteocuitlatlCalchihualiztli· 2021

Shine Estuary Calpolli Tecpancalli

īpal Qiyue Architects

Tlanāhuatīlli: Qiyue Architects

Mahuizolli A' Design Award Iztacteocuitlatl Tēmacēhualōni īpan Calchihualiztli Tlamantli

19,121

Tlaneltīlīlli Tēmacēhualōni

Xictlaneltilia Tēmacēhualli ītēchcopa #116042

Xiquitta Tlahcuilōlcalli Xiquitta A' Design Award ītechcopa Āmatl Tēmachiyōtīliztli Tlamachiōtl

Tlapalli

Tlanēxtilistli

Ītechcopa Shine Estuary Calpolli Tecpancalli

Shine Estuary in ce calpolli tecpancalli tlen onoc ipan Oujiang Yancuic Tlahtocayotl itech Wenzhou, China. In calli motlalia ica yeyi ellipsoid tlamantli tlen mopanahuia inhuan, ihuan ce tlanepantli tlacpac quinnepanoa in yeyi tlamantli ihuan quisaloa in mochi calli. In coltic tlachializtli quilnamiqui in ameyalli tlen quichihua in michaacalli ipan Oujiang atoyatl. Chichiltic-iztac tehuilotl tlapechtli, tlen ana ompoalli ihuan chicuacen huan tlaco metro, quitlapoa in ixtli ihuictzinco in atl. In tlanechicoliztli calli motlalia ipan yeyi tlacpaccayotl, tlen quimaca in cualli tlachializtli itech atoyatl.

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Iztacteocuitlatl

Shine Estuary Calpolli Tecpancalli ca in quicuic in Mahuizolli A' Design Award Iztacteocuitlatl, hueyi tlamahuizoliztli tlen momaca in huel yectli, tlanextic ihuan mahuiztic tlachihualli. In quicuicah Iztacteocuitlatl ca cenca cualli ihuan cenca yancuic tlachihualli in quinextia in tlamatiliztli, toltecayotl ihuan ixtlamatiliztli intlachihuanime. Ca quinequi in Shine Estuary Calpolli Tecpancalli ca cenca cualli, cenca motequiuhtia ihuan yancuic. Ni dizayno in quicuic Iztacteocuitlatl quihuelitia in toltecayotl, tlamatiliztli, dizayno ihuan teknolohia. Shine Estuary Calpolli Tecpancalli quiyolchicahua in tlacah, quipaquiltia ihuan quitlamahuiztiltia.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa: Boasting a full view of the river and unlimited potential, the project is located in the Oujiang New District of Wenzhou, an area still in its early stages of development. The relationship between the architectural space and its visitors is always changing. The building mass extends through various spatial rhythms and possibilities, preparing the space for even more prospects in the future.
Huēyiliztli īhuān Tlacualtepēhualli: To ensure good spatial circulation, the architect considered the structure and aesthetic of the building and set the maximum column width to 11 meters.

In order to introduce change into the façade and also to provide a better view of the river, panels of ultra-white glass as large as 2 x 6.15m were used.

The curved light strip embedded in the aluminum panel in the exterior gray area moves the space from “darkness” towards “light.” This not only takes into account the lighting necessities, but also becomes a part of the architectural identity.
Tōcāitl: community Center, spatial circulation, iconic, Sustainability
Tlachīhualiztli Māchiyōtl: The architect reproduces the natural riverside scenery through the use of modern and simple silvery white tones. The use of large areas of ultra-white glass brings out the naturalness and pureness of the building.
Throughout the design process the unity of architectural details, spatial relationships, function, and aesthetics was heavily taken into account.
To cover up the black glue-seam of the ultra-white glass, a metal rod 80mm wide is used. Simultaneously, they function as markers for future lighting placements.
Tlanāhuatīlli Nētēcahuilīztli: How to create an example-setting and symbolic design in a developing residential area? How to allow visitors a glimpse of life in the future? How to improve the view of the waterscape despite the presence of the dam? These are the most important challenges of this project.
Tlatēmōliztli: Since the project began, the architect has been on site for nearly three months, participating in and guiding the various construction circles such as those involving structure, glass walls, metal aluminum plates, and lighting. This is done to ensure the quality of the building.
Since its opening, the project has become a spiritual landmark dancing with the wind, drawing in a large number of tourists. As the architect initially expected, the creation of a warm community has aroused a new passion for the future. The project has revived the area and guided Oujiang New District to a better tomorrow.
Tēyōllālīliztli: The architect was inspired by the fishing boats passing by on the Oujiang River and the ripples that they create. The soft and light curves introduced in the design bring dynamism to the rigid and orderly building. The concept of three offset ellipsoid blocks superimposed upon each other was thus developed. The twisting shape of the building partners up with the ripples of the river and together. A shared space is set up where the three shapes are connected, linking up the entire building.
Tēquitl Cāhuitl: started is March 2020 and Finished in July in Wenzhou, China.
Tēquitl Ōhuitl: Through reinterpreting the Oujiang river-life culture, the architect inserts abstract and elegant curved motifs into the design of the community center. This creates a cohesive architectural form and a community area that injects the vitality of future life into all the interacting spaces. By implanting the modern design concept of “form follows function,” meeting rooms and such are placed on the third floor with the best view of the river, better showcasing the landscape resources of the project.
Calpolli Tlācah: QIYUE ARCHITECTS
Īxiptla Tlanēxtīlli: IMAGE by Zeng Jianghe