Embrace Tlapepechtli Campa Mochīhua ītēchcopa Supernova Art Embassy

Tlanāhuatīlli Embrace Tlapepechtli Campa Mochīhua ītēchcopa Supernova Art Embassy cē cencā mahuizzō tēmacēhualōni īpan huēyi 2021 Mahuizolli A' Design Award Tepoztli īpan Toltecayotl ihuan Toltecayotl Tlatlaliliztli Tlachihchihualiztli Nēhuilīztli Tlamantli.

TepoztliToltecayotl· 2021

Embrace Tlapepechtli Campa Mochīhua

īpal Supernova Art Embassy

Tlanāhuatīlli: Memorandum Project

Mahuizolli A' Design Award Tepoztli Tēmacēhualōni īpan Toltecayotl Tlamantli

14,697

Tlaneltīlīlli Tēmacēhualōni

Xictlaneltilia Tēmacēhualli ītēchcopa #121349

Xiquitta Tlahcuilōlcalli Xiquitta A' Design Award ītechcopa Āmatl Tēmachiyōtīliztli Tlamachiōtl

Tlapalli

Tlanēxtilistli

Ītechcopa Embrace Tlapepechtli Campa Mochīhua

Tlahtōlli: Nāhuatequiliztli in tlapepechtli tlein mochīhua īpan calli īxāyac in Sterlitamak. In tlapepechtli caxtōlli-om-ōme metl huēyacapan ihuān caxtōlli metl patlāhuac, ihuān in tlapehpechōlōni tlālhuatl 405 metl-tehtehcuīlōlli. Ōmotēquiuhtilihqueh tlapepecholōni ihuān olōlōlmeh, ihuān in tlatlēcōltīlōnimeh calli-īxāyac ōquitemacaqueh in tlapepechōlīztli cencah huēcapan. In tequitl toltēcayōtl ēyi cāhuitl semanahtin ōmochīuh. In tlahtōlli tlein monēxtia quilnāmiqui in yāōquīzqui īn 170 tlein Sterlitamak infantēriyoh cuadrilla, tlein ōya īpan yāōyōtl ītech in tepoztepōztli teōcuitlatl tlein tlācecēliztli ihuān ōquitēnēuh mocuepaz īca ye nō. In īnacayo ihuān in tepoztepōztli ōmonēxtihqueh īpan xihuitl 2015 ihuān ōhuālāxītīlōqueh chāntli ītech īnāmic.

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Tepoztli

Embrace Tlapepechtli Campa Mochīhua ca in quicuic in Mahuizolli A' Design Award Tepoztli, tlamahuizoliztli tlen momaca in cualli dizayno in quitlalia in tlen monequi ipan tequitl ihuan tlachihualiztli in quimaca in cualli tlachihualli. In quicuicah Tepoztli quinextia in hueyi tlamatiliztli, toltecayotl ihuan ihuelitiliztli intlachihuanime. Ca quinequi in Embrace Tlapepechtli Campa Mochīhua ca tlazohtli, mahuiztic, yancuic ihuan motequiuhtia. Ni dizayno in quicuic Tepoztli quihuelitia in tlamatiliztli ihuan quipia chicahualiztli tlen tepoztli. Embrace Tlapepechtli Campa Mochīhua quicualtia in nemiliztli ihuan quihuelitia in cemanahuac ica cualli.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa: The word "memorandum" is translated from Latin as "something you have to memorize", that is why the Memorandum project is dedicated to complex contexts and topics.

Coming home is always an exciting event. That is why the Sterlitamak stage of the project was called "Coming home". It included several emotional aspects of this concept. It was reflected in the approach of Lidiia Averina, the curator, and in the plots of all participants. This project is her personal comeback to her hometown.
Huēyiliztli īhuān Tlacualtepēhualli: Height 27 m, width 15 m, total artistic painting square 405 sq.m
Tōcāitl: mural art, spray art, public art, fine arts, storytelling, embrace, heritage, memory
Tlachīhualiztli Māchiyōtl: Some activists took great care of their ancestors memories and the works which may appear basing on historical data and archive photographs. There were different attempts to influence the curator and the artist work. However, the compromise was reached quite quickly and the work turned to constructive direction. The artistic part of the work was done by facade paints and paint rollers. For work at a height, facade lifts (scaffolds) were used.
Tlanāhuatīlli Nētēcahuilīztli: 4 locations were selected, each of them having common connection with historical old town (although none of the buildings selected was a historically original building). They were different in meanings and the way they belong. Connection with "coming back" had been found immediately and we also had artists sharing common values. That was particularly important for their harmony.
Tlatēmōliztli: Memory of the place is an eclectic mixture of emotions; it is impossible to catch a sole scent. There are pure facts, personal stories, critics, and embellishment. Interpretations multiply and fragment. This is the reason why we want to show our perception among many others.

Andreys work finely reflects the location context with lost wooden buildings as well as the irony on current town situation with chaotic architectural add-ons (tiny business centers) which try to squeeze into any available space and corners.
Tēyōllālīliztli: The works plot is based in the story of a soldier from 170th Sterlitamak infantry division: in May, 1941, the storys main character wanted to leave his silver pocket watch to his wife. However, his wife said: "You leave with this watch and youll come back with this watch!"

In 2015, during the expedition his remains and personal belongings were found. After 74 years he came home with the watch, as promised, and his 97 years old wife met him.
Tēquitl Cāhuitl: The work is dedicated to 75th anniversary of the Great Victory, therefore it must have been finished in 2020 before rainy autumn weather.

There were repair works on the building facades, so the whole project implementation period was 1.5 months. The artistic work implementation took 3 weeks.
Tēquitl Ōhuitl: Now there is one of the main streets of town which connects an old town with new districts, therefore there are always a lot of students and pedestrians on the street. The works are on a high altitude and are well visible.

It is also important that the headquarters of 170th Sterlitamak infantry division was located nearby and here there was a path which was taken by the soldiers leaving to the railway station to go to the frontline. Where new standard buildings stand now, there were wooden houses and buildings.
Patentēmeh: Copyright belongs to Andrey Olenev and Dmitry Kudinov, 2020
Calpolli Tlācah: Curator: Lidiia Averina
Artist: Andrey Olenev
Support: Dmitry Kudinov, Alexey Agafonov, Ludmila Averina
Īxiptla Tlanēxtīlli: Image #1: Photographer – Dmitry Kudinov, Embrace #1, 2020.
Image #2: Photographer – Dmitry Kudinov, Embrace #2, 2020.
Image #3: Photographer – Dmitry Kudinov, Embrace #3, 2020.
Image #4: Photographer – Dmitry Kudinov, Embrace #4, 2020.
Image #5: Photographer – Dmitry Kudinov, Embrace #5, 2020.
Video Credits: Dmitry Kudinov, Hyperlapse, Embrace and Shihans from bird’s-eye perspective, 2020.