Symphony Icpalli ītēchcopa Jason Mizrahi

Tlanāhuatīlli Symphony Icpalli ītēchcopa Jason Mizrahi cē cencā mahuizzō tēmacēhualōni īpan huēyi 2021 Mahuizolli A' Design Award Bronse īpan Caltlapechtli Tlachihchihualiztli Nēhuilīztli Tlamantli.

BronseCaltlapechtli· 2021

Symphony Icpalli

īpal Jason Mizrahi

Tlanāhuatīlli: Jason Mizrahi Designs

Mahuizolli A' Design Award Bronse Tēmacēhualōni īpan Caltlapechtli Tlamantli

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Tlaneltīlīlli Tēmacēhualōni

Xictlaneltilia Tēmacēhualli ītēchcopa #122607

Xiquitta Tlahcuilōlcalli Xiquitta A' Design Award ītechcopa Āmatl Tēmachiyōtīliztli Tlamachiōtl

Tlapalli

Tlanēxtilistli

Ītechcopa Symphony Icpalli

Amatlahcuilolli: In Symphony icpalli iixyollo huan icoltic occencah quiyolitia in tlachihualli. In icoltic tlamantli quinextia in ehecayoacan tepantli huan quinehnehuilia ihquin ixquich hasta itzintlan campa zatepan mocueloa ica ce ixquich ic quicehuia in olini. In itzintlan quitzquia huel chicahuac in tlachihualli ipan inemian ic quimahuiztilia in tequitl tlein quichihua. In yehyecauhqui itlacpac icpalli huelis motzahuaz ica tilmahtli noso cuetlaxtli.

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Bronse

Symphony Icpalli ca in quicuic in Mahuizolli A' Design Award Bronse, hueyi tlamahuizoliztli tlen momaca in cualli tlachihualli in motenehua ipampa yancuic tlamantli, tlamatiliztli ihuan ixtlamatiliztli. In quicuicah Bronse ca tlachihualli in quipia toltecayotl ihuan quinextia in cenca miac nemiliztli ihuan tlamatiliztli intlachihuanime. Ca quinequi in Symphony Icpalli ca tlazohtli tlamantli, mahuiztic ihuan cualli. Ni dizayno in quicuic Bronse quipia cualli toltecayotl ihuan quitta in tlen tepiton. Symphony Icpalli quipaquiltia in tlacah ihuan quitlamahuiztiltia in intlanequiliz.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa: The fluid form of the Symphony chair is marked by unexpected twists and details. The linear and curved forms of the chair animate the design. The curves are defined by the negative space in the undulating frame and continue to the base where it eventually folds at an angle to bring the movement to rest. The base positions the piece firmly in place to pay respect to its function. The padded seat of the chair can be upholstered in fabric or leather. The olive green velvet fabric of the seat injects warmth into the nominated design.
Huēyiliztli īhuān Tlacualtepēhualli: W 46.35 cm x D 53 cm x H 75 cm

The fabrication requires that a single sheet of aluminum is rolled as a single piece according to the specified degree of curvature for the base and the front portion of the arms. The height and angle of the aluminum tubing that connects the arm and the seat, as well as the angle of the back to the armrest, are important in assuring that the arm of the person sitting in the chair is comfortably resting on the armrest without hunching up the shoulders. Symphony can be customized to seat 2 persons.
Tōcāitl: chair, metal, custom, sculptural, modern
Tlachīhualiztli Māchiyōtl: Symphony is a single unit with the metal formed into a seamless and continuous flow. The single sheet of metal was tested for structural stability when rolled into an undulating shape with a sharper turn at the base. The arm supports were meticulously welded into the frame to ensure seamless joints. The material was polished prior to applying the powder coat, which can be customized. The nominated design has a bronze powder coat. The seat cushion can be covered with either leather or fabric.
Tlanāhuatīlli Nētēcahuilīztli: The only challenge was finding the right material that was both flexible enough to be manipulated into a sinuous shape, and rigid enough to support its structure. It also had to be light in weight to accommodate its function. Tests performed on aluminum proved it to be the ideal material that met all of those requirements to support a structurally stable design.
Tlatēmōliztli: Symphony breaks free from the restrictions and conventions of a chair having four legs. In exploring how to express movement with inanimate objects, the design of Symphony evolved. My formal training in architecture and prior collaborations with different artisans provided the tools for finding the balance between form and function. The eventual user is always at the core of my practice in creating furniture that elicits excitement without taking away function.
Tēyōllālīliztli: A chair is typically perceived as an object with four legs, is linear, and has a formal structure. Symphony breaks free from these conventions. The design is an exploration of fluid forms expressing movement. This piece evokes a dance movement by unifying elements of architecture, sculpture, and furniture. Symphony attains a balance between form and function, art and design, positive and negative space. The combination of metal and velvet fabric in Symphony embodies comfort and luxury combined with a strong silent presence.
Tēquitl Cāhuitl: The project started in Los Angeles in 2017 and the design was launched at the 2017 Architectural Digest (AD) Design Show in New York. For the AD Design Show, Symphony had a black powder-coat finish. The back and seat cushions were covered with flame-colored velvet fabric. It was subsequently exhibited at the 2017 WestEdge Design Fair in Santa Monica, California in its current bronze finish.
Symphony received the award "Best Innovative Product Design" from the American Society of Interior Designers during the WestEdge Design Fair.
Tēquitl Ōhuitl: The Symphony is not only a functional and comfortable chair for enjoying a book in the living room or by the fireplace, it also makes one feel that you are incorporated into a piece of art.
Patentēmeh: Copyrights belong to Jason Mizrahi, 2014
Īxiptla Tlanēxtīlli: Image #1: Photographer, Glenn Cunanan, Ostrich Studio