Penumbra Fotografia ītēchcopa Maja Zinczuk

Tlanāhuatīlli Penumbra Fotografia ītēchcopa Maja Zinczuk cē cencā mahuizzō tēmacēhualōni īpan huēyi 2021 Mahuizolli A' Design Award Iztacteocuitlatl īpan Tlaixcopinaliztli ihuan Tlaixcopinalpatlaliztli Tlachihchihualiztli Nēhuilīztli Tlamantli.

IztacteocuitlatlTlaixcopinaliztli· 2021

Penumbra Fotografia

īpal Maja Zinczuk

Tlanāhuatīlli: Maya Zet

Mahuizolli A' Design Award Iztacteocuitlatl Tēmacēhualōni īpan Tlaixcopinaliztli Tlamantli

27,800

Tlaneltīlīlli Tēmacēhualōni

Xictlaneltilia Tēmacēhualli ītēchcopa #123551

Ximomachti achi Xiquitta Tlahcuilōlcalli Xiquitta A' Design Award ītechcopa Āmatl Tēmachiyōtīliztli Tlamachiōtl

Tlanēxtilistli

Ītechcopa Penumbra Fotografia

In tlachihuani oquicuih ixiptlayomeh ipan cahuitl ihcuac quizaya chantli huan tlanamiquia tlacameh catca ohui, inic ipan pandemico. Mocahuaya chantli huehca cahuitl oquipehualti in iyolo chicahualiztli tlachihualiztli. Ic oquimotequipanilti mochipa tlamantli cecni chantli, yuhquin comitl atl, tlachipahualoni tlamantli, cuahuitl ipan calli para mochihuaz tlanextli. In itequiuh oquichiuh ipan cuapaltik achto, zatepan mopachiuh ipan iztac ihuan tliltic. Mochi mochiuh digital. Zan ce ixiptli oquichiuh ica tlanextli artificial ce candil ihuan in ca ce ixcuilo ce piltontli. Cehualmeh miyec quinextiah momachtayah.

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Iztacteocuitlatl

Penumbra Fotografia ca in quicuic in Mahuizolli A' Design Award Iztacteocuitlatl, hueyi tlamahuizoliztli tlen momaca in huel yectli, tlanextic ihuan mahuiztic tlachihualli. In quicuicah Iztacteocuitlatl ca cenca cualli ihuan cenca yancuic tlachihualli in quinextia in tlamatiliztli, toltecayotl ihuan ixtlamatiliztli intlachihuanime. Ca quinequi in Penumbra Fotografia ca cenca cualli, cenca motequiuhtia ihuan yancuic. Ni dizayno in quicuic Iztacteocuitlatl quihuelitia in toltecayotl, tlamatiliztli, dizayno ihuan teknolohia. Penumbra Fotografia quiyolchicahua in tlacah, quipaquiltia ihuan quitlamahuiztiltia.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa: The photos were taken during the global pandemic. The most important challenge of this project was the limitations of leaving the house and meeting people.The point was to show, with minimal resources, what our life was like then.Everyday items were used for this photo session
Huēyiliztli īhuān Tlacualtepēhualli: Nikon D800 camera, black and white mode for most of the photos. Some photos were taken in color, then changed to black and white.
Tōcāitl: contrast, light, chiaroscuro, black and white, mood, Poland, portraits
Tlachīhualiztli Māchiyōtl: Fot photography were used various objects found in the house: bowls of water, reflective materials, decorative lamps, sometimes it was also the setting sun or elements of the architecture of buildings. These photos were taken in homes of photographed people or close to them.
Tlanāhuatīlli Nētēcahuilīztli: The biggest difficulty was the constraints of a global pandemic and finding the right means to tell a story when you are limited in moving.
Tlatēmōliztli: Type of study was: how can you capture fleeting moments in our everyday life? When we stop for a moment and start looking more closely. We can then notice things that we have missed so far.When you look at these photos, you will see not only light contrasts, but that opposites attract.
Tēyōllālīliztli: Caravaggio's paintings were the inspiration for these photos. Especially his passion for sharp contrasts and sharp chiaroscuro. In his paintings, many things remained in the dark, but nevertheless revealed what was most important. He modeled the silhouettes in a theatrical way, giving them a slightly religious expression.The clash of reality and spirituality was the most important. These were main subjects when shooting.People around the photographer were also an inspiration.These are the people she knows well.During the shooting, she was able to show some of the nature of the photographed people, their interests and feelings that accompanied them at that time.
Tēquitl Cāhuitl: The works were photographed in 2019 in Białystok Poland.The most common places were the homes of the photographed people and their surroundings.
Tēquitl Ōhuitl: It was a big challenge to wait for the right moment during the day to capture the right light.
Īxiptla Tlanēxtīlli: Image#1:Białystok,Poland,Joanna in her studio, 2019
Image#2:Białystok,Poland,Singer,2019
Image#3:Białystok,Poland,My son,2019
Image#4:Białystok,Poland,Paulina in garden,2019
Image#5:Białystok,Poland,Cecylia,2019