Maison Francois Tequitl: Tlacualoyan ītēchcopa John Whelan - GSL

Tlanāhuatīlli Maison Francois Tequitl: Tlacualoyan ītēchcopa John Whelan - GSL cē cencā mahuizzō tēmacēhualōni īpan huēyi 2021 Mahuizolli A' Design Award Iztacteocuitlatl īpan Tecialiliztli, Ahuiltiliztli, Nehnemiztli ihuan Tlanextiliztlanemiztli Tlachihchihualiztli Nēhuilīztli Tlamantli.

IztacteocuitlatlTecialiliztli· 2021

Maison Francois Tequitl: Tlacualoyan

īpal John Whelan - GSL

Tlanāhuatīlli: The Guild of Saint Luke

Mahuizolli A' Design Award Iztacteocuitlatl Tēmacēhualōni īpan Tecialiliztli Tlamantli

50,988

Tlaneltīlīlli Tēmacēhualōni

Xictlaneltilia Tēmacēhualli ītēchcopa #123843

Xiquitta Tlahcuilōlcalli Xiquitta A' Design Award ītechcopa Āmatl Tēmachiyōtīliztli Tlamachiōtl

Tlapalli

Tlanēxtilistli

Ītechcopa Maison Francois Tequitl: Tlacualoyan

Maison Francois ce tlacualoyan tlen quipia 500 metros cuadrados, mochihchiuh ihtic ce tepantli tlen concreto tlen amo tlamantli. In tlapantli tlen tlacoyoctli mochihua ica caqui tlamantli tlen tlapalli quen faux cemento inic monamiqui ihuan in tlaltepoztli concreto tlen pepetlaca. In cuecueltic banquetas tlen nogal ica tehuilotl tlen quitlatia ihpac mopepechoah ica cream lino, ihuan huehueyac cortinas tlen cream lino tlen hualtemo ihuan tlacpac quinamiqui in terracotta estuco ihuan tezcatl arcos. In tlazazaloliztli mochihua ica nogal ihuan caoba, ica pati brass ihuan níquel tepoztlachihualiztli. In tlanepantla isla pass mochihua in centro tlen calli ihuan quinepanoa in tlacualchihualoyan ica in tlacualoyan.

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Iztacteocuitlatl

Maison Francois Tequitl: Tlacualoyan ca in quicuic in Mahuizolli A' Design Award Iztacteocuitlatl, hueyi tlamahuizoliztli tlen momaca in huel yectli, tlanextic ihuan mahuiztic tlachihualli. In quicuicah Iztacteocuitlatl ca cenca cualli ihuan cenca yancuic tlachihualli in quinextia in tlamatiliztli, toltecayotl ihuan ixtlamatiliztli intlachihuanime. Ca quinequi in Maison Francois Tequitl: Tlacualoyan ca cenca cualli, cenca motequiuhtia ihuan yancuic. Ni dizayno in quicuic Iztacteocuitlatl quihuelitia in toltecayotl, tlamatiliztli, dizayno ihuan teknolohia. Maison Francois Tequitl: Tlacualoyan quiyolchicahua in tlacah, quipaquiltia ihuan quitlamahuiztiltia.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa: Initially, the concrete shell was taken as the starting point, creating a Brutalist ceiling coffering and laying down a polished concrete floor. Once the framework was established, ensuing elements were designed to create that elusive warmth and intimacy. Curved walnut banquettes with privacy glass uppers are upholstered in a resistant cream linen that are tactile and inviting. They correspond with floor-to-ceiling cream linen curtains that offset the grandeur of the imposing terracotta stucco and mirror arches.
Huēyiliztli īhuān Tlacualtepēhualli: 500 square metres floor space
Tōcāitl: Restaurant, Brasserie, London
Tlachīhualiztli Māchiyōtl: The coffered ceiling was realised in phonic material and painted in faux-cement to match the polished concrete floor. Joinery is in walnut and mahogany, with patinated brass and nickel metalwork. Upholstery and drapery is in cream linen.
Tlanāhuatīlli Nētēcahuilīztli: The main challenge was the space that was inherited from the landlord. A far cry from the warm and welcoming environment desired by the client, it was a cavernous concrete shell with no discernible features of interest. The façade offered little more by way of inspiration, being part of a somewhat generic new build. It was therefore necessary to think carefully about how the large volume could be animated, and how to create visibility from the street.
Tlatēmōliztli: Much of the research that went into this project had been conducted over several years, working on restoring and re-designing historic brasseries in France. Everything that was learned by the studio during this period was applied to the project, but this knowledge was infused with more contemporary reference points such as Postmodernism and Brutalism in order to evolve the genre.
Tēyōllālīliztli: Rather than taking the more tried and tested route of looking to the Art Deco period for inspiration, the design looked at successful residential conversions of Brutalist spaces, such as Ricardo Bofill’s, La Fabrica. What interested the team was how the designers managed to create a sense of intimacy and warmth despite their imposing concrete surrounds. The solution was to find the right dosage of these ideas, within a more traditional brasserie framework.
Tēquitl Cāhuitl: The project started in September 2019 and opened in September 2020
Tēquitl Ōhuitl: Bringing the kitchen into direct conversation with the room was key to creating a vibrant atmosphere, and so the central island pass became the focal point of the room. It sits underneath a monumental Rado inspired clock flanked by a lambs-tongue mahogany and bevelled mirror canopy that recalls the windows of the Ismaili Centre. Metals range from patinated nickel to burnished brass, all heavy on texture and designed to warm up the space.
Calpolli Tlācah: Designer: John Whelan for The Guild of Saint Luke
Īxiptla Tlanēxtīlli: Photography by Oskar Proctor