Orbit A Collection Tlatlachialoyotl Teixcuetlaxtli ītēchcopa Suyu Chen

Tlanāhuatīlli Orbit A Collection Tlatlachialoyotl Teixcuetlaxtli ītēchcopa Suyu Chen cē cencā mahuizzō tēmacēhualōni īpan huēyi 2022 Mahuizolli A' Design Award Tepoztli īpan Cozquitl Tlachihchihualiztli Nēhuilīztli Tlamantli.

TepoztliCozquitl· 2022

Orbit A Collection Tlatlachialoyotl Teixcuetlaxtli

īpal Suyu Chen

Tlanāhuatīlli: Suyu Chen

Mahuizolli A' Design Award Tepoztli Tēmacēhualōni īpan Cozquitl Tlamantli

15,518

Tlaneltīlīlli Tēmacēhualōni

Xictlaneltilia Tēmacēhualli ītēchcopa #131168

Xiquitta Tlahcuilōlcalli Xiquitta A' Design Award ītechcopa Āmatl Tēmachiyōtīliztli Tlamachiōtl

Tlapalli

Tlanēxtilistli

Ītechcopa Orbit A Collection Tlatlachialoyotl Teixcuetlaxtli

Orbit A Tlatlachialoyotl in tlateochiuhtli teixcuetlaxtli tlein quipia ce mamalhuaztli ihuan ome cozcatl. Cecen tlachihualli ahmo occepa mochihua ihuan quinepanoa iztac tepoztli teocuitlatl ica plástico tlacoyoltin, resina zoquitl ihuan tlapalli. In no yehhuatl plástico tlacoyoltin mocuepa miacpa quen tlanechicoltli inic quichihua nepapan tlaquentli ihuan ixcuatlaliztli. Iuhqui huehcauh tepoztlateconi ohtli quen tepoztlazaloliztli, tlachihualiztli ihuan tepoztlacozcachihualiztli mocuiya, ihuan no plástico tlazaloliztli, tetexcaliztli ihuan tlapaliztli. In tlatlachialoyotl quineci in nepanolli inhuic huehcauh tlamatiliztli ihuan yancuic miactlacayotl chihualiztli.

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Tepoztli

Orbit A Collection Tlatlachialoyotl Teixcuetlaxtli ca in quicuic in Mahuizolli A' Design Award Tepoztli, tlamahuizoliztli tlen momaca in cualli dizayno in quitlalia in tlen monequi ipan tequitl ihuan tlachihualiztli in quimaca in cualli tlachihualli. In quicuicah Tepoztli quinextia in hueyi tlamatiliztli, toltecayotl ihuan ihuelitiliztli intlachihuanime. Ca quinequi in Orbit A Collection Tlatlachialoyotl Teixcuetlaxtli ca tlazohtli, mahuiztic, yancuic ihuan motequiuhtia. Ni dizayno in quicuic Tepoztli quihuelitia in tlamatiliztli ihuan quipia chicahualiztli tlen tepoztli. Orbit A Collection Tlatlachialoyotl Teixcuetlaxtli quicualtia in nemiliztli ihuan quihuelitia in cemanahuac ica cualli.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa: Each piece in this collection is handcrafted and one-of-a-kind, featuring a combination of precious metals and mixed materials, such as plastic tubes and resin. By composing jewelry works that relate to subtle forms and marks, the works embody the relationships between practices and artificial objects in traditional arts and modern mass production. Through random separating, texturing, and coloring the plastic tubes, the jewelry pieces present unique consequences with an emphasis on minimalism and elegant forms.
Huēyiliztli īhuān Tlacualtepēhualli: Brooch: 35*35*145mm
Double-tube necklace:127*40*50mm
Chain link statement necklace: 250*250*30mm
Tōcāitl: jewelry, necklace, brooch, craft, mixed material, art jewelry
Tlachīhualiztli Māchiyōtl: The metal structure utilized traditional metalsmithing techniques, such as soldering, forming, and chain-making. For the alternative medium parts, plastic-welding and various paints combination were applied, including enamel paints, gesso, and acrylic.

Material: sterling silver(925 silver), plastic tube, resin clay, enamel paints, gesso, acrylic, stainless steel(for the brooch pin)
Tlanāhuatīlli Nētēcahuilīztli: Methods to assemble and secure the parts were the most essential and challenging throughout the whole process, while various experimentation had been performed in preparation. Although the tubes were manufactured within the same standard, they were however not entirely equivalent. The slight form difference requires a more precise structure design in order to assemble all parts together perfectly. Especially for the metal part, multiple models need to be done and tested before the final outcome.
Tlatēmōliztli: By studying the history of craft-making, traditional apprenticeship culture both in China and western society, and the idea of modularity in the art fields through books, articles, and interviews, this project focuses on the repeated use of the same component, plastic electrical conduits, to create both wearable and sculptural objects. Making art using a certain strict component or principle is not uncommon in art history. The occurrence not only happened in the craft fields, but also in fine arts and even literary creation. The nature of human activities and artifacts becomes a part of the artwork concept.
Tēyōllālīliztli: By exploring the Chinese cultural background, and the idea of modularity in the traditional art fields, the project focuses on the repeated use of the same component, plastic electrical conduits, to create both wearable and sculptural objects. The aim of the work is not simply to compose forms or examine functions of jewelry within one simple material, but also to memorialize and symbolize mixed thoughts related to the experience of nostalgia and self-identity that arise from being away from home.
Tēquitl Cāhuitl: The project started in January 2019 in Rochester, New York, United States, and was completed in December 2020. The collection works had been exhibited internationally, including in New York City Jewelry Week 2019(NYC, US), JOYA 2020(Barcelona, Spain), Gioielli in Fermento 20|21(Milan, Italy), Art in Media 2021 (Burchfield Penny Art Center, Buffalo, US) and Beijing International Jewellery Exhibition(Beijing, China).
Tēquitl Ōhuitl: This collection focused on the variation and transformation of endless forms by continued use of the same artifact as a basic module. Revealing subtle layers of imperfection through painting, sanding, separating, and combining.
Calpolli Tlācah: Suyu Chen
Īxiptla Tlanēxtīlli: Image #1, #2, #3 and #4 Photographer Suyu Chen, Orbit A Collection, 2019
Image #5, Photographer Jiageng Lin, Orbit A Collection, 2020