Fujifilm Clay Studio2 Tequitl Calihtic Nechicholiztli ītēchcopa Koji Aoki, Lin Su and Atsushi Fujita

Tlanāhuatīlli Fujifilm Clay Studio2 Tequitl Calihtic Nechicholiztli ītēchcopa Koji Aoki, Lin Su and Atsushi Fujita cē cencā mahuizzō tēmacēhualōni īpan huēyi 2022 Mahuizolli A' Design Award Bronse īpan Callitic Tlacauhtli ihuan Tlanextilizpan Tlachihchihualiztli Nēhuilīztli Tlamantli.

BronseCallitic· 2022

Fujifilm Clay Studio2 Tequitl Calihtic Nechicholiztli

īpal Koji Aoki, Lin Su and Atsushi Fujita

Tlanāhuatīlli: Fujifilm Corporation

Mahuizolli A' Design Award Bronse Tēmacēhualōni īpan Callitic Tlamantli

10,402

Tlaneltīlīlli Tēmacēhualōni

Xictlaneltilia Tēmacēhualli ītēchcopa #131321

Xiquitta Tlahcuilōlcalli Xiquitta A' Design Award ītechcopa Āmatl Tēmachiyōtīliztli Tlamachiōtl

Tlapalli

Tlanēxtilistli

Ītechcopa Fujifilm Clay Studio2 Tequitl Calihtic Nechicholiztli

Clay Studio 2 in calihtic nechicholiztli motlalia inic tequitiz pampa chihchihualiztli ihuan tlachializtli in tequitl ompa Tokyo. In tlahuelantli 300 metros cuadrados motlalia ken se yolseuhqui tlahuelantli inic yolyoltinemiliztli, inic mopatlani ihuan altepechicalcalli tlen zazan itech tlahtolnemiliztli mocua. Tetl (concreto), tlapaliztli ihuan cuahuitl-cemento tlapechtli amo mopatilia, ihcon in calihtic mottaz zan yuhqui tlachihchiuhtli itech huapalli ihuan pilhuahcan. Xochitepeyotl chihchihualiztli ihuan yolcayotl tlachializtli quichihuah in tepotzco ihuan quihualhuica in xihuitl patiliztli itech tlahuelantli. In tlahcuiloayan mixnamiqui tlacpac, ihuan se chicome-metro tlahcuilomeyotl techixtia nechicoliztli tepitzin, zan ihcuac cencah nemih tlacah mocahuah.

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Bronse

Fujifilm Clay Studio2 Tequitl Calihtic Nechicholiztli ca in quicuic in Mahuizolli A' Design Award Bronse, hueyi tlamahuizoliztli tlen momaca in cualli tlachihualli in motenehua ipampa yancuic tlamantli, tlamatiliztli ihuan ixtlamatiliztli. In quicuicah Bronse ca tlachihualli in quipia toltecayotl ihuan quinextia in cenca miac nemiliztli ihuan tlamatiliztli intlachihuanime. Ca quinequi in Fujifilm Clay Studio2 Tequitl Calihtic Nechicholiztli ca tlazohtli tlamantli, mahuiztic ihuan cualli. Ni dizayno in quicuic Bronse quipia cualli toltecayotl ihuan quitta in tlen tepiton. Fujifilm Clay Studio2 Tequitl Calihtic Nechicholiztli quipaquiltia in tlacah ihuan quitlamahuiztiltia in intlanequiliz.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa: It goes against the "dynamic" offices that exist today, where communication is the main focus. However, on the contrary, a place where people can gather and immerse themselves in friendly competition is the antithesis of the current office. Natural scenery used as the background for the landscaping of a garden adds seasonal changes to the space and enriches the experience of working while immersed.
Huēyiliztli īhuān Tlacualtepēhualli: The space is made of only unprocessed materials and has the appearance of being made up of only beams and pillars. While creating an environment where everyone can face outward to design, the ability to turn around and have a quick meeting at a big table adds flexibility and adaptability to the "immersion. This layout is not face-to-face, and also allows for social distance, so even without acrylic panels, droplet infection can be controlled.
Tōcāitl: a place for immersion, dynamic, feel of material unprocessed material, natural scenery used as the background for the landscaping of a garden, 7m big table, To have nothing is to have plenty, Work while cultivating the sensitivity to see the fragility and preciousness of the natural world as beautiful, Length 7m large table
Tlachīhualiztli Māchiyōtl: concrete, painting, wood cement board
Tlanāhuatīlli Nētēcahuilīztli: It was difficult to unite concentration and communication.
It was planned with the hope that people would immerse themselves in the designs they create. This is contrary to the many "dynamic" offices that exist today. This is contrary to the many "dynamic" offices that exist today, where the main focus is on communication. On the contrary, however, believe that it is the antithesis of the current office, where people can gather together and immerse themselves in friendly competition.
Tlatēmōliztli: This is the office for Fujifilm's product and visual design. As a place to practice design management, have created a new base, "Clay Studio 2" in addition to the current office. If the current office is a "dynamic" space, the new office is planned with immersion as a "static" space in mind.
Leased area: 300㎡, use: office, building location: Tokyo, Move-in department: Fujifilm Design Center, Number of residents: 26
Tēyōllālīliztli: The office was designed with the hope that people would work while cultivating the sensitivity to see the fragility and preciousness of the natural world as beautiful and to immerse themselves in the designs they create. The office was designed with this in mind. Space itself is used as a "guide" for immersion.
Used the original landscape of the building to promote immersion in a calm state of mind, as if visiting a temple or shrine.
Tēquitl Cāhuitl: Start of design in November 2020, completion in April 2021
Nishi-Azabu, Minato-ku, Tokyo　
Tēquitl Ōhuitl: While creating an environment where employees can look outward to design, the ability to turn around and have a quick meeting at a BIG table adds flexibility and adaptability to the "immersion. This layout is not face-to-face, and also allows for social distance, so even without the acrylic panels, droplet infection can be controlled.
Calpolli Tlācah: Director:Koji Aoki
Design:Lin Su
Design:Atsushi Fujita