Graphic Icpalli ītēchcopa Beatriz Rezende Di Cunto

Tlanāhuatīlli Graphic Icpalli ītēchcopa Beatriz Rezende Di Cunto cē cencā mahuizzō tēmacēhualōni īpan huēyi 2022 Mahuizolli A' Design Award Iztacteocuitlatl īpan Caltlapechtli Tlachihchihualiztli Nēhuilīztli Tlamantli.

IztacteocuitlatlCaltlapechtli· 2022

Graphic Icpalli

īpal Beatriz Rezende Di Cunto

Tlanāhuatīlli: Bia Rezende

Mahuizolli A' Design Award Iztacteocuitlatl Tēmacēhualōni īpan Caltlapechtli Tlamantli

30,299

Tlaneltīlīlli Tēmacēhualōni

Xictlaneltilia Tēmacēhualli ītēchcopa #136979

Xiquitta Tlahcuilōlcalli Xiquitta A' Design Award ītechcopa Āmatl Tēmachiyōtīliztli Tlamachiōtl

Tlapalli

Tlanēxtilistli

Ītechcopa Graphic Icpalli

Graphic ce icpalli tlen omochihchiuh ipampa tlacalaquiloyan huan calihtic nemohualoyan. In tlachihchihualli amo ohui huan geometrico, ahmo quipiya tlatzotzonalli. In tepotzcuayotl huitz itech ce yahualtic tlamantli tlen omocampanaltih expa itech iradio, tlen quimaca in tlachihchiuhtli icpalli ce yehyecatic tlaixnextiliztli. In cuauhtlacuayotl omochihchiuh ica cuahuitl tlen mochantia occeppa, ica Lyptus itech in itemamachiuhca tlamantin huan Pinus itech occequin tlamantin. In inetlaliayan quipiya foam tlen 30 idensidad, huan in icxihuan tepoztli carbono tlapalihcuiloh ica automotivo tlapalli. In itlaquenyo yancuic tlaquemitl. In tlacomolli tlen onca itzalan in icpalli huan tlalpantli quiyehyecatia in tlachipahualiztli.

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Iztacteocuitlatl

Graphic Icpalli ca in quicuic in Mahuizolli A' Design Award Iztacteocuitlatl, hueyi tlamahuizoliztli tlen momaca in huel yectli, tlanextic ihuan mahuiztic tlachihualli. In quicuicah Iztacteocuitlatl ca cenca cualli ihuan cenca yancuic tlachihualli in quinextia in tlamatiliztli, toltecayotl ihuan ixtlamatiliztli intlachihuanime. Ca quinequi in Graphic Icpalli ca cenca cualli, cenca motequiuhtia ihuan yancuic. Ni dizayno in quicuic Iztacteocuitlatl quihuelitia in toltecayotl, tlamatiliztli, dizayno ihuan teknolohia. Graphic Icpalli quiyolchicahua in tlacah, quipaquiltia ihuan quitlamahuiztiltia.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa: With a simple and geometric design, without any ornaments, a unique form that follows the function: to sit. The Graphic sofa presents a balance between the structured, rigid sitting, with the curved design, bringing lightness to the room. It is a great choice for receptions and living rooms.
Huēyiliztli īhuān Tlacualtepēhualli: Dimensions: W.215cm x D.65cm x H.105cm
Tōcāitl: sofa, contemporary, comfortable, office, home, furniture, sitting
Tlachīhualiztli Māchiyōtl: The sofa is made with reforestation woods: Lyptus in the structural parts and Pinus in the other parts. It has 30 density foam in its seat, carbon steel feet painted with automotive paint and natural fabric.
Tlanāhuatīlli Nētēcahuilīztli: The major challenge was to respect the ergonomics and confort without losing the design of the piece.
Tlatēmōliztli: With a creative process in which form is first thought, then function and ergonomics, the designer investigated the circular shape in the extract of its origin: the point. Bringing Kandisnky's phrase that was an inspiration for the creation of unique design pieces that present themselves with pure geometric shapes.: "The line is a moving point". The creation of the sofa emerged from the observation of the circular shape and its possible functions, the shape was assigned the function of a backrest and then, by extending this shape by 3 times from its radius, the designer visualized a backrest of a sofa.
Tēyōllālīliztli: The designer is enchanted by visual language since she was little and prefers images to long texts. She saw in the infographics that accompanied her throughout her student life, shapes that could become design objects. At the same time, she delved into deep studies of concrete art and geometric abstractionism and this brought her the idea of transforming the forms into furniture.
Tēquitl Cāhuitl: The project started in November 2018 in Sao Paulo and finished in June 2019 in Sao Paulo.
Tēquitl Ōhuitl: The piece is comfortable and perfect for public spaces such as receptions, once they promote a formal way of seating. In addition, the sofa provides an easy way to clean the room through the gap between the seat and the floor.
Īxiptla Tlanēxtīlli: Photographer: Marco Antonio