Tlanāhuatīlli Bio Icpalli ītēchcopa Vladimir Zagorac cē cencā mahuizzō tēmacēhualōni īpan huēyi 2022 Mahuizolli A' Design Award Bronse īpan Caltlapechtli Tlachihchihualiztli Nēhuilīztli Tlamantli.

BronseCaltlapechtli· 2022

Bio Icpalli

īpal Vladimir Zagorac

Tlanāhuatīlli: Vladimir Zagorac

Mahuizolli A' Design Award Bronse Tēmacēhualōni īpan Caltlapechtli Tlamantli

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Tlaneltīlīlli Tēmacēhualōni

Xictlaneltilia Tēmacēhualli ītēchcopa #140098

Xiquitta A' Design Award ītechcopa Āmatl Tēmachiyōtīliztli Tlamachiōtl

Tlapalli

Tlanēxtilistli

Ītechcopa Bio Icpalli

Bio yehhuatl in cētēntli icpalli tzintamalpan tlachīhualli īpan īnepantla āltepētl calli. In tlapōuhcāyōtl īcuitlapan quilnāmiqui in izhuatl noso in tepechīhual, īhuān in nezcāyōtl mocuepa nāhuac in tenetechpan pan ic mahmani in xōchitl Calla aethiopica xihuitl. In tenetech achi mocuepa tepotzco īhuān mopanahuia pan cē tlacotōn, quichīhua cē āmo neneuhqui nezcāyōtl. In āmo neneuhqui zan pan yancuīcān tlacotōntin in nezcāyōtl mochīhua, ic pāccāyōtl īhuān yeccān tequitl mopiya. In tlachīhualōni motēnēhua thermoplásticos tlacēhualli, tepoztli, aluminio tlatecpanalli, āhuacuahuitl īhuān cuetlaxtli.

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Bronse

Bio Icpalli ca in quicuic in Mahuizolli A' Design Award Bronse, hueyi tlamahuizoliztli tlen momaca in cualli tlachihualli in motenehua ipampa yancuic tlamantli, tlamatiliztli ihuan ixtlamatiliztli. In quicuicah Bronse ca tlachihualli in quipia toltecayotl ihuan quinextia in cenca miac nemiliztli ihuan tlamatiliztli intlachihuanime. Ca quinequi in Bio Icpalli ca tlazohtli tlamantli, mahuiztic ihuan cualli. Ni dizayno in quicuic Bronse quipia cualli toltecayotl ihuan quitta in tlen tepiton. Bio Icpalli quipaquiltia in tlacah ihuan quitlamahuiztiltia in intlanequiliz.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa: The ambiguous shape of the opening on the seat's back, recognizable as a leaf or shell transforms into a more characteristic form similar to the flower of the Calla aethiopica plant on the edge of the backrest. This edge bends slightly backwards and rises on one side, creating a new visual effect as opposed to the other side. The asymmetry of the silhouette does not affect the functionality and ergonomics of the seat since changes in the shape occur only in the outer areas of the form.
Huēyiliztli īhuān Tlacualtepēhualli: Width / Depth: up to 680mm, Height: 849mm (medium)
Tōcāitl: Asymmetry, Natural, Bio-form, Growth, Stylization
Tlachīhualiztli Māchiyōtl: Molded thermoplastics, Welded laser-cut and pressed steel, Cast aluminum, Oakwood, Leather
Tlanāhuatīlli Nētēcahuilīztli: The shape of the seat can be associated with a multitude of natural forms but also with the general characteristics of the living world. The silhouette of the seat is defined through two edge curves similar in shape but with subtle differences such as curvature, orientation, distortion, and depth. These gradual changes emphasize growth as a universally understandable natural pattern and accentuate the form through minimal spatial deformations associated with gravity and weight. A firm overall construct was kept whilst utilizing asymmetry as one of the main chosen attributes.
Tlatēmōliztli: The research was performed by analyzing samples from flora and fauna and simplification and stylizing through drawings and 3D computer models. The result contains no unnecessary visual details, and was driven by the challenge of creating asymmetrical functional aesthetics within an ergonomic fresh design, universally understood as a bio-form. Different variants were developed depending on the purpose of the chair and type of legs, with metal and wood as starting materials. The organic lines of the seats are additionally emphasized in contrast with the materials of the legs.
Tēyōllālīliztli: Bio is a conceptual research project in the subject of stylistics created as a part of doctoral studies. The proposal of the chair collection was inspired by organic shapes and universal principals of nature.
Tēquitl Cāhuitl: The project lasted one semester at the Faculty of Applied Arts in Belgrade.
Tēquitl Ōhuitl: Bio is a low armchair collection designed for various usages. It complements modern interiors with simplistic asymmetry and unobtrusive form open to interpretation.
Patentēmeh: Copyrights belong to Vladimir Zagorac and the Faculty of Applied Arts in Belgrade
Calpolli Tlācah: Designer: Vladimir Zagorac
Mentor: Marko Lukovic
Īxiptla Tlanēxtīlli: Vladimir Zagorac, Faculty of Applied Arts in Belgrade