Firebergs Series Cold 23 Cemanahuac Ixiptlatequitl ītēchcopa Patrizia Dottori

Tlanāhuatīlli Firebergs Series Cold 23 Cemanahuac Ixiptlatequitl ītēchcopa Patrizia Dottori cē cencā mahuizzō tēmacēhualōni īpan huēyi 2023 Mahuizolli A' Design Award Iztacteocuitlatl īpan Tlaixcopinaliztli ihuan Tlaixcopinalpatlaliztli Tlachihchihualiztli Nēhuilīztli Tlamantli.

IztacteocuitlatlTlaixcopinaliztli· 2023

Firebergs Series Cold 23 Cemanahuac Ixiptlatequitl

īpal Patrizia Dottori

Tlanāhuatīlli: PatIsHere

Mahuizolli A' Design Award Iztacteocuitlatl Tēmacēhualōni īpan Tlaixcopinaliztli Tlamantli

83,838

Tlaneltīlīlli Tēmacēhualōni

Xictlaneltilia Tēmacēhualli ītēchcopa #149354

Xiquitta Tlahcuilōlcalli Xiquitta A' Design Award ītechcopa Āmatl Tēmachiyōtīliztli Tlamachiōtl

Tlapalli

Tlanēxtilistli

Ītechcopa Firebergs Series Cold 23 Cemanahuac Ixiptlatequitl

In tlahcuilo itequiuh quitlalia ce temachtilli axcan nepantla ipan cemanahuac netlatihtlaniztli pampa altepemeh ihuan tlacah: in tlalticpac. Ipan inin ixiptlahcuiloltin, in achtopa tlamantli ca in cetl ihuan ipatiliztli. In tlahcuilo oquichiuh ica in tlapalli ixcuepaliztli ipan cualnemiliztli ichan amo cualnemiliztli, monamictia ica in ixcuepaliztli tlamaniliztli, quitlahcuiloa ce occequintin neltiliztli: in cetl mochihua tletl, in xexelihuiliztli mochihua tepopocatl. Ce yancuic tlachihualnemiliztli quitlahtohua in ohuiliztli ica netlachializtli Perito Moreno Huey Ceceyotl.

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Iztacteocuitlatl

Firebergs Series Cold 23 Cemanahuac Ixiptlatequitl ca in quicuic in Mahuizolli A' Design Award Iztacteocuitlatl, hueyi tlamahuizoliztli tlen momaca in huel yectli, tlanextic ihuan mahuiztic tlachihualli. In quicuicah Iztacteocuitlatl ca cenca cualli ihuan cenca yancuic tlachihualli in quinextia in tlamatiliztli, toltecayotl ihuan ixtlamatiliztli intlachihuanime. Ca quinequi in Firebergs Series Cold 23 Cemanahuac Ixiptlatequitl ca cenca cualli, cenca motequiuhtia ihuan yancuic. Ni dizayno in quicuic Iztacteocuitlatl quihuelitia in toltecayotl, tlamatiliztli, dizayno ihuan teknolohia. Firebergs Series Cold 23 Cemanahuac Ixiptlatequitl quiyolchicahua in tlacah, quipaquiltia ihuan quitlamahuiztiltia.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa: Project on the environment with ice as the primary element and its melting. Made through the chromatic inversion from positive to negative, which coincides with the concept of change, representing an opposite reality, fire and volcano. A surreal journey of unsettling images to tell the Perito Moreno Glacier in an absolutely unique way.
Huēyiliztli īhuān Tlacualtepēhualli: The print dimensions are 100 x 70cm. to which is added a 5 cm black frame of depth.
Some shots have been printed to be exhibited in various exhibitions, on warm photographic paper in order to enhance the colours.
Tōcāitl: climatecrisis, environment, water, fire, volcano, glacier, cracks, volcaniclava, meltingglaciers, photography
Tlachīhualiztli Māchiyōtl: The images were taken with a professional camera, Nikon D200, then post-production was performed with Adobe Photoshop and Camera raw to achieve the chromatic inversion.
Tlanāhuatīlli Nētēcahuilīztli: To photographically represent environmental issues, I climbed up one side of the Perito Moreno Glacier. There I associated cold with heat, which is the element that melts ice. Thanks to the knowledge of printing techniques, I imagined the solution in the inversion from positive to negative: this is how the glacier becomes a volcano, its lava cracks and the photographic solution reflects its concept, focusing attention on possible solutions.
Tlatēmōliztli: The research concerns a new way of narrating the problem of the environment to bring users closer to looking at the issue from a different point of view. I verified the chromatic inversion method on the spot using a Nokia mobile phone that shot directly in the negative and then I took the images with the professional camera that I worked in post-production. During the exhibitions people were very attracted by the visual impact.
Tēyōllālīliztli: Inspired by the glacier itself, with its blue cracks becoming tongues of fire, volcanic lava. Representing Nature with surreal images and using chromatic inversion to emphasize the concept of "negative" both as a technical meaning and as a conceptual meaning.
Tēquitl Cāhuitl: The project was born at the end of 2007 on the Perito Moreno Glacier, Argentina. It is a work in progress on the environment. To date it has been exhibited in 2008 at the Tarahan-Azad Art Gallery in Tehran, in 2011 at the Centro Cultural Borges in Buenos Aires, in 2013 at the Italian Cultural Institute in Buenos Aires, in 2015 at Galleria Spazio 88 and at Studio Arte Fuori Downtown Rome. New images are currently being worked on.
Tēquitl Ōhuitl: This work, divided into series to create a path of reading and imagination, immediately evokes a volcano. A closer look, for example in image n.1, where the water seems to enter the lava, or in the images of the Walls and Scraps Series, creates a doubt and the observer wonders whether it is a volcano or of other. In unfolding, the positive-to-negative reversal, where heat burns ice, faces the issue of the climate crisis.
Patentēmeh: Copyrights belong to Patrizia Dottori, Year 2008.
Īxiptla Tlanēxtīlli: Image #1: Photographer Patrizia Dottori, FireBergs Series Cold 23, 2008. Image #2: Photographer Patrizia Dottori, FireBergs Series Cold 12, 2008. Image #3: Photographer Patrizia Dottori, FireBergs Series Scraps 2, 2008. Image #4: Photographer Patrizia Dottori, FireBergs Series Walls 2, 2008. Image #5: Photographer Patrizia Dottori, FireBergs Series Walls 5, 2008.