Oita Soho Yancuic Xaponecatl Tlacualoyan ītēchcopa Mika Kanayama

Tlanāhuatīlli Oita Soho Yancuic Xaponecatl Tlacualoyan ītēchcopa Mika Kanayama cē cencā mahuizzō tēmacēhualōni īpan huēyi 2024 Mahuizolli A' Design Award Iztacteocuitlatl īpan Callitic Tlacauhtli ihuan Tlanextilizpan Tlachihchihualiztli Nēhuilīztli Tlamantli.

IztacteocuitlatlCallitic· 2024

Oita Soho Yancuic Xaponecatl Tlacualoyan

īpal Mika Kanayama

Tlanāhuatīlli: Muzo

Mahuizolli A' Design Award Iztacteocuitlatl Tēmacēhualōni īpan Callitic Tlamantli

24,153

Tlaneltīlīlli Tēmacēhualōni

Xictlaneltilia Tēmacēhualli ītēchcopa #151700

Xiquitta Tlahcuilōlcalli Xiquitta A' Design Award ītechcopa Āmatl Tēmachiyōtīliztli Tlamachiōtl

Tlapalli

Tlanēxtilistli

Ītechcopa Oita Soho Yancuic Xaponecatl Tlacualoyan

Oita Soho oquichihualoc ipampa mochihuaz ce cualli calli, celiztli huan Xaponecatl, quinamictic in ixiptlayotl mochih ipan Oita in achtopa tlacualoyan, amo chicahuac huan xoxoctic ica miyec xihuitl. In calli omohtlac oc achi in ohuic tlachihualiztli in pochotic yancuic Xaponecatl ipan ma mochihua ce yancuic tlamachihualiztli, ce nepantlaliztli in chicahuacayotl huan tlahtolcayotl tlamantli. In tequitl oquittac in Tanizaki itlahcuilol "In Praise of Shadows" tlen tlahtohua ipan in tlachihualiztli, tlahtolcaquiliztli huan chicahualiztli tlayohuayan huan cehualli ipan Xaponecatl tlachihualiztli, yectlaliztli huan calmachiyotl.

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Iztacteocuitlatl

Oita Soho Yancuic Xaponecatl Tlacualoyan ca in quicuic in Mahuizolli A' Design Award Iztacteocuitlatl, hueyi tlamahuizoliztli tlen momaca in huel yectli, tlanextic ihuan mahuiztic tlachihualli. In quicuicah Iztacteocuitlatl ca cenca cualli ihuan cenca yancuic tlachihualli in quinextia in tlamatiliztli, toltecayotl ihuan ixtlamatiliztli intlachihuanime. Ca quinequi in Oita Soho Yancuic Xaponecatl Tlacualoyan ca cenca cualli, cenca motequiuhtia ihuan yancuic. Ni dizayno in quicuic Iztacteocuitlatl quihuelitia in toltecayotl, tlamatiliztli, dizayno ihuan teknolohia. Oita Soho Yancuic Xaponecatl Tlacualoyan quiyolchicahua in tlacah, quipaquiltia ihuan quitlamahuiztiltia.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa: It was designed to create a sophisticated, relaxing space with Japanese influences, and carrying some of the identity established in Oita's first restaurant, informal and verdant with plants throughout the space. The space required more than the conventional approaches of minimalistic modern Japanese design to deliver a distinct, remarkable experience that is a synthesis of aesthetic and cultural elements.

The space required more than the conventional approaches of minimalistic modern Japanese design, to deliver a distinct, remarkable experience that is a synthesis of aesthetic and cultural elements.Backlit paper parasols are placed overlapping in a flowing pattern that follows the stairs creating a feature wall to surprise and delight leading visitors to the upper level. The warm light of the parasols is accentuated in the dark. Lighting is careful and muted throughout relying on position and shades. Two mirrors placed parallel in opposite directions reflect the lights infinitely in their depths, adding to the glow and mystery of the space.
Huēyiliztli īhuān Tlacualtepēhualli: The area of project is
Ground Floor - 67sqm
First Floor - 69sqm
Tōcāitl: Japanese restaurant design, muzo, Oita, interior design, restaurant design, Japanese design, chinatown
Tlachīhualiztli Māchiyōtl: Grade II Listed Building
Material: Fire retardant timber & veneered oak MDF throughout.
Tlanāhuatīlli Nētēcahuilīztli: As it was a Grade II listed building, the history of the premises was researched in depth prior to work. Great consideration was given at design stage and fit-out work was carried out carefully. Any finishes that needed repairing was matched to the original finish.
Tlatēmōliztli: The space is abundant with plants and botanical imagery bringing a sense of exotic night garden or conservatory. Artworks by Imao Keinen featuring birds in seasonal settings with plants and flowers feature throughout, furthering the theme, Keinen’s masterful use of colours is utilised to play with the décor palette introducing flashes of bright colour that are echoed elsewhere, harmonising with the greenery and midnight shades to effect a unique, spectral contrast. The effect has almost the feeling of Japanese lacquerware artwork made real where living forms are presented luminously against the deep dark of lacquer surfaces.
Tēyōllālīliztli: The work was inspired by the Tanizaki essay 'In Praise of Shadows' which discusses the use, meaning and aesthetics of darkness and shadows in Japanese art, design and architecture.
Tēquitl Cāhuitl: The project was completed in January 2023 in London.
Tēquitl Ōhuitl: Backlit paper parasols are placed overlapping in a flowing pattern that follows the stairs creating a feature wall to surprise and delight leading visitors to the upper level. The warm light of the parasols is accentuated in the dark.
Lighting is careful and muted throughout relying on position and shades.
Two mirrors placed parallel in opposite directions reflect the lights infinitely in their depths, adding to the glow and mystery of the space.
Patentēmeh: Copyrights belong to Muzo, 2023
Īxiptla Tlanēxtīlli: Image #1: Photographer Sara Hibbert
Image #2: Photographer Sara Hibbert
Image #3: Photographer Sara Hibbert
Image #4: Photographer Sara Hibbert
Image #5: Photographer Sara Hibbert